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Banff International String Quartet Festival

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Banff International String Quartet Festival
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Guests can still purchase tickets to Copland’s Appalachian Spring and Works by Neshama Nashman, Opus13, and Steven Isserlis and Connie Shih. 

BANFF, AB, AUGUST 20, 2026 – From September 3-6, 2026, Banff Centre for Arts and Creativity invites audiences and media to experience the Banff International String Quartet Festival (BISQFest) as acclaimed string quartets come together for one of the world’s leading chamber music festivals. Individual show tickets and BISQFest LITE packages are still available

The 2026 edition of BISQFest centres around the classic string quartet—two violins, one cello, and one viola—while expanding through the eyes of choreography, dance, and orchestral sound.

The festival, taking place in the two years between the triennial Banff International String Quartet Competition (BISQC), brings the string quartet into conversation with other forms of performance and artistic expression, expanding chamber music beyond the traditional concert experience. These interdisciplinary concerts offer audiences the chance to experience familiar repertoire in a new light and discover how the intimacy and form of the string quartet can be transformed through the lens of other artists. 

Quotation

If you come to an arts festival, it’s limiting to expect to love every concert in the same way. You should expect to be wrapped in a warm hug by certain pieces and moved by nostalgia by others. You should be uncomfortable with the message of certain pieces. Music is a reflection of our world. Our world doesn’t always smell of roses, and occasionally there will be a thorn. We hope that people come to BISQFest and leave with a range of experiences that just make them more curious and committed to live performing arts.

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Barry Shiffman, Director of Banff International String Quartet Competition and Festival
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Audience members and artists come to BISQFest with the shared purpose of community and a love for music-making. Guests, musicians, and dancers bump into each other at Vistas Dining Room, in the corridors of the Lloyd Hall hotel, and across campus. The separation between performer and audience member in the concert space dissipates at Banff Centre for Arts and Creativity. 

See the 2026 lineup, which brings the spirit of exploration by pairing some of chamber music’s most celebrated repertoire and performers with unexpected collaborations.

Jan Lisiecki

World-renowned Canadian pianist Jan Lisiecki has one of the busiest concert careers of any pianist in the world. Alongside his acclaimed career, Lisiecki has a rooted history with Banff Centre. He was the first artist to make music on campus in the waning days of the pandemic, when he recorded a solo recital for one of the early BISQFests that had to happen online. 

This year, he’ll perform Beethoven’s Piano Concerto No. 3 in C with the Banff Festival Orchestra, alongside a special string orchestra performance of Schubert’s Death and the Maiden. Following the Friday-night concert, Lisiecki will join Barry Shiffman and fellow artists for a one-night-only, intimate gathering in support of BISQC and BISQFest. His final performance takes place at the Rolston Recital Hall with Concertmaster Jonathan Crow, a former BISQC jury member and the Toronto Symphony’s Concertmaster since 2011. Tickets to all three shows are available below:

  • Jan Lisiecki with Banff Festival Orchestra
    Friday, September 4 | 8 p.m.
    Jenny Belzberg Theatre
    Tier A $115.00 | Tier B $85.00
     
  • An Evening with Barry Shiffman and Jan Lisiecki
    Friday, September 4 | 9:30 p.m.
    CLVB '33
    Banff Centre fundraising event: $250
     
  • Jan Lisiecki & Jonathan Crow: Beethoven's Spring Sonata
    Sunday, September 6 | 2:30 p.m.
    Rolston Recital Hall
    $64

Death and the Maiden

Death and the Maiden brings the intimate beauty that audiences expect from a Schubert song to the grandeur of an orchestra. This rendition will be played by dozens of performers, leaning into the orchestral sound that isn’t possible with a traditional string quartet. 

The performance also combines different life experiences as different generations come together for this orchestra. Led by Jonathan Crow, the concert includes several young players, including Opus13, who took home second place during the 2022 BISQC Competition, Banff’s own violinist Solana Frebold, and Sabina Sanvos, one of Canada's great young cellists.

Copland’s Appalachian Spring and Works by Neshama Nashman

On Saturday, September 5, the evening will begin with Canadian dancer and choreographer Neshama Nashman as she and other dancers bring three new works to life accompanied by string quartet and accordion music. Following Nashman’s works is a chamber music performance of Aaron Copland's Appalachian Spring, one of the most iconic pieces of music from the 20th century. The music is the focal point of the performance, featuring 13 performers led by Jonathan Crow. 
 

Quotation

After I saw the choreography that Neshama had created, I began to see and hear the music differently. Dancers count it in a way that responds to how they hear music, as opposed to how it's printed. That is a very powerful reminder to us string quartet players to bring freedom to how we read and imagine music. Creativity, imagination, and freedom come from exploring music through the eyes of different types of artists.

Source
Barry Shiffman, Director of Banff International String Quartet Competition and Festival
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  • Copland’s Appalachian Spring & New Dance Works by Neshama Nashman
    Saturday, September 5 | 8 p.m.
    Jenny Belzberg Theatre
    Tier A $85.00 | Tier B $65.00

Stephen Isserlis and Connie Shih

Cellist Steven Isserlis joins pianist Connie Shih for an intimate recital performance. Shih studied at Banff Centre in 1992, and Isserlis will be stepping on the Banff Centre stage for the first time during this year’s BISQFest. Isserlis is a transformative artist who reminds audiences of the importance and power of live music. He lights up the stage with electricity and a compelling communicative power that fully immerses the audience in the artist's feelings.

  • Steven Isserlis & Connie Shih
    Saturday, September 5 | 10:30 a.m.
    Rolston Recital Hall
    $64
     
  • Steven Isserlis & Connie Shih
    Saturday, September 5 | 2:30 p.m.
    Rolston Recital Hall
    $64
     
  • Festival Finale: Barry Shiffman, Steven Isserlis and Banff Festival Strings
    Sunday, September 6 | 7:30 p.m.
    Rolston Recital Hall
    $75

Opus13

BISQC 2022 laureates and first prize winners at the 2025 Wigmore Hall and Bordeaux International String Quartet Competitions, Opus13 returns to Banff for two performances. In addition to performing standard string quartet repertoire by composers such as Mozart, Bartók, and Schubert, Opus13 regularly performs Nordic classical and contemporary music. This year, they will perform String Quartet No. 2 “Intimate Letters” and String Quartet No. 1, Op. 27.

  • Opus13, Wigmore Hall Competition Prizewinners
    Friday, September 4, 2026 | 10:30 a.m.
    Rolston Recital Hall
    $64
     
  • Opus13, Wigmore Hall Competition Prizewinners
    Friday, September 4, 2026 | 2:30 p.m.
    Rolston Recital Hall
    $64

This intimate weekend concert experience offers curated opportunities to hear laureates from world-renowned musicians alongside the impossible-to-describe beauty of Banff. For more information on BISQFest’s lineup, ticket packages, and schedule, visit banffcentre.ca/bisqfest.

– 30 –

See Banff Centre’s Media Room here.
For photos, information, or interview requests, please contact:
 

Carly Maga                             
Director, Communications                         
Banff Centre for Arts and Creativity             
tel: +1.403.763.6210                
cell: +1.403.431.3423                
carly_maga@banffcentre.ca   

About BISQFest

The Banff International String Quartet Festival (BISQFest) is a signature festival experience of the Banff International String Quartet Competition, offering audiences an intimate encounter with leading artists in chamber music today. Set against the backdrop of Banff National Park, the festival reflects Banff Centre’s commitment to artistic excellence, experimentation, and creative collaboration.

About Banff Centre for Arts and Creativity

Founded in 1933, Banff Centre is a post-secondary institution built upon an extraordinary legacy of excellence in artistic and leadership development. What started as a single course in drama has grown to become a global organization leading in arts, culture, and creative decision-making across dozens of disciplines, from the fine arts to Indigenous Wise Practices. From our home in the stunning Canadian Rocky Mountains, Banff Centre for Arts and Creativity aims to move everyone who attends our campus—artists, leaders, thinkers, and audiences—to unleash their creative potential and realize their unique contribution to build an innovative, inspiring future through education, performances, convenings, and public outreach. banffcentre.ca

Banff Centre
107 Tunnel Mountain Drive
Banff, Alberta
Canada
T1L 1H5
403.762.6100
www.banffcentre.ca

We recognize, with deep respect and gratitude, our home on the side of Sacred Buffalo Guardian Mountain. In the spirit of respect and truth, we honour and acknowledge the Banff area, known as “Minihrpa” (translated in Stoney Nakoda as “the waterfalls”) and the Treaty 7 territory and oral practices of the Îyârhe Nakoda (Stoney Nakoda) – comprised of the Bearspaw, Chiniki, and Goodstoney Nations – as well as the Tsuut’ina First Nation and the Blackfoot Confederacy comprised of the Siksika, Piikani, and Kainai. We acknowledge that this territory is home to the Shuswap Nations, Ktunaxa Nations, and Métis Nation of Alberta, Rockyview District 4. We acknowledge all Nations who live, work, and play here, help us steward this land, and honour and celebrate this place.
 

Media Release
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Lauren DeLaunay Miller Headshot

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Lauren DeLaunay Miller is a journalist and audio producer for the adventure podcast, the Dirtbag Diaries. She is the author of Valley of Giants: Stories from Women at the Heart of Yosemite Climbing (Mountaineers Books, 2022), winner of the 2022 Banff Mountain Book Competition Award for Climbing Literature, born out of her experience living and climbing in Yosemite as part of the Yosemite Valley Search & Rescue team. Lauren received a master's degree in journalism from the UC Berkeley Graduate School of Journalism and lives in Bishop, California, with her husband, son, pup, and flock of hens. 

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Rob Lovell Headshot

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Rob Lovell is the publisher and chief executive of Scottish Mountaineering Press, an award winning publisher owned by the charitable Scottish Mountaineering Trust. A latecomer to publishing, Rob has run the Press since 2018, building a list spanning mountain literature, photography, fiction and guidebooks – including three category winners in the Banff Mountain Book Competition: The Great Sea Cliffs of Scotland (Mountain Image, 2021), The Fox of Glencoe (Mountain Literature, 2022) and Northern Horizons (Guidebooks, 2025). Alongside the Press, Rob is part of the team behind the Fort William Mountain Festival, running events, coordinating its marketing and helping to shape the program. A rock climber, hillwalker and mountain biker, he lives in Inverness and divides his time between books, the hills and a young family.

Submitted by Jeanclaude Katia on
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Key players Kristian Alexandrov playing outside on stage

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Balkan-born and Vancouver-based recording artist Kristian Alexandrov is an accomplished, versatile and sought after pianist, drummer, composer & producer with a burgeoning list of industry honours, high-profile collaborations and lauded international performances to his credit.

Originally from Sofia, Bulgaria, Kristian grew up in a family of musicians who revered and celebrated music.  At just six years old, Kristian was accepted into the prestigious L. Pipkov School of Music where he completed twelve years of intense, comprehensive training as a pianist and percussionist.  Kristian’s natural ability, extensive education, and passion for performance enabled him to tour throughout most of Europe before he was out of his teens. His ability to effortlessly move between different musical styles has earned him a reputation as a leading figure in Canada's music scene, where he has been active since 1995.

Onstage Kristian has worked alongside some tremendous and renowned Canadian and International artists, including:  Warren Hill, James Ehnes, Measha Brueggergosman, Jackie Richardson, Wycliffe Gordon, kd lang, The Tenors, Senator Tommy Banks, All Star Brass, Danny Nielsen, Order of Canada Big Band, Akaga, Tom Jackson and Decidedly Jazz Danceworks and Youth Singers of Calgary.  Kristian is a long-standing musical director and collaborator for acclaimed trumpeter Jens Lindemann & Acoustic Soul recording artist Shannon Gaye.  

As a featured and supporting artist, Kristian’s performance highlights include:  Seongnam Opera House (Seoul, South Korea), Beijing Exhibition Center Theatre (Beijing, China), Eilat Chamber Music Festival (Eilat, Israel), Sochi Music Festival (Sochi, Russia), Cancun Jazz Festival (Cancun, Mexico), Bansko Jazz Festival (Bansko, Bulgaria), Bulgarian Embassy (Washington DC and New York, NY), Winter Olympics Opening Ceremony (Vancouver, BC), Vibrato’s Jazz (Los Angeles, CA), International Trumpet Guild (Grand Rapids, MI), Benaroya Hall (Seattle, WA) Koerner Hall (Toronto, ON) and National Arts Centre (Ottawa), and Montreal Jazz Festival (Montreal, QC).  

Fuelled by innovation and artistic exploration, Kristian's expertise extends beyond performance into composition and production.  He has composed award-winning music for film, television, dance and live theatre, showcasing his talent for creating emotionally resonant scores.  As a recording artist, he has released two solo original CD's Funked Up Jazz and Akoustika, as well as Perched on the Edge of a Quarter Note, the soundtrack for Decidedly Jazz Danceworks touring production.  

As a producer, Kristian is known for his keen ear and attention to detail, working with artists across a variety of genres.  He's contributed to three Juno-nominated CD's:  Lauren Spencer-Smith Unplugged Vol. 1 (2020), Order of Canada Soloists Sweet Canadiana (2017), and Jens Lindemann and Tommy Banks Legacy Live (2016).  He's also a co-writer with Tate McRae for her RIAA gold-certified single One Day (2017)

Submitted by Jeanclaude Katia on
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black and white portrait of a man with glasses seating next to a mixing console.

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Dave Pierce is an Emmy Award-winning Canadian composer, arranger, conductor, producer and performer whose career has spanned major international stages, recording studios and live spectacle. 

Known for bringing orchestral scale together with a performer’s instinct for rhythm, pacing and audience connection, Pierce has created music for Olympic ceremonies, television productions, concert events and large-scale live experiences around the world. His collaborations include work with Michael Bublé, Bryan Adams, Céline Dion, Robbie Williams, Sarah McLachlan and many others. 

A drummer and multi-instrumentalist by background, Pierce brings a distinctly physical and spontaneous approach to performance. Whether at the piano, behind the drums or leading musicians from the podium, his work is grounded in communication, curiosity and the shared energy of live music. 

For this artistic experience at Banff Centre, Pierce joins internationally acclaimed trumpeter Jens Lindemann for an evening shaped by musicianship, storytelling, improvisation and the joy of two longtime artists responding to one another in real time. 

The result is less a conventional concert than an invitation into the creative process: where virtuosity, humour, memory and musical instinct meet onstage. 

Submitted by Jeanclaude Katia on
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Image of Jens Lindemann

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As the first classical brass soloist to ever receive the Order of Canada and the Alberta Lieutenant Governor Distinguished Artist Award, Jens Lindemann is hailed as one of the most celebrated artists in his instrument’s history and was recently named “International Brass Personality of the Year” (Brass Herald). Jens has played both jazz and classical in every major concert venue in the world: from the Philharmonics of New York, Los Angeles, London, Berlin, Moscow and Tokyo to Carnegie Hall and even the Great Wall of China. His career has ranged from appearing internationally as an orchestral soloist, being featured at the 2010 Olympics for an audience of 2 billion people, national anthems at the Rose Bowl and for the San Francisco Giants on Memorial Day, performing at London’s ‘Last Night of the Proms’, recording with the Mormon Tabernacle Choir to playing lead trumpet with the renowned Canadian Brass and a solo Command Performance for Her Majesty Queen Elizabeth II. Jens has also won major awards ranging from Grammy and Juno nominations to winning the prestigious Echo Klassik in Germany and British Bandsman 2011 Solo CD of the year as well as receiving several honorary doctorates.

Classically trained at the renowned Juilliard School in New York and McGill University in Montreal, Jens’ proven ability to perform as a diverse artist places him at the front of a new generation of musicians. He has performed as soloist and recording artist with classical stars such as Sir Neville Marriner, Sir Angel Romero, Pinchas Zukerman, Doc Severinsen, Charles Dutoit, Gerard Schwarz, Eiji Oue, Bramwell Tovey, Kent Nagano, Lior Shambadal, Boris Brott and Jukka Pekka Saraste. Having recorded for BMG, EMI, CBC and the BBC, Jens is helping to redefine the idea of the concert artist by transcending stylistic genres and the very stereotype of his instrument by performing with “impeccable attacks, agility and amazing smoothness” (The Clarin, Buenos Aires).

A prodigious talent, Jens Lindemann performed as a soloist with orchestras and won accolades at numerous festivals while still in his teens. A prizewinner at numerous jazz and classical competitions including the prestigious ARD in Munich, Jens also placed first, by unanimous juries, at both the Prague and Ellsworth Smith (Florida) International Trumpet Competitions in 1992. Since then, he has performed solos with orchestras including, the London Symphony, Berlin, Philadelphia, Moscow, St. Petersburg, Beijing, Bayersicher Rundfunk, Buenos Aires Chamber, Atlanta, Washington, Seattle, Dallas, Detroit, Houston, Montreal, Toronto, National Arts Centre, Vancouver, Warsaw, Mexico City, Costa Rica, Bogota, Welsh Chamber, I Musici de Montreal, St. Louis, and Mostly Mozart at Lincoln Center.

Heralded internationally as an outstanding artist, critics have stated: “He played with golden timbre and virtuosic flair” (New York Times)“, “a world-class talent” (Los Angeles Times), “it was one of the most memorable recitals in International Trumpet Guild history” (ITG), “performed brilliantly in the North American premiere of Bernd Alois Zimmermann’s Concerto with the Toronto Symphony” (Toronto Star), and “he gave the virtuoso highlight of the evening with the Montreal Symphony”.

Based in Los Angeles as Professor with High Distinction at UCLA, Jens is also the Artistic  Director  of the Jeju International Wind Ensemble Festival in Korea. Jens Lindemann is an international Yamaha artist playing exclusively on 24K gold plated instruments.

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Aysanabee - photo by Kaela Leone

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Aysanabee is a multi-instrumentalist, producer and singer songwriter currently based in Toronto. He is Oji-Cree, Sucker Clan of the Sandy Lake First Nation a remote fly-in community in the far reaches of Northwestern Ontario. 

On Mar 23, 2024, Aysanabee made history as the first ever Indigenous Artist to win the JUNO Awards for Alternative Album of the Year and the coveted Songwriter of the year, for Here and Now. Aysanabee won his third and fourth JUNO Awards on Mar 28, 2026 in both of his nominated categories Alternative Artist of the Year and Contemporary Indigenous Artist or Group of the Year for Edge of The Earth. 

Aysanabee has performed over 400 shows on major stages and festivals and venues across Canada and globally including Ottawa Bluesfest, Osheaga, Montréal Jazzfest, Tönder Music Festival, AmericanaFest UK, Wake the Giant, The Great Escape, Reeperbahan and more.

Faculty

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Jeremy McCoy

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Double bassist, Jeremy McCoy, is the retired Assistant Principal double bass of the Metropolitan Opera Orchestra. A graduate of the Curtis Institute of Music, he has appeared as recitalist and chamber musician at festivals across the United States, in Canada and Japan. As one of New York City’s most active commercial session players, Mr. McCoy performed as section leader or solo bass on more than fifty major motion picture soundtracks and recorded with Grammy-winning pop artists. During his years in New York, he held faculty positions at the Manhattan School of Music, Bard College Conservatory of Music, Penn State University, Montclair State University, Columbia University, the Bowdoin International Music Festival and the National Youth Orchestra of Canada. His students hold positions with orchestras throughout North America, Europe, Australia and East Asia and have made careers in both college and public school music education. Now making his home in San Antonio, Texas, Mr. McCoy teaches privately and performs both locally and away. He serves on the board of the Youth Orchestras of San Antonio and, for the 2025/26 school year, commuted weekly to Los Angeles to serve as Interim Professor at the Colburn School Conservatory.

 

Double Bass

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Josh Assor is a New York City–based choreographer whose work spans Broadway, live entertainment, fashion, theme parks, cruise lines, television, and large-scale theatrical productions. Choreographic credits include the New York Knicks, Audi, Celebrity Cruise Lines, a Modos Furniture commercial, regional productions of Anastasia, Mary Poppins, Fiddler on the Roof, Cinderella, Newsies, Legally Blonde, Natasha, Pierre & The Great Comet of 1812, Carnival, Rock of Ages, The Wizard of Oz and Off-Broadway world premiere of Medicine. Josh also choreographed Cedar Point’s 150th Anniversary Spectacular and television series DJ Burnt Bannock.

Josh has been featured in Dance Spirit Magazine, Dance Canada Quarterly and Industry Dance Magazine.  He currently serves on faculty for both Heat Dance Convention and the Broadway Dance Center.

Dolson Rhona
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