Skip to main content

Submitted by Sonia Zyvatkau… on
English

fullwidth padding

Carolyn Warren has helped shape the cultural ecosystem in Canada over three decades of senior leadership roles with CBC/Radio-Canada, Banff Centre for Arts and Creativity and the Canada Council for the Arts. At the Council, she has led major arts investment strategies, national cross-sectoral partnerships and landmark digital and innovation programs supporting transformative change in the sector. At Banff Centre for Arts and Creativity, she directed multidisciplinary programs and forged global partnerships that expanded the reach of Canadian artistic practice. Earlier in her career with CBC/Radio-Canada, she developed award-winning cultural programming across radio, television, and digital platforms. Known for her strategic vision, collaborative leadership and commitment to the role of culture in society, she is a trusted voice shaping the future of the arts.

Faculty

Submitted by Sonia Zyvatkau… on
English

fullwidth padding

Robin Sokoloski (she/her) is a dedicated arts and culture professional based in Tkaronto/Toronto with over two decades of experience in the field. Currently serving as the Director of Research and Programming at Mass Culture, she collaborates with academics, funders, and arts practitioners to mobilize the creation, amplification, and community-informed research that supports the arts sector’s growth and sustainability. 

At Mass Culture, Robin has spent the last three years project managing Research in Residence: Arts’ Civic Impact, a national research initiative that led to the development of three qualitative arts impact frameworks. These tools help arts organizations better understand their civic impact through qualitative indicators. She also leads Mass Culture’s Evaluative Thinking Initiative, which supports a culture of reflection and continuous learning across the arts sector, and stewards the DNA: Data Narratives for the Arts program, which integrates data practices into the daily work of arts organizations through training, tools, and collaborative learning. 

Robin currently serves on the Board of the Toronto Arts Council and as a member of Toronto Metropolitan University’s Centre for Free Expression’s Steering Committee. She has recently taught a course on Art Policy, Equity, and Activism for Centennial College’s Arts Management program, and developed and taught a course on Cultural Entrepreneurship for MacEwan University’s Arts and Cultural Management program. 

LinkedIn - https://www.linkedin.com/in/robinsokoloski/

Faculty

Submitted by Sonia Zyvatkau… on
English

fullwidth padding

Soni Dasmohapatra is a consultant who works with individuals, groups, public service institutions and community agencies to facilitate the development of tools that focus on building inclusive platforms that incorporate strategy, design, wellness and art for transformative change. She has thirty years of experience working internationally, nationally, provincially and municipally across arts, culture, heritage, health, and community sectors. She is a Doctor of Social Sciences candidate at Royal Roads University, holds a Master of Public Administration from University of Victoria, a Bachelor of Arts in Sociology from the University of Alberta and a certificate in Gender and Human Rights from Oxford University, UK. Soni’s expertise lies in developmental, participatory, and equity-focused evaluation, with a commitment to centering lived experience, arts based research methods and community knowledge. She has led numerous evaluations advancing social impact, equity, and cultural vitality, and currently is an assistant professor in Arts and Cultural Management at MacEwan University. She is an active member of Mass Culture,  and is Kathak dance practitioner. 

www.sonidasmohapatra.com

Faculty

Submitted by Dolson Rhona on
English

fullwidth padding

Composer Nick DiBerardino welds the weird machinery of music’s past to the post-genre present, crafting whimsical and thought-provoking sonic stories for our time. His inspirations span science, literature, and everyday life — from reef-saving coral research and Da Vinci’s failed flying machines to his morning coffee and favorite episodes of Star Trek. A Rhodes Scholar, he has received commissions from leading artists and institutions including the Pittsburgh Symphony Orchestra, Philadelphia Chamber Music Society, Sandbox Percussion, PRISM Quartet, New College Choir, Queen Elisabeth Music Chapel, and Star Trek’s John de Lancie. Nick is Provost and Dean of the Conservatory at Curtis Institute of Music, where he directs the Curtis New Music Ensemble and holds the Milton L. Rock Chair in Composition Studies. He also serves as a composition faculty member and program coordinator at the Tanglewood Music Center. He holds degrees from Oxford, Yale, Curtis, and Princeton.

Dolson Rhona

Submitted by Dolson Rhona on
English

fullwidth padding

Lorenzo Bianchi Hoesch is a composer and sound artist. His interests goes from pure electronics to compositions for theater and dance, from soundtracks for images to interactive installations. In his compositions his interest is always focused on the idea of establishing new connections between elements that are otherwise distant : with projects outside Western aesthetics, such as those with Ballaké Sissoko or Amir Elsaffar, or with sound installations based on the inherent exoticism of environmental recordings, such as those for the Musée du Quai Branly in Paris, or with compositions for contemporary dance for choreographers such as Michele di Stefano, Richard Siegal, Stijn Celis, or directors such as Adolphe Binder, which immerse the audience in a new soundscape through sound, but also through movement and, above all, space. In this sense, a large part of his work is devoted to 3D sound, multichannel and holophonic composition. He has received commissions from various institutions: Ircam-Center Pompidou, Musical Research Group (GRM), Venice Biennale, Gothenburg Opera, Musée du Quai Branly, Saarbrucken Opera, Ballet National de Marseille, RhurTriennale, Royaumont Foundation, Face Foundation, and many others … and has performed all over the world. 

He graduated in architecture (Italy) and composition (France) he moved to Paris. He founded the Label Ornithology Productions in 2022. He’s associated artist at Ircam – Centre Pompidou from 2019 – 2023. He is professor of Electroacoustic Composition at the Conservatory of Montbeliard, France. 

Dolson Rhona

Submitted by Dolson Rhona on
English
Dolson Rhona
Description

Join Banff Centre for Arts and Creativity for an overview of our upcoming programs in the Spring/Summer session of 2026. 

There is an Arts program for you at Banff Centre. Whether an emerging practitioner, mid-career, or pursuing unknown challenges, Banff Centre staff, faculty, and facilities are ready to help you deepen and grow your practice to the next level. 

In this webinar, meet the full roster of Banff Centre Arts Directors as well as members from the Admissions team to learn about the many opportunities coming up in the Spring and Summer sessions in 2026, and how you can apply.

Hear about new programs in:

  • Indigenous Arts,
  • Visual Arts,
  • Walter Phillips Gallery,
  • Theatre Arts,
  • Dance,
  • Literary Arts,
  • Music,
  • Professional Training Programs,
  • Mountain Culture, and
  • Leighton Artist Studios

Find out more at: banffcentre.ca/programs

This webinar will be recorded and emailed after for those unable to attend. Registration is required.
 

Campus Image
Page Summary
Join the Webinar! Learn about our upcoming arts programs at Banff Centre.
Exhibition
No
Free
Yes
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Performance Date
Date
Extra Description
Computed Sort Date
1758729600

Submitted by Dolson Rhona on
English
Dolson Rhona
Body
Image
Banff Centre for Arts and Creativity Welcomes Robert L. Vanderhooft and Ken Hughes to The Banff Centre Foundation.
Paragraph Text

BANFF, AB, AUGUST 29, 2025 – Banff Centre for Arts and Creativity is pleased to announce the appointment of the Honourable Ken Hughes, ECA, ICD.D and Robert L. Vanderhooft, CFA to The Banff Centre Foundation Board of Governors.

Paragraph Text

Residing in Canmore, Alberta and Salt Spring Island, British Columbia, Ken Hughes is an entrepreneur and community leader with an accomplished career spanning public service, governance, and business leadership. He currently serves as Chair of the Board at Providence Therapeutics, Vice Chair of Beacon Data Centres, and Lead Independent Trustee of Nearctic Industrial REIT. He is also a member of the Board of the Banff Canmore Foundation, supporting philanthropic initiatives that strengthen community well-being and enhance quality of life across the Bow Valley.

Hughes has held influential roles in Canadian politics and public health. At the age of 34, he was elected to the House of Commons of Canada, where he served as Chair of the Aboriginal Affairs Committee and was appointed Parliamentary Secretary to the Deputy Prime Minister. In 2008, he became the first Chair of the Board of Alberta Health Services, leading the creation of Canada’s largest health delivery service. Elected to the Alberta Legislature in 2012, Hughes was appointed Minister of Energy and later Minister of Municipal Affairs, where he oversaw the resolution of nearly 10,000 Disaster Recovery Assistance Program claims following the southern Alberta floods in 2013, before returning to his private life in 2014.

Hughes was recognized as Honorary Chief Badger Runner of the Blackfoot Confederacy Piikani First Nation in 1991 and has received multiple civil honours, including the 125th Anniversary of Confederation of Canada Medal (1992), the Alberta Centennial Medal (2005), Queen Elizabeth II’s Diamond Jubilee Medal (2012), and King Charles III Coronation Medal (2025).

Paragraph Text

Recognized by The Globe and Mail as one of Canada’s “Top 40 Under 40,” Robert L. Vanderhooft brings to The Banff Centre Foundation over three decades of leadership experience in the financial industry, with a proven track record of building and leading institutional asset management firms across the country. He is currently the President and Co-Chief Investment Officer of Forthlane Partners, an independent Canadian firm.

Prior to joining Forthlane, Vanderhooft served as Chief Investment Officer of TD Asset Management Inc. and was previously CEO and Chief Investment Officer of Greystone Managed Investments, where he oversaw more than $35 billion of assets under management, establishing Greystone as one of Canada’s leading pension asset managers.

Paragraph Text

With these new appointments, The Banff Centre Foundation continues to strengthen its leadership in advancing Banff Centre’s mission to bring artists, leaders, and communities together to create, collaborate, share, envision, learn, and be inspired. Guided by the Golden Rule of Endowment Management, the Foundation plays a critical role in ensuring the long-term sustainability of Banff Centre by managing and stewarding its endowed funds with transparency, accountability, and fiscal prudence.

Paragraph Text

For photos, information or interview requests, please contact: 

Carly Maga 
Director, Communications 
Banff Centre for Arts and Creativity 
tel: +1.403.763.6210 
cell: +1.403.431.3423 
carly_maga@banffcentre.ca 

About Banff Centre for Arts and Creativity  
Founded in 1933, Banff Centre is a post-secondary institution built upon an extraordinary legacy of excellence in artistic and leadership development. What started as a single course in drama has grown to become a global organization leading in arts, culture, and creative decision-making across dozens of disciplines, from the fine arts to Indigenous Wise Practices. From our home in the stunning Canadian Rocky Mountains, Banff Centre for Arts and Creativity aims to move everyone who attends our campus - artists, leaders, thinkers, and audiences - to unleash their creative potential and realize their unique contribution to build an innovative, inspiring future through education, performances, convenings, and public outreach. Banffcentre.ca 

Media Release
1

Submitted by Jessica Brende… on
English

fullwidth padding

TO Live is one of Canada’s largest multi-arts organizations, operating three iconic venues: Meridian Hall, St. Lawrence Centre for the Arts, and Meridian Arts Centre. In addition, TO Live presents a full range of performing arts, theatrical, and concert events at these venues in both downtown and uptown Toronto. With these two hubs of creativity and content creation, TO Live has a unique place and perspective to activate creative spaces by inspiring local and international artists, connecting audiences, stimulating new ideas, and elevating artistic potential, becoming a catalyst for creative expression that is reflective of Toronto’s diversity. www.tolive.com

Producer
Subscribe to