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From Left to Right – Chamshen Kangri, Saser Kangri I and Plateau Peak

 Laknak Kangri (Golden Eagle Peak) has a unique aerial view.

Before August 14th, 2024, no one had ever seen the entire Karakoram range from the top of Laknak Kangri. Until Divyesh Muni, experienced mountaineer and Indian Tour Host for the Banff Mountain Film Festival, led a team to summit peak 6496 in the Karakoram.

The Karakoram is not for the faint of heart. It is dry, rugged, and home to massive glaciers. The expedition started on August 1. They reached Base Camp August 6. After hours of searching, they found a location for Camp 1 at 5670m, and arrived on August 10. Initially, they could only see ice walls on the route to the summit. Eventually, they traversed up to a crevasse, following it until they could cross. On August 13, they moved to Summit Camp at 6100m. The next morning, despite bad weather, the team made the steep final summit climb. At 9am on August 14, they summited peak 6496.

His first attempt was in 2023, but poor weather and health problems prevented his team from summiting. Not one to give up, Divyesh tried again. He continued training and built a new team.

Divyesh notes that the criteria for his team is simple; “friendship and compatibility,” and skill. Muni also encourages a less-skilled climber to join each expedition to learn. This expedition included Sudeep Barve, Yogesh Umbre, Phuphu Dorji, Sangbu Bhutia, Phurten Bhutia, three Sherpas, a cook, assistants, low-altitude porters, and, of course, Divyesh.

Everyone agreed it should be named Laknak Kangri (Golden Eagle Peak) as tribute to the unique aerial view. After prayers and photos, the team began their long descent.

Divyesh calls the feeling “indescribable.”

With 26 other first ascents under his belt, we’re sure Divyesh won’t be stopping after this one, and we look forward to seeing what he does next.

Author: Akcinya Kootchin, Banff Centre for Arts and Creativity

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. Join us at Banff Centre for Arts and Creativity from November 1 – 9, 2025 for the 50th Anniversary of the Festival in Banff, Alberta! The nine-day festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are also available to watch throughout the year on Banff on Demand.  
To find out more about the Festival, World Tour, and related programs, please visit banffcentre.ca/banffmountainfestival
 

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Before August 14th, 2024, no one had ever seen the entire Karakoram range from the top of Laknak Kangri ... until Divyesh Muni.
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A picture of John Vaillant next to his book Fire Weather, which talks about wildfires in Canada.

A message from John Vaillant -

When the petro-city of Fort McMurray was overrun by fire on an unseasonably hot May afternoon in 2016, it was clear from the fire’s intensity, and its subsequent behavior, that we were turning a corner in our relationship to fire - not just regionally, but climatically and planetarily. Fire Weather is an attempt to explore the causes and effects of this phenomenon, which I term 21st Century Fire. 
I think there is a sweet spot between page-turning action, deeply researched information and insight, and personal, relatable story that, when presented in the right ratio, can carry citizen readers way out of their ordinary comfort zones, and into an elevated state of awareness and understanding. This is the goal.

1


If a tree burns in the forest and nobody sees it . . .


In Canada, this is more than a philosophical question. Canada contains 10 percent of the world’s forests, vast tracts of which are uninhabited. But “vast” is an ineffective descriptor when it comes to Canada, its forests, or its fires. One way to grasp the magnitude of this country is to get in a car in Great Falls, Montana, and head up I-15 to Sweetgrass, on the Canadian border. Once you’ve crossed into Coutts, Alberta, reset your odometer and point your car north. Then, settle into your seat for a couple of days. With the Rocky Mountains on your immediate left, this route takes you up the western edge of the Prairies, through Lethbridge, Calgary, and Red Deer— wheat and cattle country. Once past the northern metropolis of Edmonton, you will find yourself increasingly alone on the road, surrounded by broad expanses of hardscrabble subarctic prairie— fields frozen solid or half drowned and barely fit for cattle feed. On the main road, now no wider than a residential street, hamlets with one blinking light and a gas station slide by and not another for fifty miles. To the east and west, gravel range roads run out to the vanishing point, and man- made structures appear more and more as intermittent novelties. Here, a schoolhouse- sized Ukrainian church with its tin- sheathed onion dome stands alone against a windswept loneliness so profound it suggests the Russian steppe. There, a barn collapses asymmetrically beneath the weight of a hundred heavy years, fully half of them spent clenched in the fist of winter, the people long gone. Farther on, a ten-acre lake so startlingly blue that mere reflection, even of Alberta’s sky, seems insufficient to explain it. Somewhere along the way, you will cross an unmarked divide where deer give way to moose, crows give way to ravens, and coyotes give way to wolves. By the time you get to North Star, the wide-open spaces for which Alberta is famous will be filled in by low, mixed forest and bogland that bears a strong resemblance to Siberia. By the time you stop for coffee in a lonely place called Indian Cabins, it will be tomorrow and your odometer will be approaching one thousand miles, but you will still be in Alberta.

 

Up here, in the landlocked subarctic, things seem to occur in outsized dimensions: lakes can be the size of inland seas and the trout inhabiting them can weigh a hundred pounds; large wild animals, including the continent’s biggest bison, outnumber people. In Wood Buffalo National Park, the second-largest national park in the world, is the world’s largest known beaver dam. Spotted in 2007 with the aid of a satellite, it is more than twice as long as the Hoover Dam, and it appears to be growing. In 2010, an adventurous man from New Jersey named Rob Mark set out to visit it. He was allegedly the first person to do so, and it was hard going. “The foliage is so thick,” Mark told the CBC, “you can’t see very far . . . then it turns into muskeg, which is incredibly difficult to walk on. And then it goes out to complete bog swamp.” It explains why so few outsiders frequent this place in the warmer months, and why winter is the preferred season for cross-country travel. “The mosquitoes,” added Mark, “are absolutely horrific.”

 

One exception to the general gigantism can be found in the trees, which seldom exceed sixty feet in height or a hundred years in age. These woods, a shifting mix of pine, spruce, aspen, poplar, and birch, are known collectively as the boreal forest,* and whatever they may lack in individual size, they compensate for in sheer numbers. Girdling the Northern Hemisphere in a circumpolar band, the boreal forest is the largest terrestrial ecosystem, comprising almost a third of the planet’s total forest area (more than 6 million square miles—larger than all fifty U.S. states). Fully a third of Canada is covered by boreal forest, including half of Alberta. Continuing west, over the Rocky Mountains, through British Columbia, the Yukon, Alaska, and across the Bering Strait into Russia (where it is known as the taiga), the boreal forest stretches all the way to Scandinavia and then, undeterred by the Atlantic Ocean, makes landfall on Iceland before picking up again in Newfoundland and continuing westward to complete the circle, a green wreath crowning the globe.


As densely wooded as the boreal might appear from the roadside, it is, within, something far more amphibious, containing more sources of fresh water than any other biome. In this sense, the circumboreal forest resembles a kind of hemispheric sponge that happens to be covered in trees, their billions of miles of roots weaving the continents together in a subterranean warp and weft. While not as openly fluid as Florida’s Everglades, the boreal’s countless lakes, ponds, bogs, rivers, and creeks serve a similar function of gathering, storing, filtering, and flushing fresh water. Billions of birds, representing hundreds of species, live in and migrate through this ecosystem.


One reason the trees never get very big or very old is because, in spite of all that water, they burn down on a regular basis. They’re designed to. In this way, the circumboreal is truly a phoenix among ecosystems: literally reborn in fire, it must incinerate in order to regenerate, and it does so, in its random patchwork fashion, every fifty to a hundred years. This colossal biome stores as much, if not more, carbon than all tropical forests combined and, when it burns, it goes off like a carbon bomb. In North America, the epicenter for these stratospheric explosions is northern Alberta. Because of this, every town up here, big or small, faces the same dilemma: where the houses end, the forest begins. There are bears, wolves, moose, and even bison in there, but the most dangerous thing hiding in those woods is fire. Under the right conditions, a big boreal fire can come on like the end of the world, roaring and unstoppable. These are fires that can burn a thousand square miles of forest along with everything in it and still be out of control.


Virtually unknown and, at the time, unseen by all but a handful of people, is the Chinchaga Fire of 1950, the largest fire ever recorded in North America. Igniting on the border of British Columbia and Alberta in June of that year, it burned eastward across northern Alberta for more than four months, impacting approximately 4 million acres, or 6,400 square miles, of forest (roughly, the combined area of Connecticut and Rhode Island, or three times the size of Prince Edward Island). The fire generated a smoke plume so large it came to be known as the Great Smoke Pall of 1950. Rising forty thousand feet into the stratosphere, the plume’s enormous umbra lowered average temperatures by several degrees, caused birds to roost at midday, and created weird visual effects as it circled the Northern Hemisphere, including widespread reports of lavender suns and blue moons. Prior to the Chinchaga Fire, the last time such effects had been reported on this scale was following the eruption of Krakatoa in 1883. Carl Sagan was sufficiently impressed by the effects of the Chinchaga Fire to wonder if they might resemble those of a nuclear winter.

 

Every year, the National Oceanic and Atmospheric Administration (NOAA), in cooperation with fire scientists from Canada and Mexico, issues a document called the North American Seasonal Fire Assessment and Outlook, which attempts to predict the likelihood of wildfires across the continent. The Outlook includes maps for each month of fire season, and they are color-coded, with red indicating a likelihood of increased fire activity and green indicating a decrease. Like 2015 before them, the monthly maps for 2016 showed a lot more red than green, and the map for May showed more red than all the others: in addition to large swaths of Mexico, the American Midwest, and all of Hawai’i, red covered much of southern Canada— from the Great Lakes all the way to the Rocky Mountains. It was an enormous area and included most of Alberta’s active petroleum fields. In the middle of that hot zone, in the middle of the forest, sat Fort McMurray.

 

Fort McMurray is an anomaly in North America. Located six hundred miles north of the U.S. border and six hundred miles south of the Arctic Circle, the city is an island of industry in an ocean of trees. Without the lure of petroleum, this part of Alberta would resemble Siberia in even more ways than it already does: sparsely populated; its rivers spun like compass needles toward the Arctic Ocean; its trees low, short-lived, and prone to fire. Here, half a dozen permanent settlements dot a region the size of Kentucky, and only one has a population over 800: in 2016, Fort McMurray and its satellite communities were home to an international population of nearly 90,000 people living in 25,000 houses and buildings ranging from trailer homes and condominiums to McMansions and high-rise concrete apartments. The city’s “urban service area”— the area covered by garbage collection and firefighting services— covers sixty square miles of convoluted terrain laced with creeks and ravines that are further fragmented by two major rivers and two tributaries. Together, they surround and entwine the city like the writhing arms of an octopus.


Scattered across the surrounding landscape in semipermanent “man camps” was an additional shadow population of roughly forty thousand workers whose numbers ebb and flow with the price of crude oil, the pace of development, and routine maintenance cycles at the processing plants. As one longtime resident put it, “We’re just a colony of oil companies.” Canada is the world’s fourth-largest oil producer and the third-largest exporter. Nearly half of all American oil imports— around 4 million barrels per day, come from there— the equivalent of one ultra large crude carrier ship every twenty-four hours. Of this vast quantity, almost 90 percent originates in Fort McMurray.


Despite being virtually unknown outside of Canada and the petroleum industry, Fort McMurray has become, in the past two decades, the fourth-largest city in the North American subarctic after Edmonton, Anchorage, and Fairbanks. In terms of overtime logged and dollars earned, it is, without a doubt, the hardest-working, highest-paid municipality on the continent. In 2016, two years past a decade-long boom that ended with a sudden drop in global crude oil prices, the median household income was still nearly $200,000 a year. Fort McMurray has earned several nicknames over the years, and one of them is Fort McMoney.


May 3, 2016, began differently for everyone, but in Fort McMurray, it ended the same. For Shandra Linder, it began with a rite of spring. Linder was a labor relations adviser who worked for Syncrude (a portmanteau of “synthetic crude oil”), a mainstay of the local economy. Shandra’s husband, Corey, an engineer, was employed there, too, and so were many of their friends. Both Linders worked out of the head office at the Mildred Lake complex, a half hour’s drive north of town. By 2016, Shandra Linder had called “Fort Mac” home for nearly twenty years; blond, with a pixie cut, Linder is fit and warm and does not suffer fools. It makes sense once you get to know her and what she does, but to an outsider it might be surprising to see someone so polished— and female— in such a remote, industry-oriented, testosterone-heavy place. At “Site” (the catch-all term for any mine or other petroleum-related workplace around Fort McMurray), the ratio of men to women runs about twenty-five to one. For work, Linder dressed accordingly: minimal makeup, high collars, dark pants, no heels— clothes suitable for climbing in and out of trucks and SUVs, for working in a world of working men. Linder exudes a quiet confidence, in part because working full-time for Syncrude, or its larger counterpart, Suncor, confers a blue-chip status on its employees. Working for these companies is the boreal equivalent to working for Exxon or Shell, and the distinction permeates like a pheromone. As one insider put it, “I am Syncrude and you are not.” Tradesmen and machine operators wear their company badges like team colors— even to the bars, where, during the last boom, they signaled to available women like so much plumage. Comparable to a stockbroker’s platinum card, worn externally, a company badge communicates volumes at a glance: six-figure salary, five-figure truck, four-figure party budget, fungible skills. Meanwhile, the company, also known as “the Owner,” or “Mother Syncrude”— asks a lot in return: just like Wall Street or Silicon Valley, working late and weekends is simply part of the job. But that’s where the money is: in Fort McMurray, the best time is overtime.


Shandra Linder had already seen the smoke plume southwest of town, because everyone had seen it. It had been there for days, morphing on the horizon, a windswept cauliflower of billowing grays and browns that appeared to have sprouted, full blown, from the forest on Sunday afternoon. It had been growing since then, but it was still miles away, and it wasn’t the only one. Over the weekend, the Linders had hosted friends who had evacuated due to another fire burning near the new Stonecreek development north of downtown. It was almost a lark: on Sunday, May 1, they’d had cocktails on their back deck in Timberlea, one of many hilltop neighborhoods to the north and west of downtown. There, drinks in hand, putting green and pocket fountain at their feet, they took photos of the big plume developing across the river the same way one would a sunset or a rainbow. They ate chicken and rice, and got a convivial buzz on—life was good in Fort McMurray. Their friends went home the next day.


Because Forestry was on it: boots were on the ground, water bombers were in the air. As far as the Linders and their guests were concerned, whatever was out there was being handled. After all, that is what people do in Fort McMurray: they handle things. Not many regions self- select as rigorously as northern Alberta does, and Fort McMurray selects for workers—tough, adventurous team players, highly motivated to do what it takes and prosper. That includes wild-fire fighters, and Alberta Forestry’s wildfire crews—with a territory ranging from tallgrass prairie and parkland to the Rocky Mountains and the boreal forest—are considered among the best in the world. In private, some members consider themselves the best. Certainly, the beginning of May was a little early for fires—there were still car-sized blocks of winter ice on the riverbanks, and some local lakes had yet to thaw—but otherwise, this was nothing new. Fires cloud the horizon every spring and summer; up here, smoke is simply a feature of the boreal landscape. As Shandra and Corey Linder said, practically in chorus, “It happens every year.”


Which was true, until it wasn’t.


In the forest, out of sight, things were changing. Winter snowfall had been far below average for two years running and, though it was still early spring in the north, leaves and pinecones crackled underfoot as if it were late summer. Given this, the unseasonable heat, and the fact that five separate wildfires ignited around the city that weekend, it is hard to overstate how unconcerned was Fort McMurray’s citizenry. But if you were up at dawn on May 3, as Shandra Linder was, and you had seen the sky, so fresh and clear and full of summer promise, as she had, you might understand why. The brilliance of that morning was so exceptional, even for northern Alberta, that after her morning routine of a dog walk, emails with coffee and a cigarette, and a shower, Linder did something she hadn’t done in a long time: she pulled out her favorite navy-blue suit with the skirt, picked some medium heels to go with it, and left her socks in the drawer. Thus attired, she headed off to work in Syncrude’s head office at Mildred Lake. In the garage, there were a few vehicles to choose from; in keeping with her outfit and her mood, Linder picked the car she calls “the little one”—a black Porsche that hadn’t seen daylight in six months. Winters are long and dark in Fort McMurray, but this one was over, spring was here, and Linder felt as beautiful and hopeful as the day.


She had lots of company; over the past few weeks, her neighbors had been emerging, too, unfurling with the spring flowers that had arrived weeks early that year. Coats and boots worn like a second skin since October were being packed away, and yards were being tidied after half a year of neglect. Garages, where a lot of Fort McMurray actively socializes among tool benches, beer fridges, ATVs, and various works in progress, were opening to the air, sun, and visitors. People were smiling to themselves at the bus stop, faces turned skyward like sunflowers, or Russians, as their bodies remembered the foreign sensation of warm sun on bare skin.

 


* “Boreal,” which means “northern,” is derived from Boreas, the Greek god of the north wind.

Excerpted from Fire Weather by John Vaillant. Copyright © 2023 John Vaillant. Published by Alfred A. Knopf Canada, a division of Penguin Random House Canada Limited. Reproduced by arrangement with the Publisher. All rights reserved. 

John Vaillant is an author and freelance writer whose work has appeared in The New Yorker, The Atlantic, National Geographic, and the Guardian, among others. His first book, The Golden Spruce (Knopf, 2005), was a bestseller and won several awards, including the Governor General's and Rogers Trust awards for non-fiction (Canada). His second nonfiction book, The Tiger (Knopf, 2010), won the B.C. Achievement Award for Canadian Non-Fiction, was a bestseller and has been published in 16 languages. Film rights were optioned by Brad Pitt’s film company, Plan B. In 2014 Vaillant won the Windham-Campbell Prize, a global award for non-fiction. In 2015, he published his first work of fiction, The Jaguar's Children (Houghton Mifflin), which was long-listed for the Dublin IMPAC and Kirkus Fiction Prizes, and was a finalist for the Writers’ Trust Fiction Prize (Canada). Fire Weather (Knopf, 2023) was nominated for a Pulitzer Prize and the National Book Award, and won the UK's Baillie Gifford Prize and Canada's Shaughnessy Cohen Prize. A #1 bestseller in Canada, it was named one of the ten best books of 2023 by The New York Times, among many other prominent publications in Europe and North America. Feature film rights have been optioned by Vendôme Pictures, which won an Academy Award for CODA in 2022.

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. Join us at Banff Centre for Arts and Creativity from November 1 – 9, 2025 for the 50th Anniversary of the Festival in Banff, Alberta! The nine-day festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are also available to watch throughout the year on Banff on Demand.  
To find out more about the Festival, World Tour, and related programs, please visit banffcentre.ca/banffmountainfestival

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A picture of director Cody Lefthand

Cody Lefthand grew up with a “camera glued to [his] hand.” He made short films with his friends when younger, eventually joining the Calgary Society of Independent Filmmakers. His first feature-length documentary, Stories we Have Earned: The Stoney Nakoda Film Project, tells the story of the intersection between film history in Banff and Nakoda heritage and how these films have shaped perceptions of Stoney Nakoda culture.

Lefthand, a member of the Eden Valley Stoney Nakoda First Nation, said he was inspired to become a filmmaker after realizing the power of storytelling and when he explored the world of film, he recognized its “ability to capture and share our experiences in a way that resonates with others.”

Lefthand filmed Stories We Have Earned in 2022 and said it’s a tribute to the strength, resilience, and wisdom of the Stoney Nakoda community. Showing at the Banff Centre Mountain Film and Book Festival this year, he hopes it will show a different side of Banff.

“It’s an opportunity to convey that Banff is not merely a playground for outdoor enthusiasts but a deeply spiritual place that holds significant cultural importance for my Stoney Nakoda people.”

Author: Caitlin Dutt, Porter O'Brien Agency

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. Join us at Banff Centre for Arts and Creativity from November 1 – 9, 2025 for the 50th Anniversary of the Festival in Banff, Alberta! The nine-day festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are also available to watch throughout the year on Banff on Demand.  
To find out more about the Festival, World Tour, and related programs, please visit banffcentre.ca/banffmountainfestival

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Director Cody Lefthand speaks about his early days of filmmaking and his recent film Stories We Have Earned.
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Still from Canada Vertical, premiered at the 2023 Banff Centre Mountain Film and Book Festival

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Canada Vertical premiered at the 2023 Banff Centre Mountain Film and Book Festival, showcasing an epic adventure where the team skied, canoed, and cycled across longest north-south crossing of Canada. Catching up with Nicolas (writer, producer, co-director) felt like picking up right where we left off—the team back in Quebec, regrouping after their big quest and looking ahead to new adventures. This time, they just wrapped up an incredible 6,900 km journey through Canada’s northern landscapes. You can read more about their recent adventure here.

As we saw in Canada Vertical, Nicolas has been on the mend from a serious climbing injury. What stands out about their story is the team’s resilience and their unwavering commitment to their mission. He highlighted the importance of Inuit culture, which is such a vital part of Canadian identity and deserves to be respected.

We can’t wait to see what exciting adventures Nicolas and his crew have in store next—maybe we’ll catch up again at the 2025 festival!”

Author: Paige Roulston, Banff Centre for Arts and Creativity

Canada Vertical premiered at the 2023 Banff Centre Mountain Film and Book Festival

Photo submitted.

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. Join us at Banff Centre for Arts and Creativity from November 1 – 9, 2025 for the 50th Anniversary of the Festival in Banff, Alberta! The nine-day festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are also available to watch throughout the year on Banff on Demand.  
To find out more about the Festival, World Tour, and related programs, please visit banffcentre.ca/banffmountainfestival

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From street hawker selling slippers to internationally recognized choreographer, CHENG Tsung-lung succeeded LIN Hwai-min as Artistic Director of Cloud Gate Dance Theatre of Taiwan starting in 2020.

CHENG took his first dance class at the age of 8. Upon graduation from the Dance Department at Taipei National University of the Arts, he joined Cloud Gate in 2002 and became the Artistic Director of Cloud Gate 2 in 2014.  

CHENG has been awarded prestigious prizes for his choreography internationally as well as at home, such as the No Ballet International Choreography Competition (Germany), the Premio Roma Danza International Choreography Competition (Italy), the MASDANZA Choreography Competition (Spain) and the Taishin Arts Award (Taiwan). He has also worked with companies worldwide, including Sydney Dance Company, the Transitions Dance Company at the Laban Centre, London, Expressions Dance Company, Brisbane, and the Hong Kong Academy for Performing Arts.

CHENG’s work is deeply rooted in both ancient and modern Taiwanese culture — and he is a strong supporter of Cloud Gate’s extensive engagement with grassroots audiences across Taiwan— yet it also embraces global influences. He is praised by the Stage Newspaper with “an eye for a cinematic moment.” His 13 TONGUES (2016) integrates folk dance, religious rites, and Taoist chant to conjure the streets where he worked as a child. Lunar Halo (2019) is performed to an ethereally haunting soundtrack by Icelandic musician Sigur Rós and explores the complex area of human connection and technology. Sounding Light (2020) was written in response to COVID-19 pandemic-induced isolation and reflects on the precariousness of both the human and the natural world. Visually stunning, Send In A Cloud (2022) displays in shifting colors a panorama of dancers’ life journeys. The most recent choreography WAVES (2023), a collaboration with Japanese media artist Daito MANABE, explores societal and individual facets affected by the rapid progress of technological advancements.

CHENG has been a fixture of Routledge’s respected annual survey of dance practitioners, Fifty Contemporary Choreographers (2020), alongside the likes of William Forsythe, Akram Khan, Hofesh Shechter, and leaders in the form.

Photo by: LEE Chia-yeh

Artistic Director/Choreographer
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2024 Book Competition Category Winners
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BANFF CENTRE, ALBERTA – The Banff Centre Mountain Film and Book Festival is excited to announce the winners of the esteemed 2024 book competition. These award winners will compete for the Grand Prize which will be announced on Thursday, October 31, during this year’s festival.


This prestigious international event honours mountain literature in its many diverse forms. Each year, the competition distributes a total of $29,000 in cash prizes across eight categories: Mountain Literature (Non-Fiction), Mountain Fiction and Poetry, Environmental Literature, Adventure Travel, Mountain Image, Guidebook, Mountain Article, and Climbing Literature.


The eight category award winners are chosen by our international jury from a longlist of 31 finalists. The 2024 Book Competition jury members are Gloria Dickie (Canada, author of bestseller Eight Bears), Anthony Whittome (UK, freelance editor for Penguin Random House, and former Editorial Director of Random House UK), Marni Jackson (Canada, author and former award winning journalist for Outside Magazine), and Irene Yee (USA, internationally published photographer).


Category Award Winners:


Mountain Literature (non-fiction) - The Jon Whyte Award
$3000 - Sponsored by The Whyte Museum of the Canadian Rockies


Alpine Rising: Sherpas, Baltis, and the Triumph of Local Climbers in the Greater Ranges
Bernadette McDonald, Mountaineers Books (USA, 2024)
 

We are privileged as judges to honour not one but two books which help transform our understanding of Himalayan mountaineering. Bernadette McDonald’s Alpine Rising, arguably the most important book in her long and distinguished career, tells the unsung, heroic and sometimes tragic story of the Sherpas, the Baltis and other Indigenous peoples without whom no Himalayan peak could have been climbed. As truths emerge from the shadows of empire and they take their rightful place in their own world, she reveals the lives and humanity behind their dramatic stories, culminating in the all-Nepali first winter ascent of K2.


– Tony Whittome, 2024 Book Competition Jury
 

Mountain Fiction & Poetry
$3000 - Sponsored by the Town of Banff


Empty Spaces
Jordan Abel, McClelland & Stewart (Canada, 2023)


Empty Spaces, by Nisga’aa writer Jordan Abel, is a book of poetry that does not behave like most poetry. It is a flowing river of words that represent the timelessness, power and movement of the natural world. Reading this book is like entering a deep forest and feeling the wind, hearing birdsong. There is a haunting progression through the ages, followed by the arrival of cities, violence, towers, garbage, bodies. Until the natural world re-emerges. At once harrowing and consoling, Empty Spaces gives us a profound experience of the land that rewrites our history.


– Marni Jackson, 2024 Book Competition Jury
 

Environmental Literature 
$3000 – Sponsored by Lolë
 

Crossings: How Road Ecology Is Shaping the Future of Our Planet
Ben Goldfarb, W.W. Norton & Company (USA, 2023)


A million animals a year are killed by cars in the US alone, even though environmentalists are building highways for mountain lions and bridges for toads. The Banff underpass also has a cameo in this stunning work of reportage. Ben Goldfarb somehow makes a book about roadkill and asphalt into a reading experience that will forever change how you view the environment. Crossings is full of humour, memorable characters, and lively writing on a topic that could not be more important to the health of the planet.


– Marni Jackson, 2024 Book Competition Jury


Adventure Travel
$3000 – Sponsored by Rocky Mountain Books


Move Like Water: My Story of the Sea
Hannah Stowe, Tin House (USA, 2023)


The visceral power of the sea and its hold on all who immerse themselves in its world are conjured with wonder in this beautifully written memoir. Exploring it through her own remarkable story as a mariner and marine biologist, and sharing with us hardships, dangers and accidents but above all her passion for the sea, Hannah Stowe shows us a sea-scape we might think we know but don’t. Featuring such emblematic sea creatures as the whale, the albatross and the humble but extraordinary barnacle, this is a siren song in vivid, exacting prose. 


– Tony Whittome, 2024 Book Competition Jury


Mountain Image
$3000 – Sponsored by Mountain Life


Monica Dalmasso: Sauvage! 
Monica Dalmasso and Cédric Sapin-Defour, Glénat (France, 2023)


It is fascinating to see how each person interprets art differently. Are we meant to take in a book from cover to cover, or do individual images resonate more when absorbed gradually over time? Is simplicity or complexity more important? That's the nature of art—it gets us all talking. Sauvage! was chosen as this year’s Mountain Image winner for its diverse portrayal of mountain life—showcasing everything from the presence of humanity within its landscapes to the absence of it, as well as the macro details that define these elevated terrains. Although the text was not meant to be weighed as heavily as the imagery, I personally found the words in Sauvage! perfectly complemented the visuals in a way that enhanced and added depth to the imagery, making me continually want to turn pages. In the end, we all agreed: this book inspired us to want to go out, explore the world, and create a few images of our own. And if that's not the purpose of mountain imagery, then what is?

– Irene Yee, 2024 Photo Competition Jury


The Art of Climbing  
Simon Carter, Thames and Hudson (USA, 2024)


The Art of Climbing, quite simply, is a love letter to the sport of technical rock climbing. The 250+ page book denotes the visual history of Simon Carter as he takes his photography to bold frontiers and truly awe-inspiring scenes. Whisked away to lines all over the globe, The Art of Climbing serves both populations of climbers and non-climbers alike. Regardless of your affinity to the sport, as you put down the book after each session, you feel a little lighter, a little more excited for new-to-you places. As a reader, you are left with the conclusion that this book does one task quite well - it pushes you to get outside.


– Jojo Das, Jury Member


Guidebook
$3000 – Sponsored by the Association of Canadian Mountain Guides


Backpacking on Vancouver Island: The Essential Guide to the Best Multi-Day Trips and Day Hikes
Taryn Eyton, Greystone Books (Canada, 2024)


Taryn Eaton’s approach to traversing the forested expanses of Vancouver Island is practical, portable, and above all, inspiring. Her helpful and vivid descriptions of some of the region’s best treks leaves readers dreaming up their next adventure through the island’s towering cedars and whispering inlets — or reveling in journeys past. With compelling writing and a leave-no-trace ethos, this guide is sure to stand the test of time as the perfect companion on any hike through the island’s rugged mountains or along rain-drenched coasts.


– Gloria Dickie, 2024 Book Competition Jury


Mountain Article
$3000 – Sponsored by Lodge at the Bow


The Terror of Turning a Corner 
Astra Lincoln, Climbing Magazine (USA, 2024)


If you’ve ever suffered a concussion, you may know that recovery can take a surprisingly long time and it can shake your confidence too. This is what happened to climber Astra Lincoln after a bike accident left her with lingering post-concussion symptoms. In this buoyant and highly entertaining article, Astra Lincoln describes how coming back to climbing on a modest route in Colombia brought her face to face with her post-injury fears, and led her to acceptance.


– Marni Jackson, 2024 Book Competition Jury


Climbing Literature
$3000 – Sponsored by World Expeditions


Headstrap: Legends and Lore from the Climbing Sherpas of Darjeeling
Nandini Purandare and Deepa Balsavar, Mountaineers Books (USA, 2024)


A phenomenal feat of oral history that sheds light on the historically overlooked role of Darjeeling Sherpas in developing the mountain exploration and climbing culture that has come to define the Himalayan region. Recognizing their valour and strength of spirit, body, and mind, Headstrap gives these awe-inspiring figures their due. Purandare and Balsavar have made a pivotal contribution to the realm of climbing literature with this painstakingly researched and passionately curated book.


– Gloria Dickie, 2024 Book Competition Jury
 

Grand Prize 
$5000 – Sponsored by the Alpine Club of Canada

All the category winners listed above are eligible for the Grand Prize. 


Book Awards will be presented, and the Grand Prize will be announced Thursday October 31st as part of the 49th annual Banff Centre Mountain Film and Book Festival.


Special Jury Mention 


Blood Sweat Tears
Christine Reed, Rugged Outdoorswoman Publishing (USA, 2024)


A visceral account by more than two dozen women on the ways that wilderness can make us or break us. This beautifully curated anthology covers a wide swathe of the female experience, from evocative writings of love and loss, to the awkward and uncomfortable — and relatable — rites of womanhood on the trail, often in male-dominated spaces. Each voice is unique and a talent in her own right, and Reed has done a commendable job of weaving them together into a brilliant structure that is worthy of great praise.


– Gloria Dickie, 2024 Book Competition Jury


Special Jury Mention 


Twelve Trees: The Deep Roots of Our Future 
Daniel Lewis, Avid Reader Press (USA, 2024)


A modest title for an extraordinary book, Twelve Trees reexamines the arboreal world from roots to canopy and makes you see trees as you’ve never seen them before. Taking twelve species (in reality many more), Daniel Lewis exults in their sheer individuality and majesty and tells their tenacious stories with passion, humour and deep understanding. Despite real ecological threats, there’s optimism in his account - all trees are good and with care and conservation, they're bound to succeed!


– Tony Whittome, 2024 Book Competition Jury
 

To learn more about this year’s finalists and the competition, visit https://www.banffcentre.ca/banff-mountain-book-competition

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Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.


Online films are available in Canada and the United States from November 6 to 13.
 

Please visit banffcentre.ca/film-fest for more information.

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Media Contact


Interested in reporting on this or any other Banff Centre story? Members of the media can reach out to communications@banffcentre.ca for more information.

Media Release
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Description

Experience an unforgettable holiday celebration in Banff with internationally acclaimed trumpet virtuoso Jens Lindemann and special guests!

A beloved figure in the Bow Valley, Jens returns to the stage for an evening that includes a salute to the greatest trumpet players in history—from Doc Severinsen and Herb Alpert to Louis Armstrong and Chuck Mangione. Along with beloved holiday classics, this performance will feature legendary Canadian jazz icons Al Muirhead and Eric Friedenberg as special guests. Prepare to be dazzled by an evening of extraordinary music, guaranteed to fill your heart with holiday cheer!

Behind the Scenes with Jens Lindemann

CTV Calgary News Anchor Ian White caught up with Jens Lindemann to discuss his upcoming Banff Centre holiday concert. From his tribute to iconic trumpet players to his holiday favourites, Jens shares the stories that make this performance unique.

Watch the full interview on CTV News and get ready to experience an extraordinary evening of music.

 

Image of Jens Lindemann
Page Summary
Experience the magic of the season with renowned trumpet virtuoso Jens Lindemann and special guests!
Exhibition
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Free
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Donation
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Banff Centre Artist/Practicum/Staff Only
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Licensed
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Event Tags
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/Online/mapSelect.asp?BOset::WSmap::seatmap::performance_ids=06BC5049-3064-46EE-9022-270D26002778
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Biography

Jens Lindemann

Jens Lindemann is the first classical brass player ever to receive the Order of Canada and the foremost trumpet soloist in his country’s history. Celebrated for his beauty of tone and virtuosity, Jens Lindemann’s career has ranged from being a multiple Juno and Grammy nominee in numerous musical styles to being a viral video sensation as the “snowstorm trumpeter”. Equally at home playing Carnegie Hall, Madison Square Garden or the closing ceremonies of the Olympics, Jens has a unique connection to audiences in all venues and places. As the recipient of major awards from Prague and Munich and three honorary degrees, Jens is also the only trumpeter to have won the “Grand Prize” in the 60-year history of the Canadian Music Competition.
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1734229800
Feature Image
13 TONGUES. Performed by Cloud Gate Dance Theatre of Taiwan. Photo by LIU Chen-hsiang
Subtitle
Artistic Director: CHENG Tsung-lung
Page Summary
Step into a world where tradition and modernity collide in Cloud Gate Dance Theatre of Taiwan’s performance of 13 TONGUES.

Submitted by Dolson Rhona on
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Nguyễn Thanh Thủy is a leading đàn tranh player/improviser in both traditional and experimental music. She was born into a theatre family and was raised with traditional Vietnamese music from an early age in Hà Nội. She studied at the Hanoi Conservatory of Music where she received her diploma in 1998, followed by a Master of Arts at the Institute of Cultural Studies in 2003. Since 2000 she holds a teaching position at the Vietnam National Academy of Music. She has toured in Asia, Europe and the USA. She has received many distinctions including the First Prize and the Outstanding Traditional Music Performer Prize in the National Competition of Zither Talents in 1998. Nguyễn Thanh Thủy has recorded several CD’s as soloist with orchestra and solo CDs, which were released by Phương Nam Film Vietnam; by dB Productions Sweden; by Setola di Maiale Italia and by Neuma Records & Publications USA. She collaborates with composers such as Richard Karpen (US), Kent Olofsson (SE), Nguyễn Thiện Đạo (FR/VN) and Trần Thị Kim Ngọc (VN). 

Dolson Rhona

Submitted by Dolson Rhona on
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Jeremy Dutcher is a Two-Spirit song carrier, composer, activist, and ethnomusicologist from Tobique First Nation in Eastern Canada. He gained international acclaim for his album Wolastoqiyik Lintuwakonawa, which earned him the 2018 Polaris Music Prize and Indigenous Music Album of the Year at the 2019 JUNO Awards. His musical style blends the songs of his community with neoclassical, jazz, and pop influences, and has led him to collaborate with such iconic artists as Beverly Glenn Copeland and Yo-Yo Ma. Dutcher’s work has taken him to the world’s great concert halls, NPR’s Tiny Desk, and the judges’ table of Canada’s Drag Race.

 

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