Banff Centre for Arts and Creativity is celebrating its 85 anniversary in 2018. Thousands of artists have received training, taught or performed at Banff over those decades, and we’re proud of the legacy of our dance programs, and the contributions from our artists to arts and culture in Canada and the world. Please scroll down and click on specific years to find out more information about dance productions that were created or performed at Banff Centre, and when you see a PDF of an original program, click to open it and find out who was in the cast and crew of that specific production. Please note that these pages are under construction as we continue to add new information and archival material for you to discover.
Have fun exploring the legacy of dance at Banff Centre, and thank you to the Paul D. Fleck Library and Archives for supporting this important historical initiative. To find out more about the resources that Banff Centre’s library and archives have to offer, please visit Paul D. Fleck Library and Archives.
Links to Legacy pages for Opera (published), Dance (soon to be published), and Drama (soon to be published):
Program Heads - Betty Farrally, Gweneth Lloyd
Ballet Suite
Music: John Field
Choreography: Gweneth Lloyd
Divertissements
Object Matrimony
Music: Strauss
Choreography: Gweneth Lloyd
Program Heads - Betty Farrally, Gweneth Lloyd
Napoli
Choreography: August Bournonville
Music: E. Helsted, Gade and Paulli.
Program Heads - Betty Farrally, Gweneth Lloyd
Lyrique
Music: Rachmaninoff
Choreography: Gweneth Lloyd
Pas de Trois from Swan Lake
Music: Tchaikovsky
Choreography: Maurius Petipa
Garlands
Music: Bocherini
Choreography: Gweneth Lloyd
Bluebird Variations from Sleeping Beauty Act II
Music: Tchaikovsky
Choreography: Maurius Petipa
Finishing School
Music: Strauss
Choreography: Gweneth Lloyd
FESTIVAL DANCE
Program Heads - Betty Farrally, Gweneth Lloyd
Partita
Music: John Field arranged for two pianos by Robert Fleming
Choreography: Gweneth Lloyd
Concerto
Music: Rachmaninoff
Choreography: Gweneth Lloyd
Pas de Deux from Don Quixote
Music: Minkus
Choreography: Maurius Petipa
Finishing School
Music: Strauss
Choreography: Gweneth Lloyd
Program Heads - Betty Farrally, Gweneth Lloyd
Petite Suite
Music: Debussy
Choreography: Gweneth Lloyd
Lyrique
Music: Rachmaninoff
Choreography: Gweneth Lloyd
Bally Nonsense
Music: Walton
Choreography: Gweneth Lloyd
Program Heads - Betty Farrally, Gweneth Lloyd
Petite Suite
Music: Debussy
Choreography: Gweneth Lloyd
Allegory
Music: Robert Fleming
Choreography: Gweneth Lloyd
Bally Nonsnese
Music: Walton
Choreography: Gweneth Lloyd
Doin's For a Dozen
Choreography: Brian Macdonald
Program Heads - Betty Farrally, Gweneth Lloyd
Arabesque
Music: Field
Choreography: Gweneth Lloyd
Arrival
Music: Cesar Franck
Choreography: Brian Macdonald
Pleasure Cruise
Music: Ibert
Choreography: Gweneth Lloyd
Prothalamion
Music: Delius
Choreography: Brian Macdonald
Suite for Sixteen - A Stomp in Five Styles
Choreography: Brian Macodnald
Program Heads - Betty Farrally, Gweneth Lloyd
Petite Suite
Music: Debussy
Choreography: Gweneth Lloyd
Pointe Counterpoint
Music: J.S. Bach
Choreography: Brian Macdonald
Pleasure Cruise
Music: Ibert
Choreography: Gweneth Lloyd
How Do I Love Thee
Music: Richard Strauss
Choreography: Brian Macdonald
Program Heads - Betty Farrally, Gweneth Lloyd
Souffle
Music: Rieti
Choreography: Brian Macdonald
Lyrique
Music: Rachmaninoff
Choreography: Gweneth Lloyd
Finishing School
Music: J. Strauss
Choreography: Gweneth Lloyd
Swan Song
Music: Greig - Ellington
Choreography: Brian Macdonald
Program Heads - Betty Farrally, Gweneth Lloyd
Les Sylphides
Music: Frederic Chopin
Choreography: Mikael Fokine
Pointe-Counterpoint
Music: Bach
Choreography: Brian Macdonald
Station Break
Music: American folksongs
Choreography: Brian Macdonald
Bally Nonsense
Music: Walton
Choreography: Gweneth Lloyd
Program Heads - Betty Farrally, Gweneth Lloyd
Swan Lake Act II and excerpts from Act I & III
Music: Tchaikovsky
Choreography: arranged by Brian Macdonald
Pleasure Cruise
Music: Ibert
Choreography: Gweneth Lloyd
All About Eva
Music: Contemporary
Choreography: Brian Macdonald
Program Heads - Betty Farrally, Gweneth Lloyd
Sonata
Music: G.B. Sammartini
Choreography: James Clouser
Sketches From Shakespeare
Music: James Clouser
Choreographer: James Clouser
Morceau de Concert
Music: Camille Saint-Saens
Choreography: James Clouser
By Jupiter!
Music: Dmitri Shostakovitch
Choreography: James Clouser
Monday's Child
Music: Contemporary
Choreography: Richard Jones & Eva von Gencsy
Program Heads - Betty Farrally, Gweneth Lloyd
Les Sylphides
Music: Frederic Chopin
Choreography: Mikael Fokine
Lazy, Crazy Rhapsody
Choreography: Eva von Gencsy & Richard Jones
Underworld
Music: Salvatore Martirano
Choreography: James Clouser
Corsaire Pas de Deux
Music: Drigo - Minkus
Choreography: Yermolayev after Gorsky
Yo Ho Ho! And a Bottle of Fun or Long John Sylvia
Music: Sir Arthur Sullivan
Choreography: James Clouser
Program Heads - Betty Farrally, Arnold Spohr
The Land of Snow
Music: Tchaikovsky The Nutcracker
Choreography: James Clouser
Sketches From Shakespeare
Music: James Clouser
Choreography: James Clouser
Hangup
Music: Contemporary
Choreography: Richard Jones
Don Quixote Pas de Deux
Music: Minkus
Choreography: Yermolayev after Maurius Petipa
The Scapegoat
Music: Rossini
Choreographer: James Clouser
Program Heads - Betty Farrally, Arnold Spohr
Entre Jeux
Music: Bizet
Choreography: Gwynne Ashton
Esmeralda Pas de Deux
Music: Pugni & Drigo
Choreography: Maurius Petipa
Here and Now
Choreography: Eva von Gencsy & Michel Boudot
Sur La Plage
Music: Waldteufel arranged & orchestrated by Richard Cherry
Choreography: Gwynne Ashton
Spring Waters
Music: Rachmaninoff
Choreography: Asaf Messerer
Rondalla
Music: contemporary Spanish orchestrated by Claude Kenneson
Choreography: Lynette Fry-Abra
Program Heads - Betty Farrally, Arnold Spohr
Suite for Strings
Music: Bach
Choreography: Bill Martin-Viscount
William Tell Pas de Deux
Music: Rossini
Choreography: August Bournonville
Pearl-White Moments
Music: Gaburo
Choreography: Norbert Vesak
Les Whoops De Doo
Music: Don Gillis
Choreography: Brian Macdonald
Moment of the Witch
Music: Contemporary collage
Choreography: Eva von Gencsy with Norbert Vesak
Black Swan Pas de Deux
Music: Tchaikovsky
Choreography: Maurius Petipa, Ivanov
We Are Not One
Music: Traditional
Choreography: Norbert Vesak
Program Heads - Betty Farrally, Arnold Spohr
Capriccio Brilliante
Music: Felix Mendelssohn
Choreography: David Moroni
Spring Waters
Music: Rachmaninoff
Choreography: Asaf Messerer
The Gift to be Simple
Music: Traditional
Choreography: Norbert Vesak
When We Are Kings
Choreography: Norbert Vesak
Solitaire
Music: Malcolm Arnold
Choreography: Kenneth MacMillen
Born to Dance
Music: Collage - Felix Mirbt
Choreography: Eva von Gencsy
Program Heads - Frank Bourman, Betty Farrally, Arnold Spohr
Spring Fantasy
Music: Beethoven
Choreography: David Moroni
Inamorata Variations
Music: Mozart, Conlon, Nancarrow
Choreography: Albert Reid
Strike up the Band
Music: David Lindup after George Gershwin
Choreography: Paddy Stone
Pas de Deux from Butterflies Can't Live Here Anymore
Music: Bela Bartok
Choreography: Norbert Vesak
Florestan Pas de Trois from Sleeping Beauty Act III
Music: Tchaikovsky
Choreography: Maurius Petipa
Program Heads - Frank Bourman, Betty Farrally, Arnold Spohr
Evanescence
Music: Bela Bartok Suite #2: 1,3,4 - Hungarian Sketches: 1,5
Choreography: Norbert Vesak
Belong Pas de Deux from What To Do Till the Messiah Comes
Music: Syrinx
Choreography: Norbert Vesak
Aurora Pas de Deux - Sleeping Beauty Act III
Music: Tchaikovsky
Choreography: Maurius Petipa
First Music
Music: Charles Ives
Choreography: Patricia Beatty
Against Sleep
Music: Ann Southam
Choreography: Patricia Beatty
Corsaire Pas de Deux
Music: Drigo - Minkus
Choreography: Yermoleyev (after Gorsky)
Knoxville: Summer of 1915
Music: Samuel Barber
Choreography: Norbert Vesak
Jazz Divertissement
Choreography: Eva von Gencsy
Program Heads - Frank Bourman, Betty Farrally, Arnold Spohr
Fete Brilliante
Music: Brahms
Choreography: Larry Hayden
Songs For a Dark Voice
Music: Harry Somers
Choreography: Brydon Paige
Petite Suite
Music: Claude Debussy
Choreography: Earl Kraul
Rigodons
Music: Michael Perrault
Choreography: Brydon Paige
Jeremie
Music: Lee Gagnon
Choreography: Eva von Gencsy
Realisation: Genevieve Salbaing
Program Heads - Frank Bourman, Betty Farrally, Arnold Spohr
Paquita
Music: Minkus
Choreography: Maurius Petipa
Up There Souls Dance Undressed Together
Music: Paul Duplessis & Dido
Choreography: Eva von Gencsy
Toward Being
Music: arranged by Vicki Woolsey
Choreography: Keith Burgess
Four Portraits
Music: Harry Somers
Choreography: Larry Hayden
Games
Music: Georges Bizet
Choreography: Earl Kraul
Frank Bourman, Betty Farrally, Arnold Spohr
Albescence
Choreography—Earl Kraul
Organ—George Brough
Echo and Narcissus
Choreography—Larry Hayden
Music—Frank Bourman
Orchestration—Neal Kayan
Décor—Lazlo Funtek
Jazz Sonata
Choreography—Eva von Gencsy
Original Music Score—Trevor Payne
Costume Design—Richard Lorain
Rodeo
Choreography—Agnes de Mille
Set Design—Oliver Smith
Program Heads - Frank Bourman, Betty Farrally, Arnold Spohr
Les Sylphides
Music: Frederic Chopin
Choreography: Michel Fokine
Four Portraits
Music: Harry Somers String Quartet #2
Choreography: Larry Hayden
Adagitto
Music: Gustav Mahler
Choreography: Oscar Araiz
Pas de Deux from Sleeping Beauty and Lilac Fairy Variation Prologue
Music: Peter Ilich Tchaikovsky
Choreography: Maurius Petipa & Sergeyev
Magic Journey
Music: Salsoul Orchestra
Choreography: Anita & Birl Jonns
Disco Party
Music: Van McCoy, Party; James Brown, Get Up Offa That Thing; Isley Brothers, Livin in the Life
Choreography: Anita & Birl Jonns
Program Heads - Frank Bourman, Betty Farrally, Arnold Spohr
Sonata to Laurel
Music: Beethoven; Oscar Nedbal
Choreography: Heinz Manniegel
A Rare Mood
Music: Buddy Rich
Choreography: Peter George
Spring
Music: Antonio Vivaldi
Choreography: Mauryne Allan (Clifford E. Lee Choreography Award recipient)
Tam Ti Delam
Music: Gilles Vigneault
Choreography: Brian Macdonald
Program Heads - Frank Bourman, Betty Farrally, Arnold Spohr
Paquita
Music: Minkus
Choreography: Maurius Petipa
Which Way Now
Music: John Lewis - Modern Jazz Quartet
Choreography: Peter George
Sadhana Dhoti
Music: David Jaggs in collaboration with Judith Marcuse - Collage of J.S. Bach, R. Eliscu and Vangellis
Choreography: Judith Marcuse (Clifford E. Lee Choreography Award recipient)
Fantasies
Music: Franz Schmidt Piano Quintet in G Major
Choreography: Loyce Houlton
Program Heads - Frank Bourman, Betty Farrally, Arnold Spohr
Sparks
Music: Quenten Doolittle
Choreography: Renald Rabu (Clifford E. Lee Choreography Award recipient)
Majisimo
Music: Jules Massenet
Choreography: Jorge Garcia
Time Out Of Mind
Choreography: Brian Macdonald
The Venetian Twins
Choreography: Larry Hayden
Program Head - Brian Macdonald, Betty Farrally
Konservatoriet
Music: H.S. Paulli
Choreography: August Bournonville
Staged by: Anette Amand
Remembrance of Things to Come
Music: Johannes Brahms Neues Liebeslieder Waltzes
Choreography: Larry Hayden
Suspended Swing
Music: Ari Snyder
Choreography: Peter George
Acoustic Noose
Music: Bach Brandenburg Concerto #4
Choreography: Jennifer Mascall (Clifford E. Lee Choreography Award recipient)
Program Head - Brian Macdonald
Pineapple Poll
Music: Gilbert & Sullivan H.M.S. Pinafore & The Pirates of Penzance arranged by Sir Charles MacKerras
Choreography: John Cranko
Staged by: Reid Anderson
Don Quixote Pas de Deux
Music: Leon Minkus
Choreography: Maurius Petipa
Staged by: Laura Alonso
Aimez-Vous Bach
Music: J.S. Bach
Choreography: Brian Macdonald
Light Falling
Music: Vangelis Papathanassiou
Choreography: Stephanie Ballard (Clifford E. Lee Choreography Award recipient)
Program Head - Brian Macdonald
Findings
Music: J.S. Bach; Serge Garant
Choreography: Brian Macdonald
Lancez Votre Reve
Music: Alan Parsons Project, Pat Metheny, Lyle Mays (collage of)
Choreography: Eva Von Gencsy
Constellation I
Music: Micheline Coulombe Saint-Marcoux
Choreography: Martine Epoque (Clifford E. Lee Choreography Award recipient)
William Tell Pas De Deux
Music: Giaccomo Rossini
Choreography: August Bournonville
Staged by: Laura Alonso
Les Patineurs
Music: Giacomo Meyerbeer
Choreography: Sir Frederick Ashton
Staged by: Robyn Hughes
Program Head - Brian Macdonald
Facade
Music: Sir William Walton
Choreography: Sir Frederick Ashton
Staged by: Alexander Grant
Hangman's Reel
Music: Traditional French Canadian folk music
Choreography: Brian Macdonald
The Black Swan Pas de Deux from Act III of Swan Lake
Music: Pyotr Ilyich Tchaikovsky
Choreography: Lev Ivanov & Marius Petipa
Stage by: Laura Alonso
Sacra Conversazione
Music: Wolfgang Amadeus Mozart Reuquiem K626
Choreographer: David Earle
Program Head - Brian Macdonald
Graduation Ball
Music: Johann Strauss
Choreography: David Lichine
Staged by: Brydon Paige
Canto Indio
Music: Carlos Chavez Sinfonia India
Choreography: Brian Macdonald
Staged by: Annette av Paul
Double Quartet
Music: Franz Schubert; R. Murray Schafer
Choreography: Brian Macdonald
Notturni
Music: John McCabe Notturni ed Alba
Choreography: Constantin Patsalas (Clifford E. Lee Choreography Award recipient)
Program Head - Brian Macdonald
Les Rendezvous
Music: Daniel Auber
Choreography: Sir Frederick Ashton
Staged by: Alexander Grant
From Notation: Deborah Chapman
The Four Temperaments
Music: Paul Hindemith Theme and Variations
Choreography: George Balanchine
Staged by: Una Kai
The River and the Wood
Music: Rembert Eques El Rio Y El Bosque
Choreography: Alberto Mendez
Staged by: Laura Alonso
Go Yet Turning Stay
Music: Igor Stravinsky L'Histoire du Soldat (suite)
Choreography: Christopher House (Clifford E. Lee Choreography Award recipient)
Program Head - Brian Macdonald
Gaite Parisienne
Music: Jacques Offenbach
Choreography: Leonid Massine
Staged by: Lorca Massine
Serenade
Music: Peter Ilyitch Tchaikovsky Serenade in C Major for String Orchestra
Choreography: George Balanchine
Staged by: Victoria Simon
Breaks
Music: Wolfgange Amadeus Mozart with variations by Harry Freedman Duo in B Flat No. 2 For Violin and Viola
Choreography: Brian Macdonald
Cloud Garden
Music: Traditional Japanese
Choreography: David Earle (Clifford E. Lee Choreography Award recipient)
Program Head - Brian Macdonald
Concerto Barocco
Music: Johann Sebastian Bach Concerto for Two Violins in D Minor
Choreography: George Balanchine
Staged by: Victoria Simon
Lignes et Pointes
Music: Pierre Mercure Lignes et Pointes
Choreography: Brian Macdonald & Brydon Paige
Capricciosa
Music: Dietrich Buxtehude La Capricciosa
Choreography: Randy Glynn (Clifford E. Lee Choreography Award recipient)
Jeu de Cartes
Music: Igor Stravinsky Jeu de Cartes
Choreography: Brian Macdonald
Staged by: Annette av Paul
Program Head - Brian Macdonald
Diabelli Variations
Music: Ludwig van Beethoven Diabelli Variations
Choreography: Brian Macdonald
Staged by: Annette av Paul
Agon
Music: Igor Stravinsky Agon
Choreography: George Balanchine
Staged by: Victoria Simon
Sequoia
Music: Joan Tower Sequoia
Choreography: Mark Godden (Clifford E. Lee Choreography Award recipient)
Tribute to Betty Farrally
Music: William Walton
Staged by: Brian Macdonald
Program Head - Brian Macdonald
Breaks
Music: Wolfgang Amadeus Mozart with variations by Harry Freedman Duo in B Flat No. 2 For Violin and Viola
Choreography: Brian Macdonald
Staged by: Annette av Paul
. . . And There You Are, All Alone Together
Music: Arvo Part Cantus - In Memory of Benjamin Britten; De Profundis
Choreographer: Howard Richard (Clifford E. Lee Choreography Award recipient)
Valse d'Occasion
Music: Peter Ilyitch Tchaikovsky (1840-1893) Waltz from Eugene Onegin
Choreography: Brian Macdonald
Polonaise
Music: Peter Ilyitch Tchaikovsky (1840-1893) Polonaise from Sleeping Beauty
Sleeping Beauty Excerpts (1890) Blue Bird & Grand Pas de Deux
Music: Peter Ilyitch Tchaikovsky (1840-1893) Sleeping Beauty
Choreography: Marius Petipa
Staged by: Annette av Paul
Serenade
Music: Peter Ilyitch Tchaikovsky (1840-1893) Serenade in C Major for String Orchestra
Choreography: George Balanchine
Staged by: Victoria Simon
Program Director - Brian Macdonald
De Profundis
Music: Antonin Dvorak (1841-1904) Symphony No. 7 - 1st & 3rd Movements
Choreography: Edward Hillyer (Clifford E. Lee Choreography Award recipient)
Firebird
Music: Igor Stravinsky (1882-1971) The Fire Bird
Choreography: Brian Macdonald
Staged by: Annette av Paul
Symphony in C
Music: Georges Bizet (1838-1875) Symphony No. 1 in C Major
Choreography: George Balanchine
Staged by: Victoria Simon and John Taras
Program Director - Brian Macdonald
The Four Temperaments
Music: Paul Hindemith (1895-1963) Theme and Variations
Choreography: George Balanchine
Staged by: Victoria Simon, assisted by Annette av Paul
Waterwheel
Music: Hamza el Din Escalay, recorded by Kronos Quartet)
Choreography: Lola MacLaughlin (Clifford E. Lee Choreography Award recipient) assisted by Austra Gulens
Tales From the Vaudeville Stage (excerpts)
Music: Mickey Hart, Ennio Morricone, John Zorn, Geoffrey Oryema and Jack Body
Choreography: Judith Marcuse (from a work in progress)
Sequoia
Music: Joan Tower Sequoia
Choreography: Mark Godden
Program Director - Brian Macdonald
Scotch Symphony
Music: Felix Mendelssohn Scotch Symphony: 2nd, 3rd and 4th movements
Choreography: George Balanchine
Staged by: Victoria Simon, assisted by Sheila Murray
Bonds of Affection
Music: Arnold Schoenberg Kammersymphonie
Choreography: Bengt Jörgen (Clifford E. Lee Choreography Award recipient)
The Shining People of Leonard Cohen
Poetry: Leonard Cohen from Spice Box of the Earth
Music: Harry Freedman (soundscape created to accompany the narrator who in turn accompanies the dancers)
Choreography: Brian Macdonald
Staged by: Annette av Paul
Time Out of Mind
Music: Paul Creston Choric Dance #2 and Invocation in Dance Op. 58
Choreography: Brian Macdonald
Staged by: Annette av Paul
Program Director - Brian Macdonald
Agon
Music: Igor Stravinsky Agon
Choreorgraphy: George Balanchine
Staged by: Victoria Simon, assisted by Susan Toumine
Theft
Music: R. Murray Schafer String Quartet No. 5
Choreography: Brian Macdonald, assisted by Annette av Paul
Channel
Music: Michael Nyman String Quartet #2
Choreography: Michael Downing (Clifford E. Lee Choreography Award recipient)
Capricciosa
Music: Dietrich Buxtehude (1637-1707) La Capricciosa (Bux WV 250)
Choreography: Randy Glynn
Restaged by: Randy Glynn and Austra Gulens
Capricciosa premiered at the 1988 Banff Festival of the Arts, when Randy Glynn was that year's Clifford E. Lee Choreography Award recipient.
Dèluge world premiere co-production between
O Vertigo, the National Arts Centre and Banff Theatre Arts
Professional Company Residency
Company: O Vertigo
Choreography: Ginette Laurin
Premiere: 1994 Canada Dance Festival (Ottawa)
Program Director - Brian Macdonald
Capriccio ("Rubies" from the Ballet JEWELS)
Music: Igor Stravinsky Capriccio for Piano and Orchestra
Choreography: George Balanchine
Staged by: Victoria Simon
Cords
Music: Bela Bartok Sonata for Solo Violin
Choreography: Brian Macdonald,assisted by Annette av Paul
Quest
Music: Carl Phillipp Emanuel Bach Berlin Symphonies: Symphony for two flutes, two horns, string & bassocontinuo in C Major Wq 174/H649 ; Symphony for two flutes, two oboes, two horns, string and basso continuo in E Monor Wq 178/H653
Choreography: Crystal Pite (Clifford E. Lee Choreography Award recipient)
Big Band
Music: Stan Kenton - Selections
Choreography: Brian Macdonald, assisted by Austra Cadieux
änyä world premiere co-production between
Ängikam Dance Initiative, the National Arts Centre and Banff Theatre Arts
Professional Company Residency
Company: Ängikam Dance Initiative
Choreography: Deepti Gupta
Premiere: 1995 National Arts Centre
Program Director - Brian Macdonald
Allegro Brillante
Music: Tchaikovsky Piano Concerto No. 3
Choreography: George Balanchine
Staged by: Victoria Simon
Lost Gods (originally titled God's Children) - world premiere
Music: Franz Schubert Quartettsatz; Murray Schafer String Quartet No. 1 and No. 5
Choreography: Brian Macdonald, OC
Lighting Design: Harry Frehner
Costume Design: Denise Barrett.
CHIAROSCURO - world premiere
Music: selections from E.C. Woodley, Allan Gordon Bell, Meredith Monk and Dave Heath
Choreography: Gioconda Barbuto (Clifford E. Lee Choreography Award recipient)
Lighting Design: Harry Frehner
Costume Design: Denise Barrett.
l'Etiquette - world premiere
Music: selections by Bach, Corelli and Vivaldi
Choreography: Joe Laughlin (Clifford E. Lee Choreography Award recipient)
Lighting Design: Harry Frehner
Costume Design: Denise Barrett.
Chinook Winds the Aboriginal Dance Project
Presented by the Aboriginal Arts Program, a unique cultural partnership of the Aboriginal Film and Video Art Alliance and the Banff Centre for the Arts, with the assistance of the Theatre Arts Department.
Choreography: Alejandro Ronceria,
Music: Russell Wallace,
Design Coordination: M.J. (MeriLee) Helmer
Lighting Design: Tim Koll
Stage Management: Susan Mcnair Reid
Afrocubanismo '96 a celebration of music and dance featuring:
Conjunto FolklÛrico Nacional de Cuba Cuba's preeminent folkloric dance ensemble.
Grupo Afrocuba de Matanzas From the province of Matanzas, these experts in folkloric music and dance are also known as the originators of bat· rumba.
Richard Eg¸es Flautist, founding member of Orquesta AragÛn, and expert in Cuban DanzÛn and cha cha cha.
Regino JimÈnez Musical director of Danza Contempor·nea, bat· drum specialist and director of the most sought -after sacred bat· groups in the Havana Santeria community.
l'Amande et le Diamant - (The Almond and the Diamond)
Professional Company Residency
world premiere co-production between
Compagnie Marie Chouinard, the National Arts Centre and Banff Theatre Arts
Company: Compagnie Marie Chouinard
Choreography: Marie Chouinard
Premiere: 1996 Canada Dance Festival (Ottawa)
Program Director - Brian Macdonald
Creaturehood (world premiere)
Choreography: Shawn Hounsell (Clifford E. Lee Choreography Award recipient)
Music: Maurice Ravel Concerto for Piano and Orchestra in G major
Lighting Design: Harry Frehner
Costume Design:Denise Barrett
Petites danses pour mammifères (world premiere)
Choreography: Myriam Naisy
Music: Arcangelo Corelli Sonata for violin, viola & harpsichord, Op. 5
Lighting Design: Harry Frehner
Costume Design: Denise Barrett
Sound Design: Brian Cohlan
Funded by the France/Canada/Banff Fund, danced by guest resident company Ballet British Columbia.
Tavern Scene from Carmina Burana
Choreography: Fernand Nault
Music and Text: Carmina Burana by Carl Orff
Staging: Susan Toumine
Lighting Design: Harry Frehner
Costume Design: Francois Barbeau
Serenade
Choreography: George Balanchine
Music: Peter Ilyitch Tchaikovsky Serenade in C Major for String Orchestra
Staging: Victoria Simon, assisted by Susan Toumine and Annette av Paul
Lighting Design: Harry Frehner
Costume after Karinska
Chinook Winds the Aboriginal Dance Project
Presented by the Aboriginal Arts Program.
Program Director - Alejandro Ronceria
Chinook Winds the Aboriginal Dance Project
Presented by the Aboriginal Arts Program.
Program Director - Alejandro Ronceria
PPS Danse, May 1998
Professional Company Residency
Project: develop a female version of Bagne
Partners/co-producers: National Arts Centre, The Canada Council for the Arts, the Canada Dance Festival and the Banff Centre for the Arts
Information on the Residency Program
MISRASENA, March 1998
Professional Company Residency
Project: Black Ice
Partners/co-producers: National Arts Centre, The Canada Council for the Arts, the Canada Dance Festival and the Banff Centre for the Arts
Information on the Residency Program
JOE INK, March 1998
Professional Company Residency
Project: Swing Theory
Partners/co-producers: National Arts Centre, The Canada Council for the Arts, the Canada Dance Festival and the Banff Centre for the Arts
Information on the Residency Program
BALLET JÖRGEN, February 1998
Professional Company Residency
Project: new touring version of Romeo and Juliet
Partners/co-producers: The Canada Council for the Arts, and the Banff Centre for the Arts
July 21, 22, 23, 24, 1999 - Eric Harvie Theatre
Program Director - Brian Macdonald
The Four Temperaments (1946)
Choreography: George Balanchine
Music: Paul Hindemith, Theme and Four Variations for Piano and Strings
Staged by: Victoria Simon
Assisted by: Susan Toumine
Excavating ascent (world premiere)
Choreographer: Allen Kaeja (Clifford E. Lee Choreography Award recipient)
Composer: Fredrik Högberg
Lighting Design: Harry Frehner
Set Design: Robert Rombough
Costume Design: Tasha Dyck
Assistant to the Choreographer: Sarah Brewer
Canto Indio
Choreographer: Brian Macdonald, OC
Music: Carlos Chavez, Symphony #2 "Sinfonia India"
Staging Assisted by: Annette av Paul
Lighting Design: Harry Frehner
Time Out of Mind
Choreography: Brian Macdonald, OC
Music: Paul Creston, Two Choric Dances & Invocation and Dance for Orchestra, Op.58
Staging Assisted by: Annette av Paul
Lighting Design: Harry Frehner
Set Design: Harry Frehner based on original design by Sherry Grauer
Dance Training Presentation
July 29. 30. 31, 1999 - Margaret Greenham Theatre
ANNETTE AV PAUL - Program Director/Pedagogue
The Dance Training program, a component of the Dance program, culminates each year in a studio presentation of four performances on the stage of the Margaret Greenham Theatre.
Chinook Winds the Aboriginal Dance Project
July 8, 9, 10, 11, 1999 - Margaret Greenham Theatre
Presented by the Aboriginal Arts Program.
Program Director - Alejandro Ronceria
Throw Away Kids (world premiere)
Choreography: Murial Miguel
Music by: Russell Wallace
Light and Shadow
Choreography: Alejandro Ronceria
Program Director - Brian MacdonaldProgram A - Balanchine, Ballet Master
July 24 & 26, 2001 at 8:00 p.m. - Margaret Greenham Theatre
Program B - Balanchine in Canada
July 25 & 27, 2001 at 8:00 p.m. - Margaret Greenham Theatre
Panel Discussion - Mr. B. Ballet Master
July 28, 2001 at 2:00 p.m. - Eric Harvie Theatre Lobby
Grand Performance - Celebrating Balanchine!
July 28 , 2001 at 8:00 p.m. - Eric Harvie Theatre
Program Director - Brian Macdonald
July 24,25, 26, & 27, 2002 at 8:00 p.m. - Eric Harvie Theatre
Covenant by Benjamin Hatcher
(2002 Clifford E. Lee Choreography Award Recipient)
Music: Heaven & Hell by Vangelis
The Requiem 9/11 Project:
a work-in-progress created by by Brian Macdonald C.C. with members of the Royal Winnipeg Ballet
Music: Verdi's Requiem
Created to honour victims of world terrorism, its world premiere took place at the National Arts Centre (Ottawa) in September, 2002.
Allegro Brillante by George Balanchine
Program Director - Annette av Paul
July 16, 17, 18, 19 at 8:00 p.m.
Eric Harvie Theatre
A world premiere by Andrew Giday
( 2003 Clifford E. Lee Choreography Award)
Pas des Dix by George Balanchine
Breaks by Brian Macdonald, CC
Music: Mozart with variations by Harry Freedman, performed live by musicians from the summer music program.
Young Dancers in Performance
July 31 & August 1, 2003 at 8:00 p.m.
August 2, 2003 at 2:00 p.m. and 8:00 p.m.
Margaret Greenham Theatre
Program Director - Annette av Paul
July 14 & 15 at 7:30 p.m.
July 17 & 18 at 2:00 p.m.
Eric Harvie Theatre
D. A. Hoskins
(2004 Clifford E. Lee Choreography Award recipient)
Divertimento No. 15 by legendary choreographer George Balanchine
Tam Ti Delam by Brian Macdonald
Young Dancers in Performance
July 31, 2004 at 2:00 p.m. and 8:00 p.m.
August 1 & 2, 2004 at 2:00 p.m. and 8:00 p.m.
Margaret Greenham Theatre
Program Director - Annette av Paul
July 14, 15, 16, 2005 at 7:30 p.m.
July 17, 2005 at 2:00 p.m.
Eric Harvie Theatre
2 world premieres by Sabrina Matthews and Peter Quanz
(Recipients of the Clifford E. Lee Choreography Award)
Selections from Carmina Burana
Aimez-vous Bach? a masterwork by Brian Macdonald, CC
Young Dancers in Performance
August 4 & 5, 2005 at 7:30 p.m.
August 6, 2005 at 2:00 p.m. and 7:30 p.m.
Margaret Greenham Theatre
Program Director - Annette av Paul
July 20, 21,22, 2006 at 7:30 p.m.
July 23, 2006 at 2:00 p.m.
Eric Harvie Theatre
A world premiere by Simone Orlando
(2006 Clifford E. Lee Choreography Award recipient)
Serenade by George Balanchine
Time out of Mind by Brian Macdonald, CC
And a special selection from Star Crossed, based on Romeo and Juliet, featuring the choreography of Brian Macdonald and the music of Harry Freedman.
Young Dancers in Performance
August 3 & 4, 2006 at 7:30 p.m.
August 5, 2006 at 2:00 p.m. and 7:30 p.m.
Margaret Greenham Theatre
That thing between us by Nicole Mion
August 18 & 19, 2006 at 8:00 p.m.
Telus Studio, Jean and Peter Lougheed Building