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Kafka's Chimp - 1996 Opera Production 

Biographies

CREATIVE TEAM

John Metcalf, Composer
Mark Morris, Librettist
Keith Turnbull, Director
Richard Pittman, Music Director
David Gaucher, Set/Costume Designer
Claude Accolas, Lighting Designer
Nicole Mion, Choreographer
Nicolette Theroux, Stage Manager

THE ORIGINAL COMPANY

Parmela Attariwala, Violin
Krista Buckland, Viola
Kim Cooper, Petronella
Michel Corbeil, Attendant/Waiter
Chantal Deeble, Petra
Steven Horst, Red Peter
Christine Huang, Marimba
Michael Jones, Director
Allyson McHardy, Frieda
Frances Pappas, Kaye
Peter Pavlovsky, Double Bass
Dave St. Pierre, Young Peter/Pierrot
Chiyoko Szlavnics, Soprano Sax
John Thompson, Percussion
Liz Upchurch, Piano/Coach


CREATIVE TEAM

JOHN METCALF
Composer

A joint UK/Canadian citizen, John Metcalf now lives in South West Wales. Starting in the late 1960's his successful compositions embrace a large variety of work that contains two strong and consistent threads: a deep interest in music and theatre and an intense involvement in music for the human voice.

Major works have marked his development including five operas, two commissioned from the Welsh National Opera. Other seminal early works include Auden Songs (1973) and Dyad for String Orchestra (1977). In the middle 1980's John wrote three major works for the voice: The Great Question Mark (1983), The Crossing (1984) and The Boundaries of Time  to words by Mark Morris.

In 1986 he was appointed Artistic Director of Banff Music Theatre and Composer-in-Residence. In 1989, while at Banff, he completed the opera Tornrak, commissioned for Welsh National Opera. It employs Inuit throat singing techniques and other extended vocal sounds to create a remarkable synthesis of native singing movement and language.

John is Artistic Director of the Vale of Glamorgan Festival, whose artistic policy is to present exclusively the works of living composers. In 1994, the Festival received the highest accolade in the Arts in Britain; being awarded the Prudential Award for the Arts. In 1995, in the town of his birth, Swansea, John received the John Edwards Memorial award by the Guild for the Promotion of Welsh Music for his services to music in Wales. John is an Associate Composer of the Canadian Music Centre.

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MARK MORRIS
Librettist

Mark Morris, librettist, poet and music critic, is one of the few writers anywhere who has made writing words for composers central to his art. Kafka's Chimp  is his fourth opera libretto. His second, The Skin Drum  with composer Julian Grant, was also created at Banff and won the 1988 Opera Association of North America Chamber Opera Competition. His fifth libretto, Benedetta, was the basis of his recently completed PhD (the first English Creative Writing PhD in Canada). He has collaborated with composers on many other works, including a large scale cantata with John Metcalf. He has written widely for magazines and newspapers on both sides of the Atlantic, and his second book, Guide to 20th-Century Composers, is being published by Methuen this November. He has directed in both theatre and opera, including works by Havel, Shakespeare, Beckett, Auden and Isherwood, Feydeau, Humperdinck, Puccini, Weill and Vaughan Williams. He was the Director of the Opera Workshop at the University of Calgary, and founded a Spring/Summer Opera Performance Course with Mel Braun, which is being offered again at the University of Manitoba next summer. He has been at Banff every year since 1986 in a variety of capacities, from creating work at the Leighton Artist Studios to writing two evening shows for the 1994 Banff Festival. He took part in the Arts Journalism program in 1994. He is currently preparing an Ideas program for CBC, on Auden the librettist.

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KEITH TURNBULL
Director

Keith was Artistic Director of the Manitoba Theatre Centre, and of Second Stage, Neptune Theatre. After directing James Reaney's acclaimed Donnelly Trilogy at Tarragon Theatre, Keith founded The NDWT Co., and from 1975 to 1981 directed, adapted, wrote, produced and designed a number of productions, many of which toured nationally. With NDWT he started a native theatre company from which emerged many of Canada's most noted aboriginal performers. Keith has directed new and traditional, theatre and opera repertoire across Canada and abroad. He has taught at the University of Manitoba, National Theatre School, the University of Calgary, and the Banff Centre. Keith is currently artistic director/executive producer of Theatre Arts at The Banff Centre.

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RICHARD PITTMAN
Music Director

Richard Pittman is the Music Director of the Boston Musica Viva, which he founded and has led to international distinction as one of the best 20th century music ensembles in the world. He and the BMV were the recipients of the Laurel Leaf Award for 1991 from the American Composers Alliance for distinguished achievement in fostering and encouraging American music. He is also the Music Director of the Concord Orchestra, which he conducts in a series of 12 concerts per season.

Mr. Pittman is a frequent guest conductor with the BBC. Some of his other engagements include the Royal Philharmonic (London), the National Symphony (Washington, DC), the Frankfurt Radio Symphony, the Hamburg Symphony, the London Sinfonietta, the City of London Sinfonia, the Ulster Orchestra in Belfast, the Concerto Soloists of Philadelphia, the Virginia Philharmonic, the Ensemble Modern (Frankfurt) and the Erick Hawkins Dance Company (New York). As an Opera conductor Richard Pittman has worked at the American Repertory Theatre (Cambridge), the Huntington Theatre Company (Boston), the Boston Lyric Opera, the Kentucky Opera, the Tulsa Opera, Opera Omaha, the American Music Theatre Festival (Philadephia) and the Serious Fun Festival, Lincoln Center, New York.

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DAVID GAUCHER
Set/Costume Designer

Since 1987, David Gaucher has participated in numerous productions in Montreal for the cinema and the stage. Theatre has always been his favourite playground, however, and this is where he has concentrated his efforts in the last few years. In 1994 his extravagant set design for the highly irreverent and memorable Ubu Roi  by Alfred Jarry won him a "prix du public" for best scenic design and an invitation to the last Prague Quadriennial. David works mostly with contemporary authors notably Michel Tremblay, Brad Fraser, David Mamet, etc. He is well known in Montreal for pushing the limits of existing theatrical and technical boundaries in an innovative fashion. David will be designing La Vie est Songe by Pedro Calderon, christening the new home for Theatre du Nouveau Monde, in Montreal.

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CLAUDE ACCOLAS
Lighting Designer

In the last twenty years, Claude has done the lighting design for over 200 productions in Canada and other countries. He has designed many of Michel Tremblay's works with director André Brassard. Although Claude is primarily a theatre lighting designer, he has also worked in opera, variety, television and architecture. Between 1981 and 1992, Claude taught at the National Theatre School. In 1993 he was honoured to receive the Felix Award for best lighting design of the year.

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NICOLE MION
Choreographer

Nicole Mion has been active as a choreographer and dancer, having created works across Canada for various theatre and dance companies, as well as festivals. She is particularily interested in collaborative works which fuse movement and text as in her latest production Somewhere Between Fear and Desire Lies Passion. Her work has been produced by Theatre Calgary, Decidedly Jazz Danceworks, Canadian Stage Company, The Banff Centre and Springboard Dance where she is a founding member and co-Artistic director.

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THE ORIGINAL COMPANY

PARMELA ATTARIWALA
Violin

Originally from Calgary, Parmela now makes her home Toronto. She has studied at Indiana University, the Bern Conservatory in Switzer land, and the University of London's School of Oriental and African Studies in England from which she holds a Master's Degree in Ethnomusicology. Parmela specializes in contemporary and cross-cultural music. Earlier this year, she recorded a CD of new contemporary music for violin and viola at the Banff Centre, which includes collaborations with North Indian musicians.

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KRISTA BUCKLAND
Viola

Krista received her training in Toronto, New York and Boston through funding from the Ontario Arts and Canada Councils. She has appeared as a soloist with many orchestras across the U.S. and Canada and as winner of the Eckhardt-Gramatte Competition, made a nation-wide solo recital tour. Krista currently resides in Toronto where she is Principal Second Violin of the Canadian Opera Company Orchestra.

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KIMBERLEY COOPER
Dancer/Chimp

A native of Calgary, Kimberley has been dancing all of her life. Currently she is dancing with Decidedly Jazz Danceworks. She also dances with Intravenus Improv Group, and has appeared as a guest artist with Springboard Dance Collective.

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MICHEL CORBEIL, Tenor
Waiter/Attendant

Born in Montreal, Michel is currently a member of l'Atelier lyrique de L'Opera de Montreal and has performed in many productions at L'Opera de Montreal including, this year, the role of Monostatos in Mozart's Die Zauberflöte. He studied voice with Colette Binet, Sylvia Sauret and obtained a Bachelor's degree in interpretation with William Neill at McGill University. He now is studying with Ermanno Mauro.

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CHANTAL DEEBLE
Dancer/Chimp

After training at SFU and New York at the Cunningham and Limon Studios, Chantal settled in Vancouver. She has performed with Elizabeth Streb's Ringside Inc. (New York), was a member of the Karen Jamieson Dance Company for 3 years and is presently a member of The Holy Body Tattoo. She has worked with many independant choreographers including Joe Laughlin, Susan McKenzie and Serge Bennathan. Chantal danced in the 1995 Banff Arts Festival production of Les Noces.

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STEVEN HORST, Baritone
Red Peter

Steven has appeared with Canada's major opera companies and orchestras. As Resident Artist with the Canadian Opera Company, he performed in numerous productions on the mainstage and toured across Canada as the title role in Mozart's The Marriage of Figaro .His operatic engagements of the 95/96 season included performances of Ping in Turandot   with Manitoba and Edmonton Opera, Belcore in L'Elisir D'amore   with Pacific Opera Victoria, Shaunard in La bohème   with Calgary Opera and Dr. Falke in Die Fledermaus  with Edmonton Opera.

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CHRISTINE HUANG
Marimba

In 1995, Christine graduated with honours from the University of Toronto where she studied with Russell Hartenberger of Nexus. Then she went on to study with Gaston Sylvestre at CNR de Rueil- Malmaison in France. In the fall of 1995, Christine received a commission grant from the Toronto Arts Council for Canadian composer Christopher Paul Harman to write a solo marimba piece for her.

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MICHAEL DOUGLAS JONES, Bass
The Director

Michael has appeared throughout the United States and Canada. This past year he drew praise for his performance as the Doctor in The Banff Centre's production of Wozzeck which toured to Montreal's Monument Nationale. Last year also saw him debut with the New Orlean's Opera in the role of Zuniga in Carmen, and singing in the world premieres of two twentieth century works: Westegaard's The Tempest, creating the role of Caliban for the Opera Festival of New Jersey, and with Vancouver New Music, The Star Catalogues by Underhill, in the leading role of Tycho Brahe. Later this year he will return to Anchorage Opera as Mephistofélès in Faust.

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ALLYSON McHARDY, Mezzo Soprano
Frieda

Allyson, from Oshawa, Ontario, has a Bachelor of Music in Voice Performance (Honours) and an Opera Diploma from Wilfrid Laurier University. She has won the Canadian Opera Company's Young Singers Competition and the CIBC National Kiwanis (Voice Category). Roles Allyson has sung include Miss Todd in Viva Voci's production of The Old Maid & The Thief, Hansel in Humperdinck's Hansel and Gretel   and Alisa in Donizetti's Lucia di Lammermoor. Last year Allyson took part in the Banff Arts Festival as a performer in An American Cabaret  and Oh My Baby. Upcoming engagements for Allyson include a season with the Canadian Opera Company Ensemble.

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FRANCES PAPPAS, Mezzo-Soprano
Kaye

For the past two years Frances has been a soloist at the Stadttheater Giessen in Germany and has sung numerous roles including Ceneretola (Ceneretola ), Zerlina (Don Giovanni ), Idamante (Idomeneo ) and The Medium  by Peter Maxwell Davies. She recently performed with the Dave Brubeck Quintet in the European Premiere of Brubeck's La Fiesta de la Posada. In addition to her work in the Classical and Contemporary fields, Frances also performs Greek Folk music both in Canada and abroad.

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PETER PAVLOVSKY
Double Bass

Peter graduated with Great Distinction from the University of Regina with a Bachelor of Music degree in 1991. He then went on to Prague for two years to study privately with Radomir Zalud, principal bass for the Czech Radio Philharmonic Orchestra. Peter played in the Regina Symphony Orchestra for four years and the National Youth Orchestra of Canada for two years, touring across Canada with the group in 1994. Currently he is freelancing in Toronto and studying privately with Joel Quarrington, principal bass for the Toronto Symphony Orchestra.

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DAVE St. PIERRE
Dancer/Chimp

A resident of Montreal, Dave is an accomplished dancer/actor. Recently he performed in the American Tour of JOE  by Jean-Pierre Perreault. Dave has performed extensively with Brouhaha Danse Company where he performed in Germany. Dave has also performed with Mia Maure Danse, and in 1995 he performed in Hommage a René Dupéré  at Le Festival de Jazz de Montreal.

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CHIYOKO SZLAVNICS
Saxophone

Chiyoko is a freelance musician and composer based in Toronto, who graduated from the University of Toronto Faculty of Music in 1989. She is a founding member of the 40 fingers saxophone quartet, performs regularly with Hemispheres Music Projects, and has composed music for these ensembles as well as several contemporary dance projects across Canada, including choreography by Robin Poitras, Bill James, and Michael Greyeyes/Floyd Favel. Chiyoko is currently the co-artistic director of Art in Open Spaces, a bi-annual performance series which commissions and presents new choreography and music inspired by public sculptures in downtown Toronto.

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JOHN THOMPSON
Percussion

John Thompson is originally from Halifax but now has to live and work in Toronto. John first came to Banff in 1986 as a winter cycle participant. As well as numerous Banff Centre productions, John has appeared as a soloist or ensemble member with Arraymusic, New Music Concerts (Toronto), Esprit Orchestra, Kokoro Dance (Vancouver), Calgary Philharmonic, Toronto Philharmonic, Canadian Opera Company, Miss Saigon, Showboat   and various other, dance, theatre, new music and bar room ensembles.

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ELIZABETH UPCHURCH
Piano

Liz was born in London, England and studied at the Royal Academy of Music. There she won many competitions for both solo piano and accompaniment. In 1991 she was the Royal Overseas League winner for accompaniment. Her career as a recitalist in lieder and chamber music has taken her all over Europe; broadcasts include the BBC. Her work as a vocal coach and pianist include the Britten Pears School, Clontyr Opera, and the Lady Walton Foundation Opera Course with Colin Graham, Leonard Hancock and Martin Isepp. Liz's work at Banff in the past includes coaching and performing in the Integration Program, the Banff production and tour of Henze's El Cimarron , and the studio workshops of Kafka's Chimp  by John Metcalf and Mark Morris.

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The Banff Centre Logo: Theatre: History: Opera: Kafka's Chimp - 1996 Production
Last updated: 09/24/01
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