Tarah Hogue is a curator, writer, and cultural worker based in Treaty 6 and 7 territories and the Métis homeland.
Hogue’s practice is grounded in relational geographies—attending to how people and artworks shape and are shaped by the territories they belong to and move through. She approaches curating as a form of generative inquiry and connection, where otherwise ways of being in the world emerge through encounters between artworks, spaces, and publics. Hogue is currently Adjunct Curator at Remai Modern, Saskatoon where she previously served as the institution’s inaugural Curator (Indigenous Art).
Recent curatorial projects include Dyani White Hawk: Love Language, co-curated with Siri Engberg (Walker Art Center, October 2025 and Remai Modern, April 2026, touring); and Meryl McMaster: Bloodline, co-curated with Sarah Milroy, (McMichael Canadian Art Collection, 2022 and Remai Modern, touring). Her exhibition Storied Objects: Métis Art in Relation (2022), curated with advisor Sherry Farrell Racette, received an AAMC Award for Excellence. In 2019, Hogue was awarded the Hnatyshyn Foundation–TD Bank Group Award for Emerging Curator of Contemporary Canadian Art.