Past Exhibitions 2004
2012 · 2011 · 2010 · 2009 · 2008 · 2007 · 2006 · 2005 · 2004 · 2003 · 2002 · 2001 · 2000 and earlier
Bungalow Blitz
August 28 - October 31, 2004
Bungalow Blitz examines how, and to what
extent, public knowledge and understanding of architecture is
shaped by the ways in which it is represented through
photography, exhibitions and drawing. The project also explores
how the architectural and heritage industries deal with planning
and design for human settlements in areas of outstanding natural
beauty.
Forest Walk
July 10 – August 15, 2004
Cardiff and Miller’s Forest Walk leads participants on a
sixteen-minute audio-guided tour through a forest at The Banff
Centre. Recorded with binaural sound, the audio captures the
sound of the artist's voice, and of her body moving through the
forest. The voice gives directions, while pointing out flowers,
trees and people passing, sometimes telling stories and
thoughts. The use of binaural sound creates the sense that
you've entered the artist's intimate space. It blurs the lines
between the listener's real time with the events described on
the recording creating an exciting yet disorienting experience.
Giddy-Up
June 5 - August 15, 2004
In Giddy-Up!, Andrew Hunter tells the story of a young
boy, Andy, from Southern Ontario who yearns to visit Banff, to
ride the trails, sleep under the stars, and be a "real" cowboy.
A Question of Place
April 3 - May 23, 2004
Works created by Jimmie Durham, Faye HeavyShield, Brian Jungen,
Zacharias Kunuk, Cheryl L'Hirondelle and Truman Lowe, artists
whose sculptures, drawings and images tell similar stories of
impermanence, resistance and cultural change.
Roy Kiyooka: Accidental Tourist
January 17 - March 21, 2004
This exhibition examines a large but lesser known period of Roy
Kiyooka’s art practice from 1969 until his death in 1994. An
artist and poet, he established himself in the 1950s and 60s as
an important abstract painter. In an effort to reject art critic
Clement Greenberg’s theories on Modernism and the institutions
of art – with which he and his compatriots of the Regina Five
were closely associated – Kiyooka abandoned a successful
painting practice in favour of a more diversified approach to
his work, embracing a multitude of new forms and media.
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