Max Andrews is a Barcelona based curator and co-founder of the independent and globally active curatorial office Latitudes. Andrews studied Critical Fine Art Practice at the University of Brighton and graduated from the MA Curating Contemporary Art, Royal College of Art, London, in 2003. He was Curatorial Fellow at the Walker Art Center, Minneapolis (2003–04) and Special Projects Curatorial Assistant to Director, Tate Collection, London (2004–05). Since 2004 he has contributed regularly to the publication Frieze, and also to Tate Etc., Untitled, art-agenda, Mousse, and Spike, amongst others. Parallel to his work for Latitudes, his writing has appeared in Bits & Pieces Put Together to Present a Semblance of a Whole, Walker Art Center Collections, 2005; Henrik Håkansson, Dunkers Kulturhus, 2005 and Museo Tamayo, 2008–9; Day for Night, Whitney Biennial 2006; Life on Mars, 55th Carnegie International, 2008; Haegue Yang, Sala Rekalde/Artsonje Center, 2009; and Robert Smithson: Art in Continual Movement, Alauda Publications, 2012.

About Latitudes:   Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is an independent curatorial office based in Barcelona, Spain, that works internationally within the field of contemporary art. Informed by an initial focus on ecology, Latitudes is especially interested in site, process and context. Latitudes has developed self-generated research-based projects in parallel with those produced at the invitation of museums, galleries and foundations, publishers, festivals and academic contexts. Exhibitions have formed an important but irregular part of Latitudes's practice. Other projects have deliberately taken a transdisciplinary approach to visibility and publicness while maintaining a broader bandwidth of working and thinking with art and artists.

Latitudes is
currently curating a group exhibition titled 4.543 billion. The Matter of
Matter opening in June 2017 at CAPC musée d’art contemporain de
Bordeaux, France.