James Ehnes, photo by Ben Ealovega.
Christian Sinding: Suite im alten Stil (Suite in the Old Style), Op. 10
Johannes Brahms: Violin Sonata No. 3 in D Minor, Op. 108
INTERMISSION
Carmen Braden: Imaginal
Béla Bartók: Violin Rhapsody No. 1, Sz. 87
CARMEN BRADEN Imaginal for violin and piano
Commissioned by the Northern Arts and Cultural Centre (lead commissioner), Banff
Centre for Arts and Creativity, and the other commissioning partners
James Ehnes is back!
One of the planet’s most renowned violinists celebrates his 50th birthday with a not-to-be-missed tour across Canada.
The Banff Centre favourite will perform in recital with the celebrated pianist Andrew Armstrong; the pair have collaborated on several acclaimed recordings. Together, they’ll perform a repertoire including Brahms’s “Sonata No. 3,” Bartók’s “Rhapsody No 1,” and the world premiere of Carmen Braden’s “Imaginal,” co-commissioned by Banff Centre.
Ehnes’s extensive discography has won a bounty of awards, including two Grammys, three Gramophone Awards, and 12 JUNO Awards—the most of any classical musician in history.
He’s also one of the most sought-after musicians on the international classical stage. Recent and upcoming orchestral highlights include the Royal Concertgebouw Orchestra, London Philharmonic Orchestra, LA Phil, Boston Symphony Orchestra, Chicago Symphony Orchestra, and Cleveland Orchestra.
A devoted chamber musician, Ehnes is the Artistic Director of the Seattle Chamber Music Society and the leader of the Ehnes Quartet.
He plays the “Marsick” Stradivarius of 1715, named after Belgian violinist and teacher Martin Pierre Marsick (1847–1924), who owned the instrument created by Antonio Stradivari of Cremona. Valued at approximately $10-million CAD, the instrument was purchased in 1999 by collector David L. Fulton, who immediately loaned it to violinist James Ehnes and then sold it to him a decade later.
Imaginal - by Carmen Braden
How caterpillars become butterflies is crazier and more inspirational than I ever knew! Their bodies disintegrate inside the cocoon into a kind of goo and then are rebuilt into a new form that is bewilderingly different than the old. Special cells called “imaginal” cells are the catalysts for this transformation. They lie dormant in the caterpillar until the right phase of metamorphosis, then become the blueprints and building blocks forming the new butterfly wings, body, legs, antennae out of the caterpillar goo. How cool is that. So coo. Goo.
The universal idea is that we all have our future potentials dormant inside us. And when something catalyzes a major transformation, there is a crazy dissolving of the old which is often hard and we fight against it. But then the incredible and tough and beautiful and surprising rebuilding happens.
It’s super humanly-relatable in terms of the mid-life crisis time! - or any kind of big life change… I learned about imaginal cells as I turned 40 last year, perfect timing as I continue working through a now years-long disintegration and rebuilding of my musical directions.
Musically in “Imaginal” there is a core melody woven throughout the piece that goes through many takings-apart and putting-back-togethers. The melody is from a song I wrote in the early writing stages to get me started.
I wrote “Imaginal” for violinist James Ehnes as he turns 50, travels Canada and the world to play beautiful music. Cuz if there’s anything that’ll hold us together in this crazy world, it’s music, friends, curiosity and caterpillars.
Commissioned by the Northern Arts and Cultural Centre (lead commissioner), the Banff Centre for Arts and Creativity, Bravo Niagara, Calgary Pro Musica, Canada’s National Arts Centre Orchestra, Cecilia Concerts, Chamber Music Kelowna, Club musical de Québec, Coast Recital Society—Sechelt, Edmonton Chamber Music Society, The Isabel Bader Centre for the Performing Arts, Manitoba Chamber Orchestra, Mount Allison University, The Royal Conservatory of Music, Saskatoon Symphony Orchestra, Scotia Festival of Music, Symphony Nova Scotia, and Whitehorse Concerts