An elusive sonic creature, Salomé Perli stands out through her remarkable versatility as a violinist, pianist, vocalist, author, arranger, producer, composer, and improviser. Her singular artistic universe moves fluidly between songwritting, contemporary jazz, electronic and experimental music, driven by bold writing and boundless expressiveness. Fueled by an insatiable artistic curiosity, she continuously expands her practice through interdisciplinary collaborations with choreographers, visual artists, filmmakers, circus performers, and dancers, while engaging with musicians from a wide range of backgrounds. Rejecting labels and conventions, she has developed a deeply personal and immersive artistic approach that has led her to perform internationally across Europe, Japan, Canada, and the United States, as well as to take part in numerous creative residencies (CEM, Codes d’Accès, Le Vivier) and festivals, including MUTEK and OFF JAZZ. Alongside her performance and creative work, she is also active as an educator through free improvisation workshops. With two experimental songwritting albums to her name, Salomé Perli follows in the footsteps of artists such as Björk, Thom Yorke, and Esperanza Spalding, asserting a musical identity that is powerful, sensitive, and resolutely unclassifiable.

Alfred Yun is a Korean-American jazz pianist and composer. His music is influenced by his upbringing in both Korea and the United States. You can hear influences ranging from jazz, hip hop, and K-Pop to traditional Korean music in Alfred Yun’s compositions.

Alfred was honored to be chosen by the Music Center At Strathmore as an Artist-in-Residence for the 2023-2024 season. This includes featured concerts at Strathmore’s prestigious AMP club in January and participating in programs throughout the season.
 
In 2025, Alfred Yun released his album, Voice and Phenomenon, which investigates the different ways we use the voice — gibberish, games, poems, singing, spoken word, laughter, and more. The album invites the listener into an intimate account of these disparate voices and sounds. It is the most personal and revealing work of his career. Voice and Phenomenon was listed on Capital Bop's Top DC Jazz Albums of 2025.

Mason Jeffery-Off is a Canadian bassist, composer and bandleader based in Montréal. Originally from Ottawa, Ontario, Jeffery-Off is a graduate of McGill's Jazz Performance program. There, he studied with Ira Coleman and Rémi-Jean LeBlanc. An on-call Montréal bassist, he performs frequently with the likes of Jean-Michel Pilc, Darrell Green, and Kevin Dean. At age 18, Jeffery-Off was one of 16 international jazz musicians under the age of 25 to be selected for Betty Carter’s Jazz Ahead, a performer-composer residency located at the Kennedy Center in Washington, DC. In 2024, he received the Hnatyshyn Developing Artist Grant (Oscar Peterson Grant for Jazz Performance).  Jeffery-Off leads a seven-piece ensemble called Marvelous Creatures, which features compositions of his that are derived from written and spoken language, such as poetry, speeches and interviews. A full-length album is currently in the works with this ensemble. To Jeffery-Off, “Musicians share a special bond and to nurture it we must be open to each other's ideas, making them work in tandem. My goal is to abandon my preconceptions and serve the spirit of the moment. It is this humanity and spontaneity that bridge the gap between music and listener and, in turn, connects us all.”

RISA STEINBERG (Artistic Advisor) is active in many facets of the dance community as a performer, teacher, re-constructor of the works of José Limón, rehearsal coach, and choreographer mentor. A native New Yorker, Ms. Steinberg attended the High School of Performing Arts. She received her Bachelor of Fine Arts from The Juilliard School, where she has served as full-time faculty since 2004 and held the position of Associate Director of Juilliard Dance from 2008-2016. Ms. Steinberg has been a guest teacher worldwide and in many summer intensives.

In 2022, she received the DanceTeacher Magazine Award of Distinction. As a performer, Ms. Steinberg was a principal dancer with the José Limón Dance Company and guested with companies worldwide.

She was a cast member of Punchdrunk’s, Sleep No More from 2015-2020.

As a choreographic advisor, she has mentored many emerging and established choreographers. Ms. Steinberg is the co-director of the Ann and Weston Hicks Choreography Project at Jacob’s Pillow.

DAN SCULLY (Lighting Design) is a New York-based lighting and projection designer. He has been the resident lighting designer for A.I.M by Kyle Abraham since its founding, including designs for the full-length evening works Pavement, Live! The Realest M.C., and the Bessie Award winning The Radio Show. Recent dance work includes designs for New York City Ballet, Alvin Ailey American Dance Theater, BODYTRAFFIC, Hubbard Street Dance Chicago, and Misty Copeland, among others. Theater and concert credits include Rocky (Broadway), Jedermann (Salzburger Festspeile), The Orchestra Rocks! (Carnegie Hall), and Peter and The Wolf (John Lithgow / Carnegie Hall). Regional: Trinity Repertory Company, Geva Theatre Center, Asolo Repertory Theatre, Cleveland Playhouse, Hudson Valley Shakespeare Festival, and the Two River Theater Company. MFA NYU Tisch School of the Arts.

GLENN LIGON (Set Design) is an artist living and working in New York. Throughout his career, Ligon has pursued an incisive exploration of American history, literature, and society across bodies of work that build critically on the legacies of modern painting and conceptual art. He earned his BA from Wesleyan University (1982) and attended the Whitney Museum Independent Study Program (1985). In 2011, the Whitney Museum of American Art held a mid-career retrospective, AMERICA, organized by Scott Rothkopf, that traveled nationally. Important solo exhibitions include Glenn Ligon: All Over the Place, The Fitzwilliam Museum at the University of Cambridge, England (2024); Post-Noir, Carre d’Art, Nîmes (2022); Call and Response, Camden Arts Centre, London (2014); and Some Changes, The Power Plant Center for Contemporary Art, Toronto (traveled internationally) (2005). Select curatorial projects include Grief and Grievance, New Museum, New York (2021); Blue Black, Pulitzer Arts Foundation, St. Louis (2017); and Encounters and Collisions, Nottingham Contemporary and Tate Liverpool, England (2015). Ligon’s work has been shown in major international exhibitions, including the Venice Biennale (2015, 1997), Berlin Biennial (2014), Istanbul Biennial (2019, 2011), and Documenta XI (2002).
 

SAM CRAWFORD (Additional Sound Editor) Sam Crawford’s compositions and sound designs have included works for the Bill T. Jones/Arnie Zane Company (Venice Biennale, 2010), A.I.M by Kyle Abraham (Untitled Love, 2022), Camille A. Brown and Dancers (BLACK GIRL: Linguistic Play, 2016), and David Dorfman Dance (A(Way) Out of My Body, 2022).

Recent film works include 32 Sounds, directed by Sam Green, for which Crawford acted as the headphone experience designer; the film was Oscar shortlisted for Best Documentary Feature in 2024. La Medea, a live film collaboration with director Yara Travieso for which Crawford composed the music and wrote the libretto, premiered at P.S.122’s Coil Festival in 2017.

Since 2020, Crawford has taught sound design at the University of Maryland's School of Theatre, Dance, and Performance Studies. He became Co-Director of UMD’s Maya Brin Institute for New Performance in 2023.

As a creator and director, CHARLOTTE BRATHWAITE (Artistic Advisor)’s genre-defying works illuminate the realities and the dreams of the marginalized and center unheard, unseen, and overlooked stories. Dealing with subject matter from the historical past to the distant future, her work brings to light issues of social justice, race, sex, power, and the complexities of the human condition. Awards include Art Matters, Princess Grace, Creative Capital, United States Artist and Map Fund. She is an Associate Professor Theater Arts Massachusetts Institute of Technology (MIT). www.charlottebrathwaite.com

REID BARTELME and HARRIET JUNG (Costume Design) Harriet Jung and Reid Bartelme met in 2009 while pursuing fashion design degrees at the Fashion Institute of Technology in New York. They started designing collaboratively in 2011 and have focused their practice primarily on costuming dance. They frequently design costumes for works by Pam Tanowitz, Kyle Abraham, and Justin Peck. They have devised costume centric performances for commissions from the Museum of Art and Design and the Guggenheim Museum in New York City. In 2023 they made their Broadway design debut with Bob Fosse’s Dancin’. Reid and Harriet have completed research fellowships at NYU Center for Ballet and the Arts and the New York Public Library for the Performing Arts. They continue designing costumes and sets for dance productions around the world while expanding the scope of their practice outside the theater.