Music programs at Banff Centre develop your talent alongside world class faculty, while providing time and space to push boundaries with support to realize your potential and hone your skills.
Focus on your artistic development, have the opportunity to perform and record, and receive artistic inspiration and career advice.
We are thrilled to welcome Michael Falk as Banff Centre’s new Director of Music and the exciting lineup of Music programs for 2026-27 below.
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This residency offered me the opportunity to create and express in ways I would not have otherwise dreamt of. Through this highly collaborative environment, we built a community in which not only all ideas were uplifted and valued but all people as well. These relationships with those who started as my collaborators and have now become my dear friends will surely leave a lasting impact on my personal and creative trajectories.
Benjamin Portzen, Banff Musicians in Residence, 2023
Michael Falk is a songwriter, record producer, artistic director and concert producer. He joins the Banff Centre after 3+ years in senior leadership at the Winnipeg Symphony Orchestra, producing their concerts, managing the orchestra, and programming their Pops and Movies series.
Throughout his multifaceted career, Michael has focused on collaboration across disciplines, bringing together diverse artists to create inspired new work. Through building partnerships with architects, Indigenous presenters, dancers, wrestlers, comedians, restauranteurs, and more, he has created countless projects that blur artistic lines and engage audiences in unique, inspired
experiences.
As a musician he releases music under the name Touching, was the leader of indie rock band Les Jupes, and has performed and recorded with numerous other groups. His Record Of The Week Club project brought musicians who had never met to his studio to create new works that were released the next day. His songs have been placed in films and tv shows, and charted across North
America and Europe.
Before the WSO, Michael served as Artistic Director of Jazz Winnipeg, where he led the festival through its most ambitious and internationally-focused programming.
Michael has also ran a recording studio, a record label and produced the SpaceLand and Hatch interdisciplinary block parties. With one eye towards trying things that haven’t been done before, and another to seeking artistic excellence through collaborations that build each other up, Michael continues to chase new ideas, creative flow, and a pathway to giving
audiences transformative experiences.
Photo by Samantha Katz.
Ivy Pan is a Toronto-born violinist turned arts administrator. In the words of Soundweavings 2025, she is “relentless in her support of participants, incredibly organized, and quick to troubleshoot any issues that arise. She was a major contributing factor to the success of this program.”
Ivy graduated from the University of Toronto with a Bachelor of Music, studying under Annalee Patipatanakoon. She began her professional career as an educator and musician before transitioning to arts administration, working with organizations including Sistema Toronto, York Region Arts Council, The Royal Conservatory of Music, Toronto Symphony Orchestra and Banff Centre for Arts and Creativity. Ivy has developed diverse programs with meaningful social impact, including the Artrepreneur Program, a business accelerator for creative professionals; TSOUND Connections, a COVID-19 response initiative connecting youth musicians with isolated individuals; and Tuned for Tomorrow, which addresses non-performance skills for emerging artists. Among her proudest projects is following a grant which allowed her to create Dear Dearest, a poetry collective connecting Asian-identifying youth using literary arts as a tool to address #StopAsianHate.
For Ivy, music and arts administration isn’t just a career - it’s a way of de-alienating the human experience and foster meaningful connections in a world that sometimes feels divided, with anyone willing to listen.
Henry Ng is the audio and music technician at Banff Centre where he oversees aspects of music production and deals with musical instruments, music technology, sound and recording equipment, and music studio spaces. He facilitates a variety of projects, resulting in a wide scope of work that has ranged from creating software patches for artists working with interactive electronics or live processing, assisting musicians in their performance setup, to more specific music duties such as score editing, music transcriptions and most recently, keyboard programming.
Henry has been invited as a guest lecturer at the University of Lethbridge and has given workshops on a variety of topics. He has also assisted in the administration of an internationally renowned recording engineer training program at Banff Centre and has been involved with numerous recording projects. Away from Banff, Henry has provided technical assistance to visual artists, most notably for projects in Toronto and New York City.
Henry holds a Master of Music degree in composition from the University of Toronto, a Postgraduate Diploma from the Royal College of Music and a Bachelor of Music from McGill University. He has participated in numerous workshops and courses on electronic music technology at institutions such as IRCAM (Paris) and STEIM (Amsterdam) and is a professional member of the Canadian League of Composers. Henry found early success as a composer, receiving a SOCAN Foundation Award for Young Composers and continues to support many artists each year through his work at Banff Centre.
For questions about the department and what we offer, please contact:
Email: arts_info@banffcentre.ca
Phone: 403.762.6180