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Submitted by Sonia Zyvatkau… on
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Nour Bishouty is a multidisciplinary artist working across video, sculpture, works on paper, digital images, and writing. Broadly concerned with gaps in archival memory and the Western production of knowledge and fantasy, her practice explores notions of articulation, permission, and the generative possibilities of misunderstanding. 

Her work has been exhibited internationally at Museo Universitario del Chopo (forthcoming 2026), Mexico City; Liverpool Biennial; Cooper Cole, Toronto; Art Jameel, Jeddah; La biennale de Québec; Gallery 44 Centre for Contemporary Photography, Toronto; the Museum of Contemporary Art, Toronto; Darat Al Funun, Amman; Casa Árabe, Madrid; Access Gallery, Vancouver; The Mosaic Rooms, London; and Beirut Art Centre, Beirut. Her artist books include “1—130: Selected works Ghassan Bishouty b. 1941 Safad, Palestine — d. 2004 Amman, Jordan,” (2020) edited by Jacob Korczynski and co-published by Art Metropole and Motto Books; and “731.52 cm of land,” (2025) published by Art Metropole in conjunction with Liverpool Biennial. 

She is currently represented by Cooper Cole (Toronto).

(Faculty) March 2 – April 3, 2026

Submitted by Sonia Zyvatkau… on
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Jacob Korczynski is a curator and PhD candidate at the Malmö Art Academy. He has curated projects for the Stedelijk Museum, Cooper Cole, Western Front, and the Badischer Kunstverein, and his writing has been published by Afterall, BOMB, Camera Austria, and Flash Art. With his curatorial projects taking the form of exhibitions, screenings, and publications, he is also the editor of I See/La Camera: I (If I Can't Dance I Don't Want to Be Part of Your Revolution), Andrew James Paterson's Collection/Correction (Kunstverein Toronto & Mousse Publishing), Jimmy Robert's Revue (Leopold-Hoesch-Museum), and Nour Bishouty's 1—130 Selected Works Ghassan Bishouty b. 1941 Safad, Palestine — d. 2004 Amman, Jordan (Art Metropole & Motto Books). The recent recipient of a Curatorial Research Fellowship from The Andy Warhol Foundation for the Visual Arts, he is also the recipient of the inaugural General Idea Fellowship from The National Gallery of Canada.

(Faculty) March 2 – April 3, 2026
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Joanna MacGregor
Subtitle
MacGregor is back to showcase her ability to pivot from classical masterpieces to the world of jazz and beyond.
Page Summary
MacGregor is back to showcase her ability to pivot from classical masterpieces to the world of jazz and beyond
About the Program

Don’t miss one of the world’s most innovative pianists as she takes centre stage.  

Joanna MacGregor is a celebrated performer, composer, conductor, and educator whose versatility has captivated audiences in over 80 countries. Returning after a celebrated performance in Art of Piano in the 2024 Festival, MacGregor is back to showcase her ability to pivot from classical masterpieces to the world of jazz and beyond.

MacGregor has released over 40 solo recordings, ranging from Chopin and Piazzolla to Bach and John Cage. Her collaborative and compositional projects encompass jazz, film, visual art, contemporary dance, and electronica, including music for 47 silent Sherlock Holmes films with the BFI.

She’s also an accomplished educator. As Dame Myra Hess Chair of Piano at the Royal Academy of Music and Professor of University of London, she’s head of an international piano department of young pianists from all over the world, many of whom have gone on to great success in the Van Cliburn, Leeds, and Sydney international piano competitions. We’re lucky to have her on faculty for Art of Piano, a program that pushes the instrument to new heights in skill, expression, and composition.

“MacGregor’s verve, energy, and astounding technique are always at the service of the music and never vice-versa. Her ability to inhabit so many sound worlds with the same intensity and commitment is profoundly impressive… An essential listen.” — BBC Classical Review

Art of Piano is generously supported by lead donor Heather Edwards.

Additional support provided by Helen Graham and the Yolanda Freeze Master Artists Music fund.

Submitted by Dolson Rhona on
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Anastasia (she/her) is a queer, certified intimacy director, coordinator and fight designer from Mohkinstsis (Calgary) on Treaty 7 Territory. She is a founding member of Principal Intimacy Professionals (PIPs), and an instructor for the PIP’s SAG-AFTRA accredited intimacy training program. She’s worked with students at Ambrose University, UBC and UofA and is on the Board for the National Society of Intimacy Professionals. Anastasia holds mental health and trauma-informed care as central to her practice.

Select credits include: Legally Blonde (Citadel Co pro), A Streetcar Named Desire, Beaches the Musical, Selma Burke (Alberta Theatre Projects Co Pro), Meteor Shower, Escape To Margaritaville (Theatre Calgary), Hurry Hard (Western Canada Theatre), Mary Stuart (SAGE Theatre), Girl On The Train (Vertigo), Bombay Black (Alberta Theatre Projects), A Midsummer Nights Dream, Measure For Measure (Free Will Shakespeare), Genesis: The Mary Shelley Play (ACT Edinburgh Fringe), Guilty Party (Paramount+), Peacemaker (HBO), Upload S2 (Amazon). Special thanks to her PIPs Pals and loved ones for their ongoing support.
 

Dolson Rhona
Woven bag - Not Normal Accessories

Not Normal

My craft is a personal conversation between hands and materials. Through macrame, basket weaving, and sewing, I tap into ancient techniques. 

Please note this vendor is based in Argentina and prices are listed in Argentine Pesos ($)

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Michael Falk and Geneviève Cimon
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Michael Falk and Geneviève Cimon signify two additions to Banff Centre’s Arts and Leadership departments, among several other key internal changes, to mark a new era of programming at one of Canada’s preeminent institution dedicated to educational and training opportunities in arts and creative leadership.

BANFF, AB, May 29, 2025 – Banff Centre for Arts and Creativity is pleased to announce several staffing updates to mark a new era of programming at the post-secondary institution, strengthening Canada’s leading organization dedicated to providing residencies, training, and professional development to all arts disciplines, mountain culture, Indigenous culture, and leadership.

First, Michael Falk joins Banff Centre as Director, Music. His tenure began earlier this month. Joining Banff Centre after over three years in senior leadership at the Winnipeg Symphony Orchestra as the Senior Director of Artistic Operations—where he produced concerts, managed the orchestra, and programmed their Pops and Movies series. His previous experience as a producer, manager, Artistic Director of Jazz Winnipeg, part of the indie rock band Les Jupes, and now as the solo artist known as Touching, ensures he is ready to embrace the individual musical styles of Banff Centre’s music participants.

“Winnipeg will always be my musical home, but I’m looking forward to what the mountain air will inspire,” said Michael Falk. “With the resources, diversity, and history of Banff Centre’s renowned Music department, there is no limit to what we can create together. I invite musical artists from any genre, area of the world, to think of their greatest desire and ask how we can make it a reality at Banff Centre.”

“Michael brings with him a wealth of experience working across a wide spectrum of musical genres including jazz, orchestral, electronic and global. As we continue to refresh and reimagine our Music Programs, this breadth of experience coupled with his creative energy makes him an exciting choice for Banff Centre as well as for the many participants and faculty who will take part in our programs. We all look forward to working with him very much.” said Josephine Ridge, Executive Director, Arts at Banff Centre.

Geneviève Cimon joins Banff Centre as Director, Cultural Leadership on June 2, 2025. is a respected leader, producer, collaborator, and mentor in the creative sector with over 20 years of executive experience. As Senior Director of Learning and Community Engagement at the National

Arts Centre, she led a multidisciplinary arts education team and worked extensively with the NAC Orchestra, overseeing international artist training programs, engagement tours, and partnerships.

Since leaving the NAC, she has built a dynamic arts consultancy, working with organizations such as Propeller Dance, the Canada Council for the Arts, and the Azrieli Foundation seeking to expand their social impact. She has also served as Chair of Centretown Community Health Centre, as an Advisory Board member for the Global Leaders Institute’s Arts Innovation MBA, and is an External Research Fellow at Carleton University’s Research Centre for Music, Sound, and Society.

“I am so excited to join Banff Centre’s inspiring team and contribute to its vision for advancing cultural leadership in Canada,” Cimon says. “As arts leaders navigate shifting audience behaviours, evolving funding landscapes, and the very essence of our mission, we stand at a transformative crossroads. Challenges may test us, but within them lie powerful opportunities. I am eager to learn from and collaborate with present and future leaders in embracing these moments with collective wisdom, adaptability, and creativity.”

“Banff Centre’s Cultural Leadership program has been a groundbreaking force in fostering important conversations, building essential skills, and connecting leaders from across Canada since it began,” says Mark Wold, Executive Director, Leadership at Banff Centre. “Behind the scenes, we’ve been in months of research, development, and piloting for the next chapter of Cultural Leadership education at Banff Centre. With her experience in education, arts administration, and research, I firmly believe Geneviève is the person to start this next chapter.”

Rounding out the staff changes in Banff Centre’s Arts Program team are: Jacqueline Bell—former Curator of Walter Phillips Gallery—who is now Director, Walter Phillips Gallery and Collections, acknowledging her impactful contribution to Banff Centre’s on-site art gallery and the development of Banff Centre’s art collection; Karen Howard—former Manager, Exhibitions and Collections—who is now Senior Manager, Leighton Studios and Self-Directed Residencies overseeing residencies across campus as well as in the uniquely designed Leighton Artist Studios located in a forested area of Banff Centre’s campus; and the recently announced Director, Visual Arts, Haema Sivanesan.

For interview requests and images, please contact Carly Maga, Director, Communications at Banff Centre for Arts and Creativity at the contact below.

Carly Maga
Director, Communications Banff Centre for Arts and Creativity 
tel: +1.403.763.6210
cell: +1.403.431.3423 
carly_maga@banffcentre.ca

About Banff Centre for Arts and Creativity
Founded in 1933, Banff Centre is a post-secondary institution built upon an extraordinary legacy of excellence in artistic and leadership development. What started as a single course in drama has grown to become a global organization leading in arts, culture, and creative decision-making across dozens of disciplines, from the fine arts to Indigenous Wise Practices. From our home in the stunning Canadian Rocky Mountains, Banff Centre for Arts and Creativity aims to move everyone who attends our campus - artists, leaders, thinkers, and audiences - to unleash their creative potential and realize their unique contribution to build an innovative, inspiring future through education, performances, convenings, and public outreach. banffcentre.ca

Media Release
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Headshots of James Anagnoson and Micah Yui
Subtitle
An evening of music for two pianos, featuring works by Brahms, Dvořák, Debussy, and Gershwin.
Page Summary
Join James Anagnoson and Micah Yui for an evening of music for two pianos, featuring works by Brahms, Dvořák, Debussy, and Gershwin.
About the Program

Join James Anagnoson and Micah Yui for an evening of music for two pianos, featuring works by Brahms, Dvořák, Debussy, and Gershwin.

James Anagnoson is one of Canada’s most celebrated pianists and the Dean of The Royal Conservatory’s Glenn Gould School. As half of the internationally acclaimed duo Anagnoson & Kinton, he has performed over 1,500 concerts worldwide, earning praise from The New York Times for their “formidable precision and panache.” He has also taught and mentored generations of prize-winning pianists, shaping Canada’s classical music landscape for decades.

Yui, meanwhile, is an acclaimed Canadian pianist, whose playing contains "blazing enthusiasm, power, and technical assurance” (Los Angeles Times). She’s played solo recitals around the world, including at venues in Zurich, Tokyo, New York, Toronto, and Copenhagen. She’s also given radio performances on CBC, NHK, and WQXR, plus orchestral performances with the Syracuse, Edmonton, Victoria, Montreal Metropolitan, Asheville, and Baltimore Chamber orchestras.

Both are part of the faculty for Art of Piano, a program that pushes the instrument to new heights in skill, expression, and composition.

Art of Piano is generously supported by lead donor Heather Edwards.

Additional support provided by Helen Graham and the Yolanda Freeze Master Artists Music fund.

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Leela Gilday, photo by Pat Kane

Leela Gilday, photo by Pat Kane

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From June 1-30, Banff Centre for Arts and Creativity will host JUNO Award-winning Dene musician Leela Gilday and Métis pop experimentalists Ghostkeeper, along with workshops, panels, and the official public opening of our new indigenous cultural centre Îethka Mâkochî Ahogi Chi Pa Bi Ti: Îethka Territory House of Respect. 

BANFF, AB, May 27, 2025 – Banff Centre for Arts and Creativity is thrilled to recognize National Indigenous History Month as a time for learning, honouring, reflecting, and participating in Indigenous cultures at Banff Centre and across the Bow Valley Corridor. Throughout the month of June, Banff Centre invites our community to participate in a series of in-person and virtual cultural events, beginning with a Virtual Marketplace starting on June 1, 2025 and a concert with Leela Gilday on June 4, 2025. Find out more at banffcentre.ca/celebrate.

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“All year long, Indigenous Arts at Banff Centre provide spaces for art-making, story sharing, learning, and connection. National Indigenous History Month is a special time to welcome more members of our community into these experiences,” says Janine Windolph, Director of Indigenous Arts at Banff Centre. “Whether they take place on campus, online, or with one of our Bow Valley partner organizations, these events are rooted in our home on the side Sacred Guardian Buffalo Mountain.” 

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Programming Highlights 

Dene singer-songwriter Leela Gilday, was born and raised in the Northwest Territories, and her decades-spanning career is based on creating music about the people and the land that created her. Leela has toured extensively across Canada and through the United States, Europe, Greenland, Australia, and beyond, and her fifth album, North Star Calling, was awarded the Indigenous Artist of the Year JUNO Award in 2021. Gilday is a musical force who blends folk, roots, and Indigenous musical traditions into a contemporary sound inviting listeners on a journey of resilience, identity, and connection. She performs at the Margaret Greenham Theatre at Banff Centre at 7:30 p.m. on Wednesday, June 4.

Calgary-based experimental pop-rock duo Ghostkeeper—Shane Ghostkeeper and Sarah Houle, with roots in Northern Alberta’s High Level, Rocky Lane, and Paddle Prairie Métis Settlement—spent their adolescence isolated by the region’s geography, listening to folk and blues records. The band’s 2022 album, Multidimensional Culture, was longlisted for the 2023 Polaris Music Prize. Their latest release, Cîpayak Joy, mixes found noises with snippets of pop and trap, weaving a tapestry of haunting beauty. Their eclectic sound will be featured at 9 p.m. on Friday, June 27 at Banff Centre’s newest venue, CLVB ’33.

On June 7, the exhibition Elliptical Lineages opens at Banff Centre’s Walter Phillips Gallery. Curated by Jacqueline Bell, Director of Walter Phillips Gallery and Collections at Banff Centre, the exhibition presents the work of artists who engage the creative practices of a family member or someone they consider kin. Featuring Indigenous and Métis artists like Hali Heavy Shield, Sarah Houle and Norma Houle, Catherine Blackburn, Glenna Cardinal and seth cardinal dodginghorse, and Kirsten Ryder. Elliptical Lineages runs from June 7 to September 7 at Walter Phillips Gallery, with an opening reception on Friday, June 27 and an artist discussion on Saturday, June 28.

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Îethka Mâkochî Ahogi Chi Pa Bi Ti: Îethka Territory House of Respect 

Marking a new chapter for Indigenous Arts and Leadership at Banff Centre, we are thrilled to open the Centre’s first building dedicated to Indigenous culture—Îethka Mâkochî Ahogi Chi Pa Bi Ti: Îethka Territory House of Respect. Situated on the side of Sacred Buffalo Guardian Mountain, the new centre will have its home in one of the original Banff Centre chalets (formerly known as Farrally Hall) at the top of Ken Madsen Path. It will welcome Indigenous participants, faculty, Elders and other guests from around the world. The renovated building has space for ceremony, feasts and potlucks, Elder and staff offices, and will feature newly acquired artworks representing Indigenous artists from across Canada.


Special thanks to the Mînî Thnî community elders Alice Kaquitts, Charles Rabbit, Watson Kaquitts, and Tina Fox for their guidance and wisdom on protocols for naming and opening the space, which included a pipe ceremony in early May. The name was chosen in honour of the underpinning value of the Îârhé Nakoda Nation of mutual respect when individuals come together, particularly in this place of significance for many of the Nations that make up Treaty 7. In the spirit of welcoming, sharing, and hosting, the public is invited to an open house at Îethka Mâkochî Ahogi Chi Pa Bi Ti on Saturday, June 28 from 10 a.m. – 12 p.m.
 

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Banff Centre’s Full National Indigenous History Month Schedule 

Find more events coming up this summer in the Banff Centre Summer Arts Festival, on now until September 7, 2025.  

Performance activities during National Indigenous History Month are funded in part by Alberta Foundation for the Arts and Future Generations Foundation. Indigenous Arts at Banff Centre is generously supported by RBC Foundation.

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For photos and interview requests, please reach out to:

Carly Maga
Director, Communications                          
Banff Centre for Arts and Creativity              
tel: +1.403.763.6210
cell: +1.403.431.3423
carly_maga@banffcentre.ca

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About Banff Centre for Arts and Creativity
Founded in 1933, Banff Centre is a post-secondary institution built upon an extraordinary legacy of excellence in artistic and leadership development. What started as a single course in drama has grown to become a global organization leading in arts, culture, and creative decision-making across dozens of disciplines, from the fine arts to Indigenous Wise Practices. From our home in the stunning Canadian Rocky Mountains, Banff Centre for Arts and Creativity aims to move everyone who attends our campus - artists, leaders, thinkers, and audiences - to unleash their creative potential and realize their unique contribution to build an innovative, inspiring future through education, performances, convenings, and public outreach. banffcentre.ca 

Media Release
1
Description

Free live show

Ellen Braun - Soulful Indie-Folk from Canmore

Join us for a special evening with Ellen Braun, a captivating indie-folk artist from Canmore, Alberta, known for her poignant storytelling, rich melodies, and heartfelt stage presence. Ellen creates an atmosphere of connection and emotion that lingers long after the last note.

With performances on legendary stages like Nashville’s Bluebird Café, and opening sets for Canadian greats including Madison Violet and Joey Landreth, Ellen has steadily carved out a space in the national folk scene. As one half of the folk duo, Trundled, she released the acclaimed album High Water (produced by award-winning Daniel Ledwell) and her songs, including “Inchoate”, have earned praise and airplay on CBC, CKUA, and beyond.

More than just a musician, Ellen is also a playwright and community builder - leading workshops, performing at folk festivals, and inspiring audiences with humour, humility, and stories of love, resilience, and growth. Currently recording a new album with Grammy-nominated producer Howard Bilerman (Arcade Fire, Leonard Cohen), Ellen’s star continues to rise.

Don’t miss this free opportunity to experience one of Canada’s most authentic voices live.

Enjoy the show with a burger and beer!

Make the most of Amp Sessions with a juicy burger in one hand and a cold drink in the other. Hit up the BBQ for hot dogs and burgers, and swing by the outdoor bar for beer, wine, or a mixed drink. Great tunes, good food, cold drinks - the perfect summer evening.

Ellen Braun looking at Rundle Mountain
Page Summary
Free live show: Ellen Braun – Soulful Indie-Folk from Canmore
Exhibition
No
Free
Yes
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
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Performance Date
Date
Extra Description

50 minutes approx

Submitted by Jessica Brende… on
English

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Katie Kirkpatrick is a soprano originally from Saskatoon, Saskatchewan, and is currently based in Toronto. She is pursuing a Masters degree in Opera at the University of Toronto, studying under the tutelage of Monica Whicher. Katie is a recent graduate of U of T, where she earned her Bachelor of Music in Voice Performance with honors. Recent performance highlights include the roles of “Miranda” in Kaija Saariaho’s The Tempest Songbook with U of T Opera and “Machine Gun Mabel” in the U of T student composer collective’s opera The Avenue of Avarice. Katie is an enthusiastic collaborator and performer of contemporary music. She has participated in concerts with the University of Toronto New Music Festival, the Concreamus Chamber Choir, and the Free Concert Series at the Four Seasons Centre for Performing arts – Richard Bradshaw Amphitheatre. Katie is grateful to have grown as an artist at the Canadian Opera Company Summer Intensive program, and is looking forward to performing the role of “Janine/Ofwarren” in The Banff Centre for Arts and Creativity’s production of Poul Rouder’s The Handmaid’s Tale in July 2025.

Katie Kirkpatrick was generously supported by the Hicks Memorial Scholarship.
 

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