Skip to main content

Submitted by Sonia Zyvatkau… on
English
Kate McGrath

fullwidth padding

Kate McGrath is a dynamic and inspirational cultural leader with over twenty years’ experience in artistic and executive leadership and governance, spanning the charitable and commercial sectors. With a clear vision and deeply rooted values, Kate leads with dynamism, integrity and kindness. Her significant producing skills combine insight in artistic development, expertise in creative collaboration and curatorial flair with confidence in establishing and leading complex partnerships, prudent financial management and effective income generation strategies, and significant experience in managing complex and varied teams. Kate is a confident and articulate speaker, writer and advocate for arts and culture, widely respected and networked both in the UK and internationally.

Kate is Artistic Director & Chief Executive of Fuel, which she co-founded in 2004. Fuel leads the field in independent producing in the UK’s live performance sector, producing an adventurous programme of work with exceptional theatre makers, exploring the big questions of our times, for audiences across the UK and beyond.

Fuel projects include Khalid Abdalla’s Nowhere (UK tour & international tour); Ross Collins’ and Toby Olie’s There’s a Bear on My Chair (UK tour), Common Wealth, Speakers Corner and Bradford Modified Club’s Peaceophobia (UK tour); BLUE NOW (UK tour) with Neil Bartlett, Russell Tovey and Travis Alabanza; David Greig’s Touching The Void (UK and international tour, West End) and Inua Ellams’ Barber Shop Chronicles (National Theatre, UK and international tour). Fuel also initiated the Freelance Task Force and Creative Freelancers: Shaping London’s Recovery for the Mayor of London, as well as founding the UK’s Producing & Touring Companies Network.

Kate was and Visiting Fellow 2024-2025 for the Cultural Programme at the University of Oxford (2024-6), Curator for the Edinburgh International Festival from 2019 to 2022, Clore Leadership Theatre Fellow in 2008, and led the producing team at the Lyric Hammersmith from 2006 to 2009. Prior to Fuel, Kate worked as Producer at Battersea Arts Centre (2002-2005), and as a journalist on Arts & Features for The Scotsman (2000-2002).

Previously Chair of the Board of Camden People’s Theatre (2012-2020), Trustee at Tobacco Factory Theatres (2014-18), and Co-Chair of Governor at Michael Faraday Primary School (2018-23), Kate is currently a Trustee of National Theatre Scotland (since 2025), Clore Leadership Programme (since 2020), a Board Director for What Next? (since 2020), and a Board Director for ARTCRY (since 2024). Kate was awarded an OBE for Services to Theatre in 2026.
 

Faculty

Submitted by Sonia Zyvatkau… on
English
Duriel E. Harris

fullwidth padding

Dr. Duriel E. Harris is Editor of Obsidian: Literature & Arts in the African Diaspora and Professor of English at Illinois State University. Harris is the author of three critically acclaimed volumes of poetry: Drag (2003); Amnesiac: Poems (2010); and No Dictionary of a Living Tongue (Nightboat, 2017). Multi-genre works include the one-wom¬an theatrical performance Thingification, the videopoem collabora¬tion Speleology, the sound-image project Blood Labyrinth, and the speculative drama Code: A Sport. Appearances include performances at the Greenhouse Theater, the Chicago Jazz Festival, Babylon Cinema (Berlin), Votive (Auckland), Babel Theatre (Beirut), the University of Ghana, and the Festival Internacional de Poesía de La Habana (Cuba). Her work has been featured in the New York Times, Imagined Theatres, PEN America, Poets.org, Orion, and Poetry Magazine, among oth¬ers. Harris has served as Vis¬iting Professor at the Iowa Writers’ Workshop, faculty at Cave Ca¬nem Retreat, and Teaching Artist at the Naropa Summer Writing Program. Harris’ writing, performance, and curatorial practice are grounded in Black diasporic arts, innovative poetics, and cross-genre collaboration. Recognized with the 2023 AWP lifetime achievement George Garrett Award for Outstanding Community Ser¬vice in Literature, Harris remains deeply committed to fostering vibrant artistic communities.
 

Guest Faculty
Body
Image
From the film Listen
Paragraph Text

The Banff Mountain Film Competition is excited to announce Listen (USA) by director Taliesin Black-Brown as winner of the Grand Prize ($5,000 CAD) during the 51st annual Banff Centre Mountain Film and Book Festival at Banff Centre for Arts and Creativity.

A short documentary set in one of the largest wilderness areas on Earth, Listen follows Alaskan author Hank Lentfer as he records forgotten sounds of the natural world and cares for his mother with dementia. Listen is a sensory immersion that dissolves the boundaries between us and the more-than-human world. Directed by American filmmaker Taliesin Black-Brown and produced by Sam Davis, Listen also previously won the Grand Jury prize at the 2026 Tribeca Festival and was recently acquired by New York Times Op-Docs. 

“As human beings in the 21st century, we are confronted with an unprecedented challenge and abundant opportunity to restore and create foundational belonging with the environments that support all life on Earth. When cinema is used as an elemental and catalytic antidote for isolation, dissociation, and pervasive material loss with such precise moral clarity, artistic mastery, and salient brevity; the result is a film that engages human caused environmental devastation—the existential dilemma of our time—at its nucleus with overwhelming love and hope. For this achievement in filmmaking and in personhood, the jury awards the 2026 Banff Mountain Film Competition Grand Prize to Listen.”

– Rose Bush, 2026 Film Competition Jury

This year’s international jury includes David Arnaud (France), a film director and former professional kayaker; Rose Bush (USA), an Oscar Award-winning director of photography and sought-after teacher and mentor; Beki Henderson (UK), a BAFTA-nominated producer, series producer, and expedition specialist; Kerry Stauffer (Canada), former Managing Director of the Digital, Film and Media department at Banff Centre for Arts and Creativity, and former Director of Production and Program Competition at Achilles Media.

The Banff Mountain Film Competition received a record-breaking 610 film submissions from 59 countries, with 83 films representing 16 countries selected as finalists. You can view the A-Z guide of the 2026 Banff Mountain Film Competition finalists here. Nearly all award-winning films will be available to watch online from November 12-22, 2026 (available in Canada and USA only).

Category Award Winners and the Grand Prize were announced on the final evening of the 51st annual Banff Centre Mountain Film and Book Festival, held October 31 to November 8, 2026, at Banff Centre for Arts and Creativity in Banff, Alberta.

Recognized as one of the world’s leading celebrations of mountain and adventure filmmaking, the 2026 festival featured 12 world premieres, 24 North American premieres, and 20 Canadian premieres. $30,000 CAD in prize money was awarded across 10 categories, plus a $5,000 CAD Grand Prize.

Following the festival, the annual World Tour hits the road, bringing a curated selection of films from the Banff Centre Mountain Film and Book Festival to audiences in more than 45 countries on seven continents, with over 1,000 screenings held around the world each year—the largest adventure film tour on the planet!

The 2026 Banff Mountain Film Competition Award winners are:

Grand Prize
Sponsored by Nikon Canada | $5,000
Listen
(USA, 2026, 15 minutes)
Director: Taliesin Black-Brown
Producer: Sam Davis

Best Film: Adventure
Sponsored by Clipper Race | $3,000
The Navigator
(Canada, 2026, 90 minutes)
Director: Jordan Manley
Producer: Laura Yale

Nearly 50 years after becoming the first Native Hawaiian in six centuries to navigate a voyaging canoe to Tahiti, Nainoa Thompson embarks on the demanding deep-sea crossing one final time. Guided solely by the stars and nature's clues, Thompson and his crew sail the same sea road as their ancestors, bearing the responsibility of keeping this ancient knowledge alive.

“The Navigator is a visually stunning film that weaves together adventure, cultural identity and ancestral knowledge. It challenges our reliance on modern technology, revealing the extraordinary courage required to venture into the unknown guided by skills passed down through generations. Above all, it offers a powerful reminder of how easily invaluable knowledge can be lost, and the importance of preserving it for future generations.”

– Beki Henderson, 2026 Film Competition Jury

Best Film: Mountain Culture
Sponsored by Rab | $3,000
Land of Canaan
(Palestine, 2025, 87 minutes)
Director: Maggie Lemere
Producer: Maggie Lemere

As Palestinian culture and land are threatened with systematic destruction, this documentary presents a rare and intimate view of Palestinian farmers and their ancient olive trees—symbols of resilience, heritage, and home. Faced with ongoing political violence and the loss of their land, a visionary olive farmer brings thousands of small-scale olive farmers together in fair trade cooperatives that connect them to global markets and create a future for their families.

“Mountain culture is unique. It is itself a gathering of colossal geologic forces and acclimatized adaptations of humanity to belong in resonance with one another indefinitely. Life here, lives on the edge of Earth’s story. Through devotion to the endurance of the human spirit against unimaginable pressure while maintaining the integrity of both humanity and Earth’s story, one film illuminated the vital relationship of courage, vision, hope, and traditional ecological knowledge in service of the essential value of sovereignty via mountain culture. Through its delicate yet vigorous cultivation of decolonial cinema, olive groves, and enduring Palestinian life in Palestine, the award for Best Mountain Culture Film goes to Land of Canaan.”

– Rose Bush, 2026 Film Competition Jury

Best Film: Environment
Sponsored by Nature United | $3,000
Derek vs Derek 
(UK, 2026, 88 minutes)
Director: James Dawson
Producers: David Broder, Serena Kennedy

In the idyllic English countryside lives a dairy farmer named Derek. One day his neighbour, also a Derek, forsakes tradition and starts to turn his land over to wild nature, sparking a long-running feud. This film charts the two Derek's turbulent and often funny relationship as tempers fray, wild animals escape, and the land is transformed.

“This is the story of two men on opposite sides of the fence, in every sense. One wants to feed the world; the other wants to save it. The debate is deeply polarizing. Yet these two grumpy Devon farmers keep up a (mostly) civil conversation, something the world has been short of lately. James Dawson’s film tackles one of the most urgent issues of our time with humour, tenderness and quiet hope.”

– David Arnaud, 2026 Film Competition Jury

Best Film: Climbing
Sponsored by Arc’teryx | $3,000
Zindabad
(UK, 2026, 45 minutes)
Director: Tom Fish
Producers: Sam Maynard, Sammer Sultan, Tom Fish

In the heart of the Karakoram, Pakistani climber Mueez Ud Din attempts a first ascent in his own backyard—where the biggest peaks have long been claimed by outsiders. Climbing with his uncle Javed Ali and French alpinist Mathieu Maynadier, he enters an unexplored glacier system, confronting unstable conditions, limited resources, and the realities of operating at the sharp end of alpinism for the first time. Against a backdrop of recent mountaineering tragedies in the Karakoram, the film highlights opportunities to strengthen Pakistan's climbing industry and improve safety for local and international climbers alike.

“Zindabad is a beautifully crafted and inspiring film that challenges traditional mountaineering narratives by placing local Pakistani climbers, at the heart of their own stories. Celebrating community, breaking down barriers and creating opportunities, the film invites us to reconsider the meaning of exploration itself. It reminds us that adventure isn't always about reaching the summit, but about the journey and what we achieve along the way.”

– Beki Henderson, 2026 Film Competition Jury

Best Film: Mountain Sports
Sponsored by YETI | $3,000
Roots
(France, 2026, 54 minutes)
Director: Alexis Berg
Producer: Alexis Berg

Roots is an intimate portrait of Ruth Croft: a reserved New Zealand trail runner whose quiet exterior conceals an enormous heart, fierce loyalties, and human qualities that ultimately matter far more than her results.

“Few sports are as hard as ultra-trail running. And yet, for one of the best runners of her generation, the hardest climb was never on the mountain. Broken by injury, at war with her own body, Ruth Croft was hurt by the very thing she loved. Alexis Berg’s film is not so much about the rise of a champion as about an inner journey of healing and acceptance, rooted in the essential joy of running outdoors.”

– David Arnaud, 2026 Film Competition Jury

Best Film: Snow Sports
Sponsored by the American Alpine Club | $3,000
Threshold
(USA, 2026, 84 minutes)
Director: Torsten Brinkema
Producer: Lars Brinkema

At the peak of her career, Jessie Diggins was silently unravelling. Told over the course of a year, this is the story of the most decorated American skier ever and the struggle behind her smile—a painful battle with an eating disorder as Diggins fights to regain her World Cup title.

“Threshold is an intimate and deeply moving film that takes us beyond the triumphs of elite sport to reveal the vulnerability behind success. Through sensitive storytelling, it shines a light on the personal struggles so many will recognise, both within sport and beyond. The jury particularly commends Jessie Diggins for her extraordinary courage and honesty in sharing her story, reminding us that true strength often lies in vulnerability.”

– Beki Henderson, 2026 Film Competition Jury

Best Short Film
Sponsored by DUER | $3,000
Hello, Beautiful
(Canada, 2026, 13 minutes)
Director: Darcy Hennessey
Producer: Sarah Steele

While training for the Paris Olympics, elite climber Alannah Yip is suddenly diagnosed with alopecia universalis, forcing her to confront her identity beyond the competition world and embark on a transformative journey of self-discovery, healing, and redefinition.

“This film is told with tender pacing, and visuals that reflect the transformative journey into identity that an elite climber embraces with curiosity and courage as she redefines herself beyond the competition world. It resonated deeply with the jury because through her connection to nature and climbing, the film explores the journey of releasing and the joy of rediscovering who we are. Beautifully observed, the film reminds us that personal transformation does not always come from pushing harder.”

– Kerry Stauffer, 2026 Film Competition Jury

Best Feature Film
Sponsored by Myron and Catherine Tétreault | $3,000
Ceremony
(Canada, 2026, 84 minutes)
Director: Banchi Hanuse
Producer: Banchi Hanuse

Through Nuxalk Radio—a small community radio station which becomes a courtroom, confessional, and conjuring ground—the disappearance of the ooligan from the Bella Coola River reveals a buried history deeper than the river itself.

“The jury was especially moved by this film’s ability to reveal the significance of the disappearance of a seemingly small fish, and how that loss opens up a much larger story of culture, belonging, tradition, resilience, and community. Giving voice to the community through broadcasts from the Nuxalk radio station, and through personal stories and reflections, integrated with exquisite watercolour animations bridging past to present, the film masterfully explores not only what has been lost, but also the community’s determination to reclaim its traditions, bring the ooligan back to the river, and live on the land where those traditions were born.”

– Kerry Stauffer, 2026 Film Competition Jury

Creative Excellence Award
Sponsored by Nikon Canada | $3,000
75’ Seconds
(Switzerland, 2026, 12 minutes)
Director: Marco Tribelhorn

On a foggy March evening in Norway, freeskier Jacob Wester triggers an avalanche and is swept off a cliff. For 75 seconds, he fights for his life inside a roaring mass of snow, while his wife Sofia waits in silence below. 75 Seconds is an account of chaos, fear, and hope inside an avalanche.

“A compelling visual treatment brings to life an experience that is impossible to imagine. Through the powerful personal testimony and recorded audio captured as the event unfolds, we don’t simply watch or observe; we are brought inside a defining day—and inside an avalanche, with all the thoughts, fears and emotions of being swept away. The filmmaker masterfully weaves moments of intimacy and stillness into the harrowing chaos, creating an extraordinary intimate experience for the viewer.”

– Kerry Stauffer, 2026 Film Competition Jury

Audience Choice Award
Sponsored by The Lake Louise Ski Resort | $3,000
Only Music // Snake River
(USA, 2025, 40 minutes)
Director: Justin Fountain
Producer: Rush Sturges, AJ Fountain

Follow a group of musicians as they trade concert stages for river currents, embarking on a multi-day journey down the Snake River with little more than their instruments and a shared willingness to connect. Along the way, music becomes a universal language breaking down barriers, sparking unexpected encounters, and revealing the generosity of strangers in wild places.

Special Jury Mention
Just Climber / Cap ou pas Cap?
(France, 2025, 24 min)
Director: Jérôme Tanon
Producer: Cyril Salomon

Watching Solenne Piret climb is almost like witnessing magic. You wonder how she will get through, and then, with a fluid, effortless motion, she progresses up the wall. Born without a right hand, Piret has always found her own path on the wall. A four-time world champion, she now takes on a new challenge: leading the legendary Grand Capucin.

“This boundary pushing film takes us to the edge of human achievement in wild spaces and into the depths of perseverance over stigma and categorization while shattering expectations of who can hold centre stage in climbing and in the mountains. A celebration of communal and self love, the endurance to achieve excellence, and the raw grit necessary to expand equity, this film is an enriched embodiment of spiritual athleticism that echoes far beyond sport and mountain life, and boldly manifests a culture of limitless possibility accessible to all.”

– Rose Bush, 2026 Film Competition Jury

Special Jury Mention
The Last of the Lookouts
(Canada, 2026, 20 min)
Director: Ryan Wilkes
Producer: Ryan Wilkes

Bart Vanderlinde scans the forest for smoke and reflects on a 50-year career in the British Columbia Wildfire Service as other fire lookout towers across the province stand empty around him. He is one of the last guardians of a vanishing profession.

“Imagine looking at the same landscape day after day, year after year, decade after decade. Can you ever get enough? ‘I’ll miss it when I go,’ replies Bart Vanderlinde, one of British Columbia’s last fire lookouts. Masterfully crafted and suspended in time, tinged in equal measure with melancholy and beauty, Ryan Wilkes’s film is a moving portrait of a life spent watching over Canada’s forests.”

– David Arnaud, 2026 Film Competition Jury

Image
2026 BanffPitch Grand Prize Winner
Paragraph Text

2026 BanffPitch Competition Winners Announced!

The Banff Centre Mountain Film and Book Festival is excited to announce the winners of the BanffPitch competition—an exciting initiative supporting young and emerging filmmakers, now in its second year! Five filmmakers. Five incredible stories. One big opportunity to bring them to life.

The live pitch event took place on November 7, 2026, in the Max Bell Auditorium at Banff Centre for Arts and Creativity, during the festival. The event was free and open to public to attend. Five filmmakers pitched their film projects in front of a live audience. The pitches were evaluated by a jury of renowned filmmakers, producers, and industry experts—Woody MacPhail (Canada), Dina Mufti (UK), Geraldine Carr (Canada), Darcy Hennessey (Canada), and Keith Partridge (UK).

Congratulations to all five filmmakers, we're excited to follow these projects as they continue to develop.

The 2026 BanffPitch winners are:

First Place
$25,000 – Supported by Banff Centre for Arts and Creativity
Moving Mountains (India)
By Lobzang Wangtak

In a remote Himalayan village, farmer Chokhla refuses to leave as retreating glaciers and failed harvests threaten his community. He's rebuilding a forgotten glacier canal at 5,000 metres to bring water and hope back to the village.

Second Place
$10,000 – Supported by Beyond Boundaries Films
Kills the Root (Canada)
By Maia Wikler

When Maia's father receives a non-Hodgkin lymphoma diagnosis following decades of Roundup exposure, she begins investigating glyphosate, its environmental impacts and the wider questions surrounding its use.

Third Place
$7,500 – Supported by Reel Girls Media
The Unmeasured Ascent (Canada)
By Alex Mackenzie Williams

The film revisits the story of physiologist Mabel Fitzgerald, whose 1911 research into high-altitude breathing went overlooked after she couldn't join a Pike's Peak expedition to the summit. More than 100 years later, researchers continue to investigate differences in how women and men respond to altitude.

Fourth Place
$500 gift card – Supported by The Camera Store
Water is Life (Canada, Guatemala)
By Matt Steeves

After a life-altering accident, Guatemalan swimmer Bárbara Guerra begins rebuilding her strength. Now, she's preparing to swim the entire circumference of Lake Atitlán.

Fifth Place 
$500 gift card – Supported by The Camera Store
Lithium Ghosts (Argentina)
By Nicolás Muñoz

In Argentina's High Andes, biologist Dr. Enrique Derlindati investigates how lithium mining threatens fragile wetlands and flamingo habitats, while exploring the lives and traditions of the people connected to this landscape.

BanffPitch is sponsored by Beyond Boundaries Films. With support from Reel Girls Media and The Camera Store.

Paragraph Text

Mark your calendar for next year’s Banff Centre Mountain Film and Book Festival, October 30 to November 7, 2027!

2027 Chomolungma Festival Passes now on sale!
Get a head start on planning the ultimate festival adventure next year ($1,500 CAD early bird offer available until January 5, 2027).

Media Release
1
Body
Image
North to the Future by Ben Weissenbach book cover
Paragraph Text

The Banff Mountain Book Competition is delighted to announce the 2026 Grand Prize winner during the 51st annual Banff Centre Mountain Film and Book Festival at Banff Centre for Arts and Creativity.

At the age of twenty, college student and digital native Ben Weissenbach went north to Arctic Alaska armed with little more than inspiration from his literary heroes and a growing interest in climate change. What met him there was a world utterly unlike the 21st century Los Angeles in which he grew up—a land of ice, rock, and grizzlies seen by few outside a small contingent of scientists with big personalities.

“North to the Future is a stunning tribute to the impact mountains have on our souls. Ben Weissenbach's experience of the Arctic as a digital native with little wilderness experience brings a fresh perspective to the world of mountain literature. His earnestness, matched by skillful journalism and beautiful prose, take us to a place of wonder as we ponder the future of our planet and the landscapes we cherish. North to the Future is bound to become a classic in the genre, a masterclass on weaving critical reporting with elegant chronicles of Weissenbach's own evolution.”

– Lauren DeLaunay Miller, 2026 Book Competition Jury

The Banff Mountain Book Competition is an internationally recognized literary competition within the Banff Centre Mountain Film and Book Festival (Oct. 31 - Nov. 8, 2026), celebrating mountain literature in all its forms. $26,000 CAD in cash is awarded annually with seven awards selected by an international jury of writers, adventurers, and editors.

The seven category award winners, announced on October 22, were selected from 27 category finalists (chosen from a total of 173 submissions, from authors across 12 countries). The categories are Mountain Literature, Environmental Literature, Adventure Travel, Mountain Image, Guidebook, Mountain Article, and Climbing Literature. Ben Weissenbach’s North to the Future succeeded in the Adventure Travel category. See the full release of category award winners here.

The 2026 Book Competition jury members are:

– David Chambre (France) – climber, and writer of historical reviews for worldwide mountaineering and climbing publications.

– Lauren DeLaunay Miller (USA) – journalist, audio producer for the adventure podcast, The Dirtbag Diaries, author of Valley of Giants: Stories from Women at the Heart of Yosemite Climbing (2022), and winner of the 2022 Banff Mountain Book Competition Award for Climbing Literature.

– Rob Lovell (UK) – publisher and chief executive of the award-winning Scottish Mountaineering Press, and member of the Fort William Mountain Festival team.

Grand Prize

$5,000 – Sponsored by the Alpine Club of Canada
North to the Future: An Offline Adventure through the Changing Wilds of Alaska
Ben Weissenbach, Grand Central Publishing (USA, 2025)

Category Awards

Mountain Literature
$3,000 – Sponsored by Fjallraven
Lone Wolf: Walking the Line Between Civilization and Wildness
Adam Weymouth, Knopf Canada (Canada, 2025)

Environmental Literature
$3,000 – Sponsored by Arctos & Bird
Black Bear: A Story of Siblinghood and Survival
Trina Moyles, Knopf Canada (Canada, 2026)

Adventure Travel
$3,000 – Sponsored by The Town of Banff
North to the Future: An Offline Adventure through the Changing Wilds of Alaska
Ben Weissenbach, Grand Central Publishing (USA, 2025)

Mountain Image
$3,000 – Sponsored by Mountain Life Media
Fjell: A Faithful Witness
Photography by Orsolya Haarberg; texts by Maria Hasselgård, Tinde Publishing (Norway, 2026)

Jury note: Rob Lovell abstained from adjudicating the Mountain Image award due to a conflict of interest.

Guidebook
$3,000 – Sponsored by the Association of Canadian Mountain Guides (ACMG)
Cabin Wild: Alpine Bivouac Huts 
Ben Tibbetts, Alpenglow Editions (France, 2025)

Mountain Article
$3,000 – Sponsored by The Lodge at Bow Lake
The Misfits
Chad Heddleston and Madeleine Woda, Summit Journal (USA, 2025)

Climbing Literature
$3,000 – Sponsored by Oboz 
The Great Mixed Climbs of Scotland
Guy Robertson and Hamish Frost, Scottish Mountaineering Press (UK, 2025)

Jury note: Rob Lovell abstained from adjudicating the Mountain Image award due to a conflict of interest.

Special Jury Mentions

Glacier Climbing & Crevasse Rescue: Essential Skills for Snow Travel
Ian Nicholson, Mountaineers Books (USA, 2025)

Spirit of the Great Bear
Jack Plant, Figure 1 Publishing (Canada, 2026)

Paragraph Text

Since 1976, Banff Centre for Arts and Creativity has been a global leader in celebrating mountain culture with a festival dedicated to the genre’s best in film, literature, photography, music, and more. This year’s nine-day festival, taking place October 31 to November 8, 2026, will welcome adventurers, filmmakers, authors, photographers, and mountain enthusiasts from around the world. Highlights include the return of the bustling festival marketplace, free talks on the Rab stage, outdoor patio parties with live music, exhibitions, and much more!

Don't miss our popular daytime book events on Friday November 6, featuring authors Dillon Osleger, Heather Dawe, Claire Cameron, Trina Moyles, Gloria Dickie, Ben Weissenbach, and Rosemary Brown.

The Banff Mountain Film Competition is also underway at the 2026 Banff Centre Mountain Film and Book Festival. Winners will be announced on Sunday, November 8, 2026.

The 2026 Banff Centre Mountain Film and Book Festival schedule is available to view online. Tickets and passes can be purchased at banffmountainfestival.ca or Banff Centre Box Office.

Online films will be available to watch following the festival from November 12-22, 2026 (available in CAN/USA only), tickets are on sale now.

Please visit banffmountainfestival.ca for more festival information.

Paragraph Text

For more information or image requests, please contact: 

Jess Elliott
Media and Communications, Banff Centre Mountain Film and Book Festival
Banff Centre for Arts and Creativity
Box 1020,107 Tunnel Mountain Drive
Banff, Alberta
Canada T1L 1H5  
jess_elliott@banffcentre.ca 

Paragraph Text

About Banff Centre Mountain Film and Book Festival: Created 51 years ago, Banff Centre Mountain Film and Book Festival has become the premier event of its kind in the world. The nine-day festival hosted by Banff Centre for Arts and Creativity in Banff, Canada, showcases the world’s best films, books and photographs on mountain subjects – climbing, culture, environment and natural history, exploration and adventure, wildlife, and sport – and attracts the biggest names in mountaineering, adventure filmmaking, and explorers as presenters and speakers. An international jury will also award over $40,000 in prizes for films and books submitted to this year’s festival competitions. banffmountainfestival.ca    

Banff Centre Mountain Film and Book Festival Sponsors: The 2026 Banff Centre Mountain Film and Book Festival Presenting Sponsors are Rab and Banff and Lake Louise Tourism. The festival is also supported by YETI, Oboz, World Expeditions, The Lake Louise Ski Resort, Grangers, SLY Foods, NOLS (National Outdoor Leadership School), Bluetti, Clipper Race, Arc’teryx, Durston Gear, Wild Rose Brewery, and Wild Life Distillery.

About Banff Centre for Arts and Creativity: Founded in 1933, Banff Centre for Arts and Creativity is a post-secondary institution built upon an extraordinary legacy of excellence in artistic and leadership development. What started as a single course in drama has grown to become the global organization leading in arts, culture, and creative decision-making across dozens of disciplines. From our home on Treaty 7 territory in the stunning Canadian Rocky Mountains, Banff Centre for Arts and Creativity aims to move everyone who attends our campus – artists, leaders, thinkers, and audiences – to unleash their creative potential and realize their unique contribution to build an innovative, inspiring future through education, performances, convenings, and public outreach. banffcentre.ca 

Media Release
1

Submitted by Sonia Zyvatkau… on
English
Ben Dietschi

fullwidth padding

Ben Dietschi is a Senior Consultant with the DeVos Institute of Arts and Nonprofit Management and serves as program lead for the Institute’s A3 initiative (Arts × Administration × AI). A3 is an applied research and innovation program that helps nonprofit arts organizations implement artificial intelligence in practical, ethical, and human-centered ways to increase productivity and organizational effectiveness.

Since joining the Institute in 2019, Ben has advised more than 150 arts organizations across performing arts, museums, higher education, public art, and community-based initiatives. He has led or co-led dozens of strategic planning processes for organizations small and large, across the United States, Canada, and Puerto Rico.

Ben has also served as an advisor and instructor in capacity-building programs across cities in North America and the Middle East; conducted regional arts ecology studies to inform municipal cultural investment and public policy; and assisted capital planning strategies for new and expanded cultural facilities. During the COVID-19 pandemic, he provided pro bono rapid-response consulting support to more than 80 arts organizations.

In addition to advisory work, Ben has completed multiple interim executive engagements, stepping into senior executive leadership roles during pivotal periods of transition. He has also supported several founder transitions and executive succession processes, working closely with boards and leadership teams to navigate change with clarity and empathy.

Ben is a frequent facilitator and speaker on strategy, organizational change, and technology adoption in the arts, and serves as a faculty lecturer in the DeVos Institute’s Global Fellowship programs.

Guest Faculty

Submitted by Carla Snow via… on
English
Tom Creed

fullwidth padding

Tom is one of Ireland’s leading opera and theatre directors, whose productions have been seen at all the major Irish theatres and festivals, and internationally in over 30 cities on three continents.

A specialist in developing and directing new opera, his many world premieres include Jennifer Walshe’s MARS (Irish National Opera and Opéra de Lille), Emma O’Halloran’s Trade and Mary Motorhead (Prototype Festival, New York, LA Opera and Irish National Opera), Michael Gallen’s Elsewhere (Abbey Theatre and Irish tour), Donnacha Dennehy’s The Hunger (Abbey Theatre and BAM, New York), Annelies van Parys’s Private View (Muziektheater Transparant on European tour), and Jürgen Simpson’s air india [redacted] (Turning Point Ensemble, Vancouver). 

MARS won the 2026 Sky Arts Award for Opera, and was nominated for Best World Premiere at the 2025 International Opera Awards. Private View was the winner of the inaugural FEDORA Opera Prize in 2015.

Other opera productions include Don Giovanni, Giulio Cesare (Blackwater Valley Opera Festival), Maria Stuarda, Griselda and Les contes d’Hoffmann (Irish National Opera), Owen Wingrave (Opéra National de Paris, Opera Collective Ireland), Acis and Galatea, Il segreto di Susanna and La voix humaine (Opera Theatre Company). He participated in the Opera Creation Workshop at the 2020 Aix-en-Provence Festival and was an Opera Hub associate artist with Opera Theatre Company from 2015 to 2017.

Recent theatre productions include 4.48 Psychosis (Dublin Theatre Festival) The Plough and the Stars, The Quare Fellow (Abbey Theatre), The President (Gate Theatre and Sydney Theatre Company), Conversations After Sex (Dublin Theatre Festival and Irish Arts Centre, New York).

Faculty

Submitted by Carla Snow via… on
English
Bernadene Blaha

fullwidth padding

Pianist Bernadene Blaha is internationally recognized as a recitalist, concerto soloist, and chamber musician. Lauded by Piano and Keyboard Magazine for her “integrity” and “total clarity of line,” Blaha began her musical journey in Canada before gaining prominence with top awards at the Montreal Symphony Orchestra Competition, Lugano Switzerland Masterplayer’s International Competition, and New York City’s International Piano Competition. These prizes led to acclaimed recitals at Carnegie Recital Hall and the Lincoln Center Library in New York City. She was also featured at the XXIX International Chopin Festival in Marianske Lazne, followed by appearances at such distinguished venues as the Concertgebouw, Salle Cortot, Phillips Collection, National Arts Center, and Disney Hall.

In 2009, Blaha co-founded the piano trio Latitude 41 with violinist Livia Sohn and cellist Luigi Piovano. The group’s debut album for Eloquentia, featuring Schubert’s monumental Trio in E flat, received high praise upon release. With a rich discography, Blaha has also recorded for CBC, Centaur, Analekta, and Naxos. Her most recent album of Polish Violin Sonatas (Noskowski and Zelenski) with Swiss violinist Laurence Kayaleh, was released in December 2023 on the Naxos Label.

Also in demand as a teacher, adjudicator, and clinician, Blaha has received the National Arts Foundation’s Outstanding Teacher Recognition Award and the Thornton School of Music Dean’s Award for Excellence in Professional Activities. She has been invited to serve on distinguished jury panels, including the Gina Bachauer International Artist Piano Competition, Virginia Waring International Competition and the International E-Competition.

Currently based in Los Angeles, Bernadene Blaha is a professor of piano performance at the University of Southern California’s Thornton School of Music.

Faculty

Submitted by Carla Snow via… on
English
Conrad Tao

fullwidth padding

"Tao’s ability to get around a keyboard — with either nimble agility or pounding intensity as required — is something to marvel over."
– Joshua Kosman, San Francisco Chronicle

Conrad Tao is a pianist and composer celebrated for his boundary-defying artistry as well as his powerful performances of traditional repertoire. He has been described by New York Magazine as “the kind of musician who is shaping the future of classical music,” and praised by The New York Times for his “probing intellect and open-hearted vision."

In the 2025–26 season, Tao returns to the Chicago Symphony Orchestra as both soloist and recitalist, performing Bartok with Karina Canellakis, and later presenting a recital program featuring Gershwin song arrangements alongside works by Schoenberg, Strayhorn, Schumann, and others. He also returns to the Los Angeles Philharmonic at the Hollywood Bowl with Marin Alsop, and to the New York Philharmonic at the Bravo! Vail Festival performing with Santtu-Mathias Rouvali. Recital highlights include returns to Germany's Klavierfestival Ruhr, and to the Celebrity Series of Boston, and the Seattle Symphony with Poetry and Fairy Tales, a program blending works by David Fulmer, Rebecca Saunders, Todd Moellenberg, Brahms, and Ravel.

Tao reunites with Robert Spano for performances of John Adams’ Century Rolls (San Diego Symphony) and Bernstein’s The Age of Anxiety (Atlanta Symphony). He also joins Matthias Pintscher and the Konzerthausorchester Berlin for Pintscher’s NUR, and travels to Tokyo to perform Mozart’s Piano Concerto No. 17 with the NHK Symphony and Jaap van Zweden. He makes his harpsichord debut at Princeton University in Patricia Kopatchinskaja’s Dies Irae.
 

Guest Speaker

Submitted by Carla Snow via… on
English
Andy Meyerson

fullwidth padding

Andy Meyerson is a drummer and percussionist based in San Francisco, California. He is the Artistic Director and co-founder of both The Living Earth Show, one of the premiere experimental classical ensembles in the United States, and The Roar Shack, an experimental performance incubator in downtown San Francisco.

Meyerson is the drummer and co-founder of punk poetry trio Trust Me with vocalist Lynn Breedlove, dance band KoollooK with movement artist Babatunji, trans-idiomatic ensemble Bucket List with composer/pianist Mark Applebaum, rotating collective Lazyhorse with keyboardist Raven Chacon, and queer nü metal collective COMMANDO. He is also the former music director of renegade dance company Post:ballet and drummer for Russian feminist protest and performance art group Pussy Riot.  

Andy Meyerson has released two solo percussion recordings: “My Side of the Story,” a collection of percussion solos written for him by Adrian Knight, Jude Traxler, Brendon Randall-Myers, Samuel Adams, and Danny Clay on slash/sound recordings, and “Extra Time,” an album of percussion solos written for him by Sarah Hennies on Hasana Editions, as well as numerous albums created by The Living Earth Show.

He is an endorsing artist for Spaun Drums and Marimba One.

Guest Speaker
Description

 

Join Banff Centre for Arts and Creativity for a chance to meet our Leadership program directors and learn more about our course offerings coming up in 2027 and 2028.

Hear from executive leadership and program teams directly on the unique opportunities coming up in each discipline. Hear about new programs in:

- Indigenous Leadership
- Cultural Leadership
- Convenings and Summits

We will also have our Admissions team live to answer questions. Submit a question in advance to admissions@banffcentre.ca.

Find out more at: https://www.banffcentre.ca/programs

This webinar will be recorded and emailed afterward for those unable to attend. This event is free but pre-registration is required.

Register for the webinar here. 

Indigenous Leadership program at Banff Centre
Page Summary
Join us for a chance to meet our Leadership program directors and learn more about our course offerings coming up in 2027 and
Exhibition
No
Free
Yes
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Department
Performance Date
Date
Extra Description

Pre-registration is required - register here.

Computed Sort Date
1795708800
Event Subtitle
With Live Q&A
Subscribe to