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Description

 

Grammy-nominated and JUNO Award-winning singer-songwriter and pianist Laila Biali returns to Banff Centre on December 2 with Wintersongs, a captivating musical celebration of the season inspired by the snowy Rocky Mountains. Reserve your seats now to enjoy a very merry holiday show. 

“Masterfully mixes jazz and pop, bringing virtuosity and unpredictability to songs that are concise and catchy.” — The Washington Post 

 

Performance Details

Blending jazz sophistication with the comforting glow of the season, Wintersongs features reimagined holiday classics and luminous originals, all delivered with Biali’s rich vocals, sparkling piano work, and heartfelt artistry. Known for her graceful stage presence and expressive storytelling, Biali transforms familiar seasonal music into something intimate, fresh, and deeply moving. It’s a beautifully reflective concert—perfect for slowing down, taking a breath, and letting the music light up the winter night. 

Biali’s Wintersongs has a special connection to Banff Centre. The album was conceived and composed during a creative residency at the Leighton Artist Studios, where the solitude and beauty of the snowy Rocky Mountains became a source of inspiration for the work.

“I’ve learned—and I think Wintersongs helped me connect with this—how to embrace the gift that actually comes during winter, and from winter alone,” she says. “That winter is actually not something to fear. I think that there is a beauty to be found in the cold, in what sometimes might feel like barrenness or harshness. We grow through it. And I think it’s a more meditative and reflective time, and that can lead to an amazing harvest in the months that follow. I’ve really learned to appreciate winter for the season that it is in our lives.”

Wintersongs received a 2026 Grammy nomination for Best Traditional Pop Vocal Album, where Laila Biali went up against names like Lady Gaga, Elton John, Brandi Carlile, Barbara Streisand, Jennifer Hudson, and Laufey. 

 

Supported by: 

Canada Council for the Arts Logo
AFA Logo
happy smiling Woman with winter red har and gloves holding ball of fresh snow between her hands
Page Summary
Grammy-nominated singer-songwriter and pianist Laila Biali returns to Banff Centre on December 2.
Exhibition
No
Free
No
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/online/mapSelect.asp?BOset::WSmap::seatmap::performance_ids=B528D9C3-CBAA-4BD7-B565-8B8202CFBF0C
Expandable Content
Frequently Asked Questions

Is this concert for all ages?

Yes. The Laila Biali concert at Banff Centre is open to all ages.

 

 

Is seating assigned or general admission?

Seating for the Laila Biali concert is assigned. Your seat will be selected when you purchase your ticket.

 

 

How long is the performance?

This performance is 90 minutes long, subject to change. 

Where can I park?

Parking is available on the Banff Centre campus. We recommend arriving early to allow enough time to park and make your way to the venue. Please visit our Maps & Directions page to locate the closest lot or parking garage to the venue that you will be visiting. 

Event Parking (flat rate, will appear when events are occurring on campus) - $7.00 
Please download the HONK app and follow the instructions for paid parking. 
There will be an option called “Event” when logging into the HONK app. If you arrive early to dine on campus, you will also qualify for three-hour validation.

Find out more about our parking policies

Is the venue accessible?

Accessible seating at the Jenny Belzberg Theatre is available and can be selected directly when purchasing tickets online.

These seats are clearly identified during the ticket booking process. If you need assistance or have specific seating requirements, the Box Office is happy to help! Please contact us in advance so we can ensure the best possible arrangement for your visit.

Where can I eat before the show?

Make a night of it with dinner or drinks at Maclab Bistro, or enjoy spectacular wrap-around views of the surrounding mountain ranges at Vista Dining Room. Both are conveniently located on the Banff Centre campus. We recommend allowing plenty of time to dine before the performance.

Explore dining options

Can I stay overnight at Banff Centre?

Yes. Accommodation is available right on campus, making it easy to turn your concert experience into a Banff getaway. 

Explore accommodation

Computed Sort Date
1796265000
Event Subtitle
Dec. 2 | 7:30 PM | Jenny Belzberg Theatre

Submitted by Sonia Zyvatkau… on
English
Britta Johnson

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Britta Johnson is a Toronto-based composer, lyricist and writer. Her writing credits include: Life After (Canadian Stage/Musical Stage Company). With her sister Anika Johnson: Brantwood (Theatre Sheridan; Dora Award for Audience Choice), Jacob Two-Two Meets the Hooded Fang (YPT; Dora Nominee Best new musical), Trap Door (Theatre Sheridan, book by Morris Panych). With Sara Farb: Reframed (Acting Up Stage Company/AGO; Dora nominee Best New Musical). With Katherine Cullen: Stupidhead! (Theatre Passe Muraille; Dora Nominee Best New Play). This past spring, she was librettist for choreographer Robert Binet’s adaptation of The Kreutzer Sonata with Ballet Moscow.

Dr. Silver: A Celebration
Composer and alleged cult leader Dr. Gordon P. Silver has just passed away. In this site-specific, immersive electro-musical, his family and followers have gathered for a memorial service and ’release ritual’. The ceremony is interrupted by the arrival of his eldest son Gordon Jr, who has excommunicated from the group 15 years ago. 

Faculty

Submitted by Dolson Rhona on
English
Stephanie Lake Company logo

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Stephanie Lake Company is one of Australia’s most celebrated and prolific dance companies. Known for its gutsy, original choreographic style and striking visual aesthetic, Stephanie Lake Company’s highly acclaimed works including The Chronicles, Manifesto and Colossus have been performed across Australia and toured to over sixteen countries worldwide to some of the world’s most prestigious theatres.

Founded in 2014 and based in Melbourne (Naarm), the company brings together an extraordinary collection of diverse dancers and creative collaborators attracting sold-out audiences and five star reviews nationally and internationally. SLC’s works are renowned for their explosive physicality, poetic imagery and razor-sharp precision.
Stephanie Lake Company also collaborates across theatre, film, music video, opera and visual art and has created mass-scale public performances involving thousands of community participants of all ages and backgrounds.
 

Dolson Rhona

Submitted by Dolson Rhona on
English
Headshot of Stephanie Lake

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Stephanie Lake was born in Saskatoon, Canada, raised in Tasmania and is now based in Melbourne, Australia. She has been choreographing for over 25 years and founded Stephanie Lake Company in 2014. She was appointed Resident Choreographer of The Australian Ballet in 2024 and Artist in Residence (AiR) of Semperoper Ballet, Dresden in 2025. Her major works including The Chronicles, Manifesto, Colossus, Circle Electric, Pile of Bones and Double Blind have been performed across Australia and toured to 17 countries worldwide.

Lake has created works for the Nuremberg Ballet, The Australian Ballet, Sydney Dance Company, Queensland Ballet, Dancenorth, New Zealand Dance Company, Chunky Move, Tasdance, Expressions Dance Company, Beijing Dance/LDTX, Stompin and Frontier Danceland (Singapore) among others. She collaborates across theatre, film, opera, visual art and music video and has directed several large-scale public participation performances involving over 2500 participants.

Lake’s works have won Helpmann, Green Room and Australian Dance Awards for Outstanding Choreography and have been nominated for a Hong Kong Performance Award and a Buenos Aires Theatre Award for Best International Show. She is the recipient of a prestigious Sidney Myer Creative Fellowship, the Chloe Munro Fellowship, the Dame Peggy Van Praagh Choreographic Fellowship, and an Australia Council Fellowship for Dance. Her performance career spanned twenty years, during which she toured and danced extensively with Chunky Move, Lucy Guerin Inc and Phillip Adams’ BalletLab. Lake sits on the Victorian College of the Arts Advisory Board.

Image by Pedro Grieg

Dolson Rhona
Artistic Director and Choreographer

Submitted by Dolson Rhona on
English
Headshot of Beth Raywood Cross

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Beth Raywood Cross is the Executive Producer of Stephanie Lake Company, driving the company’s national and international growth across major festivals, touring and large-scale productions. With a background spanning producing, programming and arts leadership, Beth has worked across Australia’s leading cultural organisations, including The Australian Ballet, Insite Arts and Dancehouse, supporting new creations, artist development and strategy. She oversees SLC’s producing, touring, funding, partnerships and operations, and has been instrumental in delivering works such as Manifesto, Colossus, The Chronicles, VISTA and MASS MOVEMENT.

Dolson Rhona
Executive Producer

Submitted by Jeanclaude Katia on
English
Black logo of Hung Dance company

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Hung Dance is a Taiwanese contemporary dance company founded on May 5, 2017.Choreographer Lai Hung Chung serves as the artistic director, and the troupe's name comes from the Chinese character 翃 , meaning to fly. The company has adopted four core elements in its development: Annual productions, the International Collaboration Project (ICP) , International Tours, and the Stray Birds Dance Platform.

Currently, at the core of our annual productions are the works of Artistic Director, Lai Hung-Chung. His dances are inspired by daily life matters, taking internal emotions and physical states and putting them into dance movement. He is perceptive to the subtle relationship between people and nature, and extends elements of Tai Chi to integrate with contemporary thinking and cultivate a new dance vocabulary. In 2018, the short piece, Birdy, was developed into the dance company's first feature-length work, Boundless, which was invited to premiere in Madrid, Spain at the "Made in Taiwan-Taiwan en el C rculo", co-hosted by the Taiwan Embassy in Spain and the C rculo de Bellas Artes de Madrid. After premiering, the work then returned to Taiwan, to tour in Kaohsiung, Taipei and New Taipei City, and also toured in the Ivory Coast. The company's second feature-length work was 2020's See You, which premiered at Taipei's Wellspring Theater and was nominated for the 19th Taishin Arts Award.

The international tours began at the founding of Hung Dance. Lai Hung-Chung's short pieces, Watcher and Birdy, were submitted to international choreography competitions and art festivals, winning 13 international awards. Following this success, the company embarked on an international tour that saw them perform in Europe, Asia, America, and Africa, with a total of 70 performances.

The development of the ICP began as, from its establishment, the company has had the opportunity to meet many like-minded and unique dancers while touring in different countries. The ICP invites international choreographers to Taiwan to tailor-make new works for Hung Dance, allowing the dancers the opportunity to work with international choreographers and learn dance vocabulary from different cultural backgrounds. The first international collaboration project was Out of Elegant, a work co-produced with Spanish choreographer Mario Bermudez Gil and performed at the Experimental Theater of the National Theatre in 2020. This collaboration also opened up a different network for international tour opportunities.

The Stray Birds Dance Platform (Stray Birds) project was proposed in 2018, in hopes of creating a bridge and providing opportunities for young choreographers to publish works on the platform. Furthermore, Lai Hung-Chung hoped to utilize the international network of contacts accumulated in recent years to invite international choreography competitions and art festivals to present awards, select dance works by youth talents to compete, and create opportunities to connect with the world.With a platform that connects the like-minded, we can establish connections between young choreographers and the international market. It is hoped that in the future, Stray Birds will become a large-scale international dance platform. Starting in 2022, we will be pleased to open applications to international works, deepening our international connections and fostering a positive, competitive environment.

Taiwanese contemporary dance

Submitted by Jeanclaude Katia on
English
Portrait Black and white of Lai Hung-Chung in a black costume

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"One of the best of the young choreographers working in Taiwan today."— Taipei Times, 2020

"Taiwanese choreographer Lai Hung-chung continues to show he’s a rising star." — Lucy Ribchester, The List.


Lai Hung-chung, a Taiwan National University of Arts graduate, founded Hung Dance in 2017, leaving a remarkable imprint on Taiwanese choreography. In 2016, he won gold and three awards at the Taiwan Creative Dance Competition, a record-setting feat. Lai's triumphs extended globally, garnering accolades in international choreography competitions.  

Lai's creation, rooted in the theme of freedom, incorporates Tai Chi elements with contemporary concepts, fostering an inventive dance vocabulary and pushing creative boundaries. Noteworthy pieces like "Boundless" (2018), "See You" (2020), "Formless Erosion" (2022), and "Birdy" (2023) reflect this ethos. "See You" received Taishin Arts Award nomination and earned acclaim at prestigious festivals, including 9 five-star reviews at the Edinburgh Fringe Festival and Adelaide Fringe Festival. "Birdy" sold out all its 20 shows at the Festival OFF Avignon in 2023.  

Lai drives international collaboration and supports emerging talents. He founded the Stray Birds Dance Platform in 2019, spotlighting innovative, international choreography and offering production and touring opportunities. Lai's commitment to diversifying Taiwan's dance scene is evident in his cultural exchanges and connections.  

In summary, Lai Hung-chung's Hung Dance legacy encompasses pioneering achievements, international recognition, and a commitment to enriching Taiwan's dance landscape through artistic exploration and global engagement.  

Choreographer
Description

 

On November 28, Banff Centre Presents brings bold contemporary dance to the mountains with BIRDY, an electrifying work from Taiwan’s acclaimed Hung Dance. Artistically rigorous and visually striking, BIRDY showcases the work of one of Taiwan’s most exciting choreographers in a performance that is both emotionally moving and visually stunning. Get tickets now for a night to remember.  

“...dancers, each adorned with a long pheasant feather, form tableaux expressing a longing for flight. And the magic of Birdy takes hold.”— Ariane Bavelier, Le Figaro

 

Performance Description

BIRDY, a captivating dance piece by acclaimed Taiwanese choreographer Lai Hung-chung, explores the interplay of freedom and limitations within Taiwan's communities. Lai delves into the subtle influences of emotions and historical echoes on social harmony through a blend of societal dynamics and personal narratives.

Using a cage and dreamer metaphor, Lai bridges personal struggles with broader societal contexts. The deconstruction of traditional Peking opera props, like the spear transformed into a cage-like symbol using rattan poles, symbolizes life's constraints.

Incorporating "Ling Zi" pheasant feathers, traditionally signifying warrior might, Lai reinterprets their meaning to empower individuals to redefine their consciousness. This exploration of freedom and self-awareness is visually depicted through the imagery of the Ling Zi, subtly suggesting life's delicate balance between limitations and aspirations.

Set to an eclectic mix of electronic and Chinese classical music, BIRDY reinterprets percussion and seamlessly blends Tai-chi with contemporary dance. It portrays the journey from tradition to modernity and conveys a powerful message that in this era, we can redefine class, freedom, and limitations while seeking balance and identity. 

 

Supported by 

Canada Council for the Arts Logo
AFA Logo
a group of 7 asian dancers on stage, wearing black clothes adn a long bird feather on their heads
Page Summary
Banff Centre Presents brings bold contemporary dance to the mountains with BIRDY, an electrifying work from Taiwan’s acclaimed Hung Dance, on November 28.
Exhibition
No
Free
No
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/online/mapSelect.asp?BOset::WSmap::seatmap::performance_ids=F8A785EE-F6DE-4B00-A16A-C31BB21C983B
Expandable Content
Frequently Asked Questions

Is this concert for all ages?

Yes. Birdy at Banff Centre is open to all ages.

 

 

Is seating assigned or general admission?

Seating for Birdy is assigned. Your seat will be selected when you purchase your ticket.

 

 

How long is the performance?

This performance lasts 60 minutes. No interval   

Where can I park?

Parking is available on the Banff Centre campus. We recommend arriving early to allow enough time to park and make your way to the venue. Please visit our Maps & Directions page to locate the closest lot or parking garage to the venue that you will be visiting. 

Event Parking (flat rate, will appear when events are occurring on campus) - $7.00 
Please download the HONK app and follow the instructions for paid parking. 
There will be an option called “Event” when logging into the HONK app. If you arrive early to dine on campus, you will also qualify for three-hour validation.

Find out more about our parking policies

Is the venue accessible?

Accessible seating at the Jenny Belzberg Theatre is available and can be selected directly when purchasing tickets online.

These seats are clearly identified during the ticket booking process. If you need assistance or have specific seating requirements, the Box Office is happy to help! Please contact us in advance so we can ensure the best possible arrangement for your visit.

Where can I eat before the show?

Make a night of it with dinner or drinks at Maclab Bistro, or enjoy spectacular wrap-around views of the surrounding mountain ranges at Vista Dining Room. Both are conveniently located on the Banff Centre campus. We recommend allowing plenty of time to dine before the performance.

Explore dining options

Can I stay overnight at Banff Centre?

Yes. Accommodation is available right on campus, making it easy to turn your concert experience into a Banff getaway. 

Explore accommodation

Computed Sort Date
1795919400
Event Subtitle
Nov. 28 | 7:30 PM | Jenny Belzberg Theatre
English
Body
Text artwork

Soundings: An Exhibition in Five Parts, installation view, Walter Phillips Gallery, Banff Centre for Arts and Creativity, 2021. Courtesy of Walter Phillips Gallery and ICI. Photo: Rita Taylor. Soundings is curated by Candice Hopkins and Dylan Robinson and the tour is organized by Independent Curators International (ICI). Learn more @curatorsintl

Candice Hopkins and Dylan Robinson, Land Poem (after Soundings)
Text, 2021, with audio version read by Cheryl L’Hirondelle, 2025
1:45 minutes, looped
Courtesy of Candice Hopkins and Dylan Robinson

Soundings: An Exhibition in Five Parts is the origin of the work, Land Poem (after Soundings) that was co-written by the exhibition’s curators, Candice Hopkins and Dylan Robinson for the iteration of the touring exhibition in its presentation at Walter Phillips Gallery in 2021.

At the core of the exhibition was the question, How can a score be a call and tool for decolonization? At Walter Phillips Gallery, the poem was displayed on an outdoor banner that was installed in the archway outside the building in which it is located. In this audio form, recorded in 2025 with celebrated multidisciplinary artist and singer/songwriter Cheryl L’Hirondelle, the poem has a new relationship to the building it references as audible within its entrance.

The travelling exhibition, Soundings: An Exhibition in Five Parts was organized by Independent Curators International (ICI). Land Poem (after Soundings) is presented as a part of the long-term exhibition, Listening Devices taking place outside of Walter Phillips Gallery.

Biographies

Candice Hopkins

Candice Hopkins is a citizen of Carcross/Tagish First Nation and lives in Red Hook, New York. Her writing and curatorial practice explore the intersections of history, contemporary art, and Indigeneity. She is executive director and chief curator of Forge Project, Taghkanic, New York, and fellow in Indigenous Art History and Curatorial Studies, Bard College. She is curator of the exhibitions Indian Theater: Native Performance, Art, and Self-Determination Since 1969, at the Hessel Museum of Art, and the touring exhibitions Soundings: An Exhibition in Five Parts, co-curated with Dylan Robinson, and ᑕᑯᒃᓴᐅᔪᒻᒪᕆᒃ Double Vision, featuring textiles, prints and drawings by Jessie Oonark, Janet Kigusiuq, and Victoria Mamnguqsualuk. She was the senior curator for the inaugural 2019 and 2022 editions of the Toronto Biennial of Art and part of the curatorial team for the Canadian Pavilion at the 58th Venice Biennale, featuring the work of the media collective Isuma; as well as documenta 14, Athens and Kassel; and Sakahàn: International Indigenous Art, National Gallery of Canada, Ottawa. Her notable essays include “The Gilded Gaze: Wealth and Economies on the Colonial Frontier,” in the documenta 14 Reader; “Outlawed Social Life,” in South as a State of Mind; and “The Appropriation Debates (or The Gallows of History),” in Saturation: Race, Art, and the Circulation of Value.

Dylan Robinson

Dylan Robinson is a xwélmexw (Stó:lō/Skwá First Nation) scholar and artist who seeks to prioritize Indigenous resurgence through writing, curation and inter-arts practice. He is the author of Hungry Listening: Resonant Theory for Indigenous Sound Studies, which received several national and international awards including the best book for the Native American and Indigenous Studies Association and the Wallace Berry award for Music Theory for the Society of Music Theory. Across his writing, he works with the sound of Halq’emeylem language to make space for the resonance and vibrancy of shxwelméxwelh concepts. His curatorial practice includes the Soundings exhibition which toured internationally from 2019—2025, and sxelxéles te tl'etl'áxel / designs for inviting, commissioned by Le Vivier for their new music festival La Semaine du Neuf. Robinson is a Professor in the Faculty of Arts at the University of British Columbia.

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Soundings_WPG_10.jpg
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Submitted by Sonia Zyvatkau… on
English
Graham Lessard

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Graham Lessard is a music producer, recording engineer and mixer based in Calgary, Alberta. Beginning with a rented 4 track cassette recorder in his parents' basement, he has spent the last 20 years helping musicians make records that sound like they imagined when they first wrote the songs. He has worked with Stars, the Barr Brothers, Timber Timbre, Caity Gyorgy, Reuben and the Dark, Shaela Miller, the Velveteins, and Samantha Savage Smith, among many others. Some of these projects have been nominated for JUNO awards and shortlisted for the Polaris Prize, but so far nothing has surpassed the thrill of hearing one of his recordings on the radio for the first time. Graham has also been faculty at Banff Centre and University of Lethbridge, mentoring up-and-coming audio professionals. In addition to his freelance music production work, he is currently Studio Manager at the National Music Centre.

Faculty
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