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Description

Be the first to experience a groundbreaking collaboration between contemporary artistic powerhouses: Grammy Award-winning composer Bryce Dessner (The National, Train Dreams) and award-winning poet Ocean Vuong, setting a powerful collection on immigrant histories, war and displacement, queer identity, and family lineages to music on stage. 

Now considered to be one of the foremost creative writers in America today, Ocean Vuong (author of 2019's acclaimed On Earth We're Briefly Gorgeous) made his career debut with Night Sky with Exit Wounds in 2016, becoming the youngest person ever to win the T. S. Eliot Prize for poetry at 29 years old, and the second ever debut collection to win it. The book was also listed as a New York Times Top 10 Book of the year. Based on his family's history as Vietnamese immigrants, the collection "beautifully attests to Mr. Vuong’s own ability to use the magic of words to summon and preserve the past" (The New York Times). 

Bryce Dessner is equally at home in the world of rock, achieving fame as the co-founder (along with his twin brother Aaron) of The National—multi-award winning band, including two GRAMMY Awards and two NME Awards for Best Album and Best Band in the World (2018)—as he is in the world of contemporary classical music. Dessner is a producer and composer, having worked with Philip Glass, Steve Reich, Alejandro Iñarritú, Paul Simon, Sufjan Stevens, and Taylor Swift. He also co-founded Dream House Quartet with pianists Katia and Marielle Làbeque and guitarist David Chalmin, and has a new opera of Herakles Mad, with libretto by poet Anne Carson, premiering in Basel, Switzerland in May 2027.   

Born out of their friendship and mutual artistic admiration, bringing Night Sky with Exit Wounds to the stage is a collaboration between Vuong and Dessner and close collaborators, theatre director Silvia Costa, mezzo-soprano Fleur Barron, and 2025 MacArthur Fellowship recipient and visual artist Tuan Andrew Nguyen on projection design. With Costa and Dessner navigating the delicate balance between the raw vulnerability of Vuong’s poetry and the dynamic interplay of music and visuals, the collaborators are embarking on an exploration that transcends conventional design boundaries toward a universe where live music, poetry and visual art find a seamless, deeply charged flow.  

This workshop presentation will feature a post-show Q&A with artists on site for the residency, including Dessner, Barron, and Costa. 

 

"Vuong's poems combine to form a view that's at once movingly personal and energized with a message that needs to be heard." - Lonesome Reader 
"Vuong accomplishes with sophistication and grace what many poets only strive to accomplish: he invites us to experience a world where hardship and isolation are expectations ... This voice, Vuong’s necessary, shimmering voice, fills us to the core." - Harvard Review
"Dessner moves fluidly between rock and classical and everywhere in between." – Guardian

Supported by

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musical experimentation
Page Summary
Be the first to see a new collaboration between artistic powerhouses in poetry, music, and theatre.
Exhibition
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Free
No
Donation
Off
Banff Centre Artist/Practicum/Staff Only
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Licensed
Off
Department
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/online/mapSelect.asp?BOset::WSmap::seatmap::performance_ids=5DF8B757-7F04-46C4-8CC3-1DD00D3232DD
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Credit

Creative Team

Based on NIGHT SKY WITH EXIT WOUNDS by Ocean Vuong
Libretto by Ocean Vuong 
Composed by Bryce Dessner 
Directed by Silvia Costa 
Designed by Tuan Andrew Nguyen & Silvia Costa 
Featuring Fleur Barron, Mezzo-Soprano 
Published by Wise Music 
Produced by ArKtype / Thomas O. Kriegsmann & Factory International / Manchester International Festival

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Event Subtitle
Work in Progress Showing with Post Show Q&A
Description

 

An award-winning string ensemble from Montreal, collectif9 performs “with an infectious energy and vigour that grabs an audience’s attention” (The WholeNote). Since its 2011 debut, collectif9 has performed frequently across North America, Europe, and Asia. Mixing both classical and contemporary music, every collectif9 concert is unique, innovative, and mesmerizing. 

Rituæls is a grand artistic gesture bringing together works from the Middle Ages to the 21st century by Hildegard von Bingen, Arvo Pärt, Michael Tippett, Nicole Lizée, Bryce Dessner, and Jocelyn Morlock. Through music and movement, this program reflects the intricacies of human connection, embracing the beautiful and painful of our coexistence. The use of continuous, at times motionless, sound ties each tableau to the next, creating a common thread that accompanies us through a succession of emotional phases: the spiritual, the intimate, the fragile, the dismayed, the grandiose, the humble, and many more. 

Throughout this journey, we follow the commanding performance of Stacey Désilier (dance) in an impassioned choreography; a supreme presence who embodies all of the above. 

What originally began as a film-concert in 2021 eventually became the subject of the 2024 album Analekta/Outhere Music, which received an Opus Award in 2026, a JUNO Award in 2025, and a nomination at the 2025 Québec Association for the Recording, Concert and Video Industries (ADISQ) Gala. 

collectif9 bring this piece to Banff as faculty of the Banff Musicians in Residence program in a renewed version for five strings, accordion, dance, and with new stage and lighting design.

 

A sensory landscape that evokes timelessness... the real, the important. - Pan M 360
Moved, moved to tears, shivers, hairs standing up, the spine straightening on its own, the heart tightening, a smile forming, tenderness received, all senses on alert... in the end, I just want to say thank you. - Audience member
It’s quite marvelous to discover something displaying genuine mastery, created with a deep understanding of the issues facing the audience. - Barcza Blog

 

woman standing head down with a transparent white drape covering her.
Page Summary
Join collectif9 for a haunting, divine performance of chamber music and dance.
Exhibition
No
Free
No
Donation
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Banff Centre Artist/Practicum/Staff Only
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Licensed
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Date
On Sale Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/online/mapSelect.asp?BOset::WSmap::seatmap::performance_ids=B69ED70E-F4CA-43A9-A487-2FA109FC62D1
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Credits

Creative Team

ON STAGE 

  • collectif9 
    • Chloé Chabanole: violin 
    • TJ Skinner: violin 
    • Cynthia Blanchon: viola 
    • Andrea Stewart: cello 
    • Thibault Bertin-Maghit: double bass 
  • Matti Pulkki: accordion 
  • Stacey Désilier: dance 

OFF STAGE 

  • Thibault Bertin-Maghit: artistic direction and staging 
  • Andrea Stewart: associate direction 
  • Stacey Désilier: choreography 
  • Zachary Scholes: live sound

collectif9

Laureate at the 2025 JUNOS and Performer of the Year at the 2025 Prix Opus, Montreal-based string ensemble collectif9 is known for their innovative programming and approach to chamber music. The group aims to present classical music from a singular perspective, where new voices and interpretations are welcomed and encouraged, performing “with an infectious energy and vigour that grabs an audience’s attention” (The WholeNote). Since their 2011 debut, collectif9 has performed numerous concerts across North America, Europe, and Asia. Highlights include concerts in the Festival de Música de Morelia (Mexico), La Folle journée de Nantes (France), Festival de Lanaudière (Québec), Shenzhen Concert Hall (China), and Sound Unbound (Barbican Centre, London). Inspired by the processes of other artistic movements, collectif9 cultivates artistic partnerships with composers, video artists, poets, lighting designers, and other collaborators to bring their distinctive projects to life.  

Rituæls (Analekta, 2024), their most recent album, received a JUNO Award and an Opus Award and was a finalist at the Gala ADISQ. Released with European label Alpha Classics, the ensemble’s two previous albums (Vagues et ombres, No Time for Chamber Music) were nominated at the Juno Awards in 2022 and 2023. In addition to their albums, the group has released a series of three film-concerts, live performances filmed with a cinematographic approach, as well as a docu-concert (Ce qui nous lie, 2025) which reveals the group's creative process. In 2025, Thibault Bertin-Maghit was named Artistic Director of the Year at the Prix Opus for his work with the ensemble.  

Stacey Désilier

Graduating from the École de danse contemporaine de Montréal in 2014, Stacey Désilier is a performer with remarkable intensity. Her artistic curiosity leads her to explore a wide range of disciplines, including contemporary dance, urban dance, and circus arts. Among her collaborations are works with Mélanie Demers/Mayday, Compagnie Catherine Gaudet, Dana Gingras/Animals of Distinction, Helen Simard, George Stamos, Le Carré Des Lombes/Danièle Desnoyers, collectif9, Tentacle Tribe, Benoît Landry/Nord nord est, Dave St-Pierre, Cirque Éloize and the Opera Starmania. Désilier believes in the fusion of cultures through dance and is driven by a desire to continue sharing artistic experiences. She recently co-created Braids & Heritage, a bold, playful work that deconstructs and decolonizes cowboy mythology through Black heritage, memory, and Afrofuturist imagination.

Matti Pulkki

Finnish accordionist Matti Pulkki is acclaimed for his imaginative and creative exploration of the vast expressive potential of his instrument. Although he focuses on contemporary and experimental programming, Pulkki also actively performs repertoire that ranges from classical works and transcriptions to diverse global styles. He is also a sought-after collaborator in opera, theatre, and interdisciplinary productions as a musician, performer, and arranger. Regardless of the genre or context, Pulkki aims to captivate audiences with performances that showcase the instrument’s full expressive range and versatility. Currently based in Toronto, Pulkki performs as a soloist and with ensembles worldwide. His ongoing chamber music projects include the eclectic voice and accordion duo Sawtooth with vocalist Sarah Albu, the Toronto-based Freesound Performance Collective, and the internationally acclaimed classical crossover ensemble Quartetto Gelato. Pulkki frequently collaborates with composers to discover new sonic landscapes for the accordion. A passionate educator and advocate for his instrument, Pulkki regularly presents lectures and workshops for composers and accordionists in Europe and North America. He holds a Master’s degree from the Sibelius Academy in Helsinki and a Doctorate of Musical Arts from the University of Toronto.

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Event Subtitle
Featuring Banff Musicians in Residence participants
Description

Songs, Stories and Sovereignty: The Strength of Indigenous Voices and Community

Join us for a conversation with singer/songwriter Leela Gilday, Banff Centre alumna, former program faculty, and featured artist. Throughout her career she has integrated her Dene language into her music to challenge the norms of mainstream music trends and styles. Even as her music has reached acclaim across the country and beyond, Gilday has always represented the Far North fiercely and proudly.

A passionate singer/songwriter and soulful performer, Leela Gilday has a voice that comes straight from the heart. Confessing her stories to her audiences with a gutsy voice and open stage presence, Gilday weaves her experiences as a northerner, a member of the Dene nation, and a traveler into a beautiful world that transports the listener. In this talk, Leela Gilday will share stories and songs from her Dene nation, emphasizing the unique importance of Indigenous voices and communities in the context of our world in crisis. She will also talk about the work of helping to build an Indigenous music ecosystem.

Facilitated by Janine Windolph, Director of Indigenous Arts at Banff Centre, the session includes a presentation by Gilday, followed by a discussion and a Q&A. This conversation will be live-streamed and recorded, with the recording shared following the event. Sessions may include sharing experiences and asking difficult questions.

Register for webinar

 

About the Decolonizing the Narrative Conversation Series

The Decolonizing the Narrative Conversation Series is a bi-monthly conversation session inviting leading Indigenous Art creators to discuss their practices and processes. The series engages an Indigenous lens across various art forms, including Literary Arts, Film and Media Arts, Digital Media, Visual Arts, and Performing Arts such as Theatre, Dance, and Music. These sessions offer a space to explore and deepen your understanding of how Indigenous artists use their disciplines as tools to decolonize artistic processes and creation.

Leela Gilday, photo by Pat Kane
Page Summary
Join us for a conversation with Dene musician and Banff Centre alumna, Leela Gilday.
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Free
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Banff Centre Artist/Practicum/Staff Only
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1795050000
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Webinar and Live in person
Description

Celebrate the power of words shaped by mountains at the Mountain Writers Intensive Reading, a free public event in Banff Centre's intimate CLVB '33. This evening showcases new work from writers immersed in a three-week residency dedicated to exploring mountain narratives, adventure, wilderness, and the human connection to landscape. The program offers writers time and mentorship to hone their craft in Banff’s inspiring setting, and this reading is a chance to experience their voices firsthand.

Presented on the heels of the Banff Centre Mountain Book and Film Festival, hear writing that explores mountains and the outdoors as sites of adventure, risk, beauty, endurance, environmental change, cultural memory, and personal transformation. 

Hosted by award-winning faculty Helen Mort (A Line Above the Sky, The Illustrated Woman), Nandini Purandare (editor of The Himalayan Journal), and Kate Harris (Lands of Lost Borders), the event brings together poetry, fiction, nonfiction, journalism , and hybrid forms that reflect the spirit of mountain literature. 

Doors open at 6:15 p.m. in CLVB ’33, with readings beginning at 7 p.m. including an intermission. Following the readings, audiences are invited to stay and mingle with the writers until 9:30 p.m.

audience seating in an intimate setting and listening
Page Summary
Celebrate the power of words shaped by mountains at the Mountain Writers Intensive Reading.
Exhibition
No
Free
Yes
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
+14
Department
Performance Date
Date
Location
Computed Sort Date
1794618000

Submitted by Carla Snow via… on
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A black and white headshot of Julia Eichten

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Julia Eichten works between Opera, Theater and Dance as a Director, Choreographer, Educator and Performer. 

They received their BFA and the Hector Zaraspe Prize for Choreography from The Juilliard School. A founding member of L.A. Dance Project and a current member of AMOC* (American Modern Opera Company.) Their work has been shown at the Joyce Theater, Baryshnikov Arts Center (NYC), L.A. Dance Project, The Gardens of Versailles and LUMA in Arles, FR. Eichten performed in Joan Jonas’ iconic Mirror Piece I & II at The Getty Museum. In the summer of 2025, Eichten had their Lincoln Center premiere, a duet by EICHTERLING (Bret Easterling + Eichten) Dance in the Park. Rome is Falling, a new opera composed by Doug Balliet, directed by Eichten, had its premiere at RUN AMOC* Festival at Summer in the City at Lincoln Center. The duo EICHTERLING, has had their film, “TRUE LOVE WILL FIND YOU IN THE END,” shown at Hauser & Wirth Gallery in NYC, Dance Camera West in LA and numerous festivals in the US and France. Plus their new film “WITH LOVE,” commissioned by and shown at Lincoln Center this past summer. “CLUB LIZA & NIJINSKY,” an ongoing collaboration with Kevin Zambrano where queer icons are embodied & take us through endless variety show style cabarets, continues to run and pop up in NYC.
 

Guest Faculty. Week 3

Submitted by Carla Snow via… on
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Angel Everett sits in front of a collection of her large-scale paintings, a paintbrush tucked into her hair.

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Angel is a set, prop, and production designer with 25 years of experience bringing imaginative worlds to life across theatre and film. With a career grounded in hands-on craftsmanship, Angel has worked extensively as a props fabricator and scenic artist, developing a diverse skill set that bridges design and fabrication. 

Over the course of her career, Angel has collaborated with some of Canada’s leading arts and entertainment organizations, including Cirque du Soleil, the Canadian Opera Company, the Shaw Festival, the Stratford Festival, and the Banff Centre. These experiences have provided Angel with a deep understanding of the creative and technical demands of large-scale productions, from concept development and visual storytelling through to fabrication, installation, and execution.

Angel brings a practical, collaborative approach to every project, combining an eye for detail with the ability to work across disciplines and adapt to the unique needs of a production.

Whether creating intricate props, developing immersive environments, painting scenery, or designing sets, Angel is passionate about transforming ideas into tangible, compelling worlds for audiences.

Submitted by Carla Snow via… on
English
Headshot of Seth Williams

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Seth Williams is an award-winning filmmaker, best known for emotionally driven, human-centered stories that reflect the grit and beauty of his environment.

Equally comfortable working in the mountains as he is in the streets, Seth looks for honest images and truthful stories.
Having just stated that he seeks truth in his work, Seth now recognizes that writing about himself in the third person feels a little disingenuous.

Therefore, he’s decided to write a few things that best describe him instead:

Perpetual wanderlust.
Moving forward sideways - skate/snowboard.
Work ethic = 5am call, midnight wrap.
Willing to learn. Willing to teach.
Dad life.

Find Seth online: www.sethwilliams.org
 

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Sarah Hueniken
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The 51st Annual Banff Centre Mountain Film and Book Festival celebrates Sarah Hueniken as the recipient of the 2026 Summit of Excellence Award. Since 1987, this annual award has recognized outstanding individuals who have made a significant contribution to mountain life in Canada.  

Sarah Hueniken is a certified ACMG Alpine Guide who has spent over 25 years in the Rockies sharing and pursuing her passion for climbing. Hueniken was the first North American woman to climb the mixed rock-and-ice grades of M11, M12, M13, and M14 and as a former North American Ice Climbing Champion, her achievements include first ascents worldwide—from the high peaks of China to frozen cliffs in Iceland.
Beyond her athletic feats, Hueniken’s career has been deeply committed to empowering others to step into their own strength. For over a decade, she has developed and led women-specific mountaineering programs designed to shatter barriers in the backcountry, fostering a self-sufficient community of female leaders who are confident in taking the sharp end of the rope.

Hueniken’s trajectory was completely rewritten after a tragic avalanche claimed the life of a close friend. Recognizing a profound void in the outdoor industry for emotional support for climbers who have experienced trauma, she sought to fill those gaps. Hueniken co-founded the Mountain Muskox Mentorship Program—a Bow Valley non-profit providing professionally facilitated peer support circles for individuals coping with trauma and loss in the outdoors which now has branches in other Canadian mountain communities. As the Executive Director for the past six years, Hueniken has helped it grow from one pilot chapter to six chapters throughout Western Canada, reaching hundreds of people through monthly circles and a yearly two-day immersion. As well, the Mountain Muskox Memorial bench was built with the intent of sharing both the beauty of the mountains and the memory of loved ones as a community—a place where everyone can come and sit with the amazing people we all miss in an incredible setting. 

 

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Mountain Muskox is what I am most proud of and what I devote most of my time and energy towards.

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Sarah Hueniken
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In 2020, after the accident, Hueniken became Avalanche Canada’s first Ice Climbing Ambassador and co-created the Rockies Ice Climbing Avalanche Atlas. Along with the mapping skills of past Summit of Excellence recipient Grant Statham, Hueniken’s idea was to gather all of the knowledge and experience from the ice climbing community and share it publicly so others could learn and make informed decisions about ice climbing routes. Through community surveys, data was collected, which formed the foundation for a summary document mapping the exposure zones above ice climbing routes. The result is a cutting-edge, groundbreaking information system.

 

Quotation

A sea of change of awareness has happened (in the climbing community), and Sarah has been a crucial player in making that happen.

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Grant Statham
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Hueniken’s contributions to the outdoor community have earned her the Association of Canadian Mountain Guides (ACMG) Gold Distinguished Service Award, the Queen Elizabeth II's Platinum Jubilee Medal, and recognition as one of Canada’s Top 100 Most Powerful Women.

Presented by Banff Centre Mountain Film and Book Festival since 1987, the annual Summit of Excellence Award is presented in memory of Calgary climber Bill March, an internationally respected mountaineer, author, and educator, who led Canada’s first successful Everest climb in 1982. The 2026 committee are Joanna Croston, Nancy Hansen, Geoff Powter, Louis Rousseau, Senja Palonen, and David Smart. Recent award recipients include Dr. Alison Criscitiello (2025), Karsten Heuer and Leanne Allison (2024), Andy Genereux (2023), Grant Statham (2022), Helen Sovdat (2021), Raphael Slawinski (2020), David Smart (2019), Jacques Olek (2018), Don Serl (2017), and David P. Jones (2016).

There are two opportunities to see Hueniken at the 2026 Banff Centre Mountain Film and Book Festival.

The 2026 Summit of Excellence Award (sponsored by the Town of Cochrane) will be presented during the festival on Saturday, November 7, at 7:30 p.m. in the Jenny Belzberg Theatre at Banff Centre for Arts and Creativity.

Join Hueniken and Ines Papert live on Friday, November 6, at 7:30 p.m. in the Jenny Belzberg Theatre. As two of the world's most accomplished ice climbers and alpinists, Hueniken and Papert hold numerous records and have made bold first ascents around the world, including right here at home in the Canadian Rockies. Editor Erin Moroz joins them on stage for an honest conversation about leading hard lines, ageing, and what it means to climb with other strong women. The panel discussion will be followed by films in competition.

The 2026 Banff Centre Mountain Film and Book Festival schedule is available to view online. Tickets and passes can be purchased at banffmountainfestival.ca or Banff Centre Box Office.

Film competition finalists will be announced on October 5.

Online films will be available following the festival from November 12-22, 2026 (available in CAN/USA only).

Please visit banffmountainfestival.ca for more festival information.

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If you’d like to provide media coverage of the 2026 festival, please submit a media accreditation application form (submissions open until October 1).

For more information or image requests, please contact: 
Jess Elliott
Media and Communications, Banff Centre Mountain Film and Book Festival
Banff Centre for Arts and Creativity
107 Tunnel Mountain Drive
Box 1020, Banff, Alberta
Canada T1L 1H5  
jess_elliott@banffcentre.ca 

About Banff Centre Mountain Film and Book Festival: Created 51 years ago, Banff Centre Mountain Film and Book Festival has become the premier event of its kind in the world. The nine-day festival hosted by Banff Centre for Arts and Creativity in Banff, Canada, showcases the world’s best films, books and photographs on mountain subjects – climbing, culture, environment and natural history, exploration and adventure, wildlife, and sport – and attracts the biggest names in mountaineering, adventure filmmaking, and explorers as presenters and speakers. An international jury will also award over $40,000 in prizes for films and books submitted to this year’s Festival competitions. banffmountainfestival.ca    

Banff Centre Mountain Film and Book Festival Partners: The 2026 Banff Centre Mountain Film and Book Festival Presenting Sponsors are Rab and Banff and Lake Louise Tourism. The festival is also supported by YETI, Oboz Footwear, World Expeditions, The Lake Louise Ski Resort, Grangers, SLY Foods, NOLS (National Outdoor Leadership School), Bluetti, Clipper Ventures, Arc’teryx, Durston Gear, Wild Rose Brewery, and Wild Life Distillery.

About Banff Centre for Arts and Creativity: Founded in 1933, Banff Centre for Arts and Creativity is a post-secondary institution built upon an extraordinary legacy of excellence in artistic and leadership development. What started as a single course in drama has grown to become the global organization leading in arts, culture, and creative decision-making across dozens of disciplines. From our home on Treaty 7 territory in the stunning Canadian Rocky Mountains, Banff Centre for Arts and Creativity aims to move everyone who attends our campus – artists, leaders, thinkers, and audiences – to unleash their creative potential and realize their unique contribution to build an innovative, inspiring future through education, performances, convenings, and public outreach. banffcentre.ca

Media Release
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Applying to a Banff Centre program is an opportunity to share your practice, your experience, and what you hope to explore next. 

Your application is an opportunity for the adjudicators understand your practice and what you hope to explore at Banff Centre. Here are some tips to help you prepare a thoughtful and complete application:

 

  1. Find the program that fits your practice

Take time to read the full program description, including the program description, dates, eligibility requirements, faculty, facilities, and application materials.

Think about how the program connects to your current practice and what you hope to develop during your time at Banff Centre.

Tip: Be specific about why this program is a good fit for you at this point in your practice.

 

  1. Read the application requirements carefully

Each program has its own requirements. Depending on the program, you may be asked to provide a résumé or CV, statement of intent, portfolio, work samples, project proposal, or other supporting materials.

 

  1. Put your best work forward

Your application materials should give the adjudication panel a clear sense of your practice and experience.

When selecting work samples or portfolio materials:

  • Choose work that represents your current practice.
  • Follow the program's specific requirements and submission limits.
  • Select work that is relevant to the program.
  • Consider quality, clarity, and variety where appropriate.
  • Provide context or descriptions when requested.

Remember: You don't need to submit everything you've ever made. Curate your materials to tell a clear story about your practice.

 

  1. Tell us about your practice

Your résumé, portfolio, and written materials should work together to give a picture of who you are as an artist, practitioner, or cultural leader.

Highlight the experiences, projects, collaborations, performances, exhibitions, publications, training, research, or other work that are most relevant to the program you're applying to.

 

  1. Make your cover letter personal

If applicable, use your cover letter to explain what brings you to the program.

Consider addressing:

  • Why are you interested in this program?
  • What are you hoping to explore or develop?
  • Why is this the right time for you?
  • What questions are you currently asking in your practice?
  • How might the Banff Centre environment, faculty, facilities, or community support your goals?

Tip: Avoid simply repeating information from your résumé or the program description. Let the panel learn something about you and your practice.

 

  1. Be clear about what you want to explore

If the program asks for a project proposal or description of your goals, use this opportunity to communicate your ideas clearly.

You don't need to have every detail figured out. A strong proposal can demonstrate your artistic direction, curiosity, and the questions or ideas you want to investigate.

 

  1. Consider what you need to do your work

Some programs ask applicants to complete a  technical questionnaire to identify their studio, production, technical, research, or other resource needs.

Think ahead about what you may require during the program, such as:

  • Studio or rehearsal space
  • Equipment or specialized facilities
  • Technical support
  • Materials or production resources
  • Research resources
  • Access to specific spaces or facilities
  • Collaboration with other participants or faculty

Be as specific as possible and follow the instructions provided by your program.

 

  1. Take time with your work samples

Before submitting your portfolio, recordings, writing samples, images, videos, or other materials, consider how they will be experienced by someone who may be unfamiliar with your work.

Check that:

  • Files are clearly labelled.
  • Links work and permissions are enabled.
  • Images, recordings, and videos are good quality.
  • You have followed the required file formats and limits.
  • Any collaborators or roles are clearly identified when relevant.

     

  1. Apply for financial assistance

If financial assistance is available for your program, make sure you review the information and complete any required section of your application.

Some scholarships and awards may have specific eligibility requirements, while others may automatically consider eligible applicants.

 

  1. Give yourself time to review your application

Before submitting, take a final pass through your application from an adjudicator's perspective. Ask yourself:

Does my application clearly communicate who I am, what I do, why I'm applying, and what I hope to explore?

Then check that all required materials have been uploaded and that your application is fully submitted before the deadline.

 

  1.  Let your voice come through

There is no single way to be an artist or practitioner, and your application doesn't need to look like anyone else's.

Be thoughtful, specific, and authentic. Share the work you're doing now, the questions you're asking, and what you hope to discover next.

Before You Submit - Checklist

☐ I've read the complete program page.
☐ I've checked the eligibility requirements.
☐ I've reviewed all application requirements.
☐ I've prepared all required materials.
☐ My work samples represent my current practice.
☐ My statement clearly explains my interest and goals.
☐ I've included any required project or resource information.
☐ I've reviewed the funding and financial assistance information.
☐ I've checked all files, links, and permissions.
☐ I've answered all required questions.
☐ I've submitted my application before the deadline.

Page Summary
Applying to a Banff Centre program is an opportunity to share your practice, your experience, and what you hope to explore next. Here are some tips to help you!
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Banff Centre for Arts and Creativity Campus - Fall - Photo by Rita Taylor.jpeg
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Toll Free: 1.800.565.9989

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Ken Hughes
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BANFF, AB, SEPTEMBER 25, 2026 – Banff Centre for Arts and Creativity is pleased to announce the appointment of the Honourable Ken Hughes, ECA, ICD.D as Chair of The Banff Centre Foundation Board of Directors. His term as Chair began September 8, 2026.

Hughes was appointed as a Director of the Board of Directors on July 19, 2025 for a three-year term ending July 18, 2028. There is no current change to his term on the Board of Directors.

Quotation

Ken’s presence on the Foundation’s Board of Directors has been a source of innovation, responsibility, and strength. I’m thankful he has taken on the role of Chair and with his history of estimable governance and leadership, I look forward to working with him as we steward Banff Centre towards our 100th anniversary in 2033.

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Chris Lorway, President and CEO of Banff Centre
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About Ken Hughes

Ken Hughes is an entrepreneur and community leader. He serves as Chair of the Board, Providence Therapeutics, Canada's cancer therapeutics company, focused on saving lives through cancer and infectious disease therapeutic development. He is Vice Chair of Beacon Data Centres, a leading developer of hyperscale data centres in Alberta, and serves as Lead Independent Trustee of Nearctic Industrial REIT.

Hughes is also a member of the board of the Banff Canmore Foundation. 

Elected at age 34 to the House of Commons of Canada, he served as Chair of the Aboriginal Affairs Committee, leading five all-party unanimous reports and was appointed Parliamentary Secretary to the Deputy Prime Minister.

Hughes was appointed the first Chair of the Board of Alberta Health Services in 2008, creating Canada’s largest health delivery service, leading through early years of development. In 2012, Hughes was elected to the Legislature of Alberta, appointed Minister of Energy, and led the creation of the Alberta Energy Regulator. Subsequently, as Minister of Municipal Affairs, he led the resolution of Disaster Recovery Assistance Program claims for nearly 10,000 Albertan families recovering from the southern Alberta floods of 2013. In September 2014, he returned to private life. 

He was recognized as Honourary Chief Badger Runner of the Blackfoot Confederacy Piikani First Nation in 1991. He has received the following civil awards: The 125th Anniversary of Confederation of Canada Medal (1992), The Alberta Centennial Medal (2005), The Queen Elizabeth II’s Diamond Jubilee Medal (2012), and The King Charles III Coronation Medal (2025). He and his wife Denise live in Canmore, Alberta and on Salt Spring Island, B.C.

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For photos, information, or interview requests, please contact:
 

Carly Maga                             
Director, Communications                         
Banff Centre for Arts and Creativity             
tel: +1.403.763.6210                
cell: +1.403.431.3423                
carly_maga@banffcentre.ca  

About Banff Centre for Arts and Creativity

Founded in 1933, Banff Centre is a post-secondary institution built upon an extraordinary legacy of excellence in artistic and leadership development. What started as a single course in drama has grown to become a global organization leading in arts, culture, and creative decision-making across dozens of disciplines, from the fine arts to Indigenous Wise Practices. From our home in the stunning Canadian Rocky Mountains, Banff Centre for Arts and Creativity aims to move everyone who attends our campus—artists, leaders, thinkers, and audiences—to unleash their creative potential and realize their unique contribution to build an innovative, inspiring future through education, performances, convenings, and public outreach. banffcentre.ca

Banff Centre
107 Tunnel Mountain Drive
Banff, Alberta
Canada
T1L 1H5
403.762.6100
www.banffcentre.ca

We recognize, with deep respect and gratitude, our home on the side of Sacred Buffalo Guardian Mountain. In the spirit of respect and truth, we honour and acknowledge the Banff area, known as “Minihrpa” (translated in Stoney Nakoda as “the waterfalls”) and the Treaty 7 territory and oral practices of the Îyârhe Nakoda (Stoney Nakoda) – comprised of the Bearspaw, Chiniki, and Goodstoney Nations – as well as the Tsuut’ina First Nation and the Blackfoot Confederacy comprised of the Siksika, Piikani, and Kainai. We acknowledge that this territory is home to the Shuswap Nations, Ktunaxa Nations, and Métis Nation of Alberta, Rockyview District 4. We acknowledge all Nations who live, work, and play here, help us steward this land, and honour and celebrate this place.

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