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Dancers on stage holding each others arms and lunging toward each other
Subtitle
A Performance by Hélène Simoneau Danse
Page Summary
Late Bloomer is a contemporary dance work that delves into the complexities of power, belonging, and human connection.
About the Program

Late Bloomer is a contemporary dance work that delves into the complexities of power, belonging, and human connection. How are we showing up for each other, how are we failing each other? What is the responsibility of the bystander? How is belonging connected to survival?

Through intricate choreography and atmospheric design, Late Bloomer explores the human need for connection and the profound consequences of being cast aside.

In collaboration with award-winning composer and multi-instrumentalist Angélica Negrón, dramaturg Melanie George, costume designer Quinn Czejkowski, and lighting designer David Ferri, Simoneau and her ensemble of dancers explore the subtle forces that shape group dynamics.

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Banff Centre is grateful to the following supporters for making this event possible

Submitted by Kate King Wale… on
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Portrait of Kevin Shannon

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Kevin J. Shannon (he/him) was born in Baltimore, Maryland, and is a graduate of The Juilliard School. He was a dancer with Hubbard Street Dance Chicago, where he performed leading roles in works by Kyle Abraham, Aszure Barton, Alejandro Cerrudo, Peter Chu, Sharon Eyal, William Forsythe, Jirí Kylián, Ohad Naharin, Crystal Pite, Twyla Tharp, and Robyn Mineko Williams among many others. As an educator, he has led and programmed the Hubbard Street Dance Chicago Summer Intensive, was on faculty for the Gibney Pro certificate program under the direction of Alexandra Wells and is currently a guest teacher for Hubbard Street Dance Chicago, José Limón Dance Company, and Gibney Company. Kevin has been a visiting artist for the School of The Art Institute of Chicago and a guest educator for the University of Chicago. Kevin is a certified IMAGE TECH for dancers™ teacher. He continues to perform as a freelance artist dancing with Brian Brooks/Moving Company, Flockworks Dance, Danielle Russo, Hélène Simoneau Danse, and kNonAme/Roderick George Artists. He has also had the privilege to stage the works of Robyn Mineko Williams.

Dancer

Submitted by Kate King Wale… on
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Headshot of Frances Samson

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Hailed by the Boston Globe as "absorbing, steadfast and compelling", Frances Lorraine Samson (she/her) is a New York based artist originally from Toronto, Canada. She has been featured by the Canadian Broadcasting Corporation (CBC), TEDx and Harper's Bazaar, and has had the honor of working for institutions such as The Juilliard School, SUNY Purchase College and the Danish National Academy of Music. Frances was a principal dancer with the Limón Dance Company from 2017-2023 and is currently on faculty for the Limón Institute. She has had the pleasure of collaborating with artists such as Twyla Tharp, Baye & Asa, Raúl Tamez, Madeline Hollander, Jamar Roberts, Aszure Barton, Francesca Harper and Kate Weare. Frances is the 2023 recipient of the Clive Barnes Award for Dance and is an unarmed actor combatant certified by The Society of American Fight Directors.

Dancer

Submitted by Kate King Wale… on
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Portrait of Amanda Sachs

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Amanda Sachs (she/her) is a freelance artist based in Denver, CO. Originally from New Jersey, she moved to San Francisco for the Alonzo King LINES Ballet Training Program. In 2014, Sachs joined The Francesca Harper Project in NYC where she performed in notable theaters such as The Joyce, Metropolitan Museum of Art, and Brooklyn Academy of Music. Amanda toured internationally with Metamorphosis Dance from 2013-2017. She was a company member of TU Dance from 2017-2020. During her time with the company she performed works including Alvin Ailey’s solo Witness and Night Creature, and Walking with Pearl: Africa Diaries by Jawole Willa Jo Zollar. She is an original member of Come Through, an evening-length collaboration with
GRAMMY-winning musician Bon Iver and TU Dance, which toured extensively. In 2021, she joined NW Dance Project in Portland. With NWDP, Amanda performed works by Ihsan Rustem, Yin Yue, Joseph Hernandez, Sarah Slipper, and Luca Veggetti. Amanda premiered in Ashwini Ramaswamy's Invisible Cities and Ben Frost’s Cold Air Rises as part of The Great Northern Festival in January 2023. Currently she is a guest artist with the Lyric Opera, Hélène Simoneau Danse, and PARA.MAR Dance Theatre. Amanda received an MSAB Creative Individuals grant in July 2024.

Dancer for performance of Late Bloomer

Submitted by Kate King Wale… on
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Portrait of Juan Duarte

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Juan Duarte (they/them) is a Brazilian Contemporary Ballet dancer based in Vancouver, Canada. After graduating from Bolshoi Ballet School and moving to Vancouver, they/he have trained with Lamondance Company and Arts Umbrella Dance Company, leading into working at Ballet BC, under the direction of Emily Molnar.

Since 2021 Juan started their journey as a freelancer where they/he have had the opportunity to work with Move The Company, Traverse City Dance Project, Corporeal Imago, Dance//Novella, Belle Spirale Dance Projects, Hélène Simoneau Danse and Aeriosa.

Juan continues to share their/his beauty and artistry with the world, and has been a powerful member of the queer scene in Vancouver. As an ambitious and dedicated performer Juan is looking forward to what the future has to offer, and is very excited to continue to explore the meaning of diversity in the dance industry.

Photo Credit: Rebecca Benoit

Dancer

Submitted by Kate King Wale… on
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Headshot of Melanie George

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Melanie George (she/her) is an educator, choreographer, scholar, and certified movement analyst. As a curator and dramaturg specializing in rooted jazz dance and adjacent dance forms, and contemporary dance-theatre, she has worked on projects for Urban Bush Women, Raja Feather Kelly, Hélène Simoneau, Dormeshia, Susan Marshall, Alice Sheppard, Kimberly Bartosik, and SW!NG OUT, among others. She is the Associate Curator and Scholar in Residence at Jacob’s Pillow, Assistant Professor in dance at Rutgers University, and has guest lectured at Harvard University, Yale School of Drama, and The Juilliard School. Named one of Dance Magazine’s 30 over 30, she is the recipient of the Outstanding Leadership Award from the National Dance Education Organization. Melanie is currently touring as emcee/dramaturg/movement explorer with the Bessie-Award winning LaTasha Barnes Presents The Jazz Continuum.

Dramaturg for Late Bloomer

Submitted by Kate King Wale… on
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Portrait of Joe Davis

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Joe (he/him) was raised in upstate New York, receiving his training under the direction of Jamey Leverett. He obtained his BFA from The Juilliard School with scholarships from The NYCDA Foundation and Cornell University. From 2016-2022 he joined BODYTRAFFIC, where he travelled to Algeria, Jakarta, and Hong Kong as a cultural ambassador. He has performed works by Jiř í Kyliá n, Crystal Pite, Nacho Duato, Micaela Taylor, Kyle Abraham, Hofesh Shechter, Alejandro Cerudo, Barak Marshall, Camille A. Brown, Twyla Tharp, amongst others. In 2019 he co-founded HD Theatre with Haley Heckethorn, which has been presented at LA Dance Festival, Palm Springs Choreography Festival, Laguna Dance Festival, Carmel Dance Festival, and has been in residency at Korzo Theatre (Netherlands), Windward School (Los Angeles) and DPAC (San Diego). As an educator, he has taught classes at Steps on Broadway, Loyola Marymount University, University of Arizona, Chapman University, Santa Monica College, UCLA and New York City Dance Alliance. He is currently on faculty at CalArts, and is a registered Dance Church® teacher, an all-inclusive and community driven outlet to dancing. Joe aims to create safe spaces for people of all identities and backgrounds through open dialogue, playful research and cacophonous laughter.

Dancer

Submitted by Kate King Wale… on
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Portrait of Paige Amicon

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Paige Amicon (she/her) is a Los Angeles based dance artist and teacher. Her performance experience includes works by Ate9 Dance Company/Danielle Agami, Santa Barbara Dance Theater/Brandon Whited, Hélène Simoneau, Yuval Sharon/Cleveland Orchestra, Long Beach Opera, Mallory Fabian and the Merce Cunningham Trust. She graduated from the University of North Carolina School of the Arts under Susan Jaffe with a BFA in Contemporary Dance.

Dancer

Submitted by Kate King Wale… on
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Portrait of Darren Young

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Multi-instrumentalist, composer, sound designer, music director, and educator Darren Young is an exciting artist with a diverse palette. He has been a featured performer with the Calgary Philharmonic Orchestra, New Music Edmonton, New Works Calgary, Kensington Sinfonia, Instrumental Society of Calgary, and Theatre Calgary. Darren is a core member of the experimental music collective Timepoint Ensemble and with them has given premieres of many new compositions. He also performs and records regularly as a member of the bands Diatessaron, Jung People, and Lucky Sonne. His compositions and sound designs have been heard in productions and installations in Toronto, Calgary, Vancouver, and many places in between. Darren recently composed music for the dance film “Odeon”, choreographed by Meghann Michalsky, which played at the 2024 Calgary International Film Festival. He is the President of the Classical Guitar Society of Calgary and has been on faculty at the MRU Conservatory since 2019.

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Banff Centre is dedicated to continuous improvement in our programs, services and resources as we strive to Create, Connect, Grow, Partner and Engage. Participant feedback plays a crucial role in the ongoing development of our programs, helping ensuring we continue to meet the evolving needs of our learners, artists and leaders.  

Through the collection and analysis of survey data, we gain valuable insights into the experiences of our learners, allowing us to respond effectively to emerging needs and opportunities for improvement.  Findings from these surveys, along with key demographics are shared across the organization to support evidence-informed decision making. By regularly assessing our results against Canadian and international post-secondary, arts and leadership sector benchmarks, we work to ensure that our programming remains relevant, inclusive, and aligned with global best practices.

You may receive several surveys throughout your relationship with Banff Centre, each designed to help us understand and improve our programming and participant experience:

  • Post-Program Survey - An opportunity to share feedback on your overall program experience, including learning outcomes, residency facilities, resources and program delivery
  • Hospitality Survey (for hotel guests)  - A chance to provide feedback on accommodations, dining, and guest services during your stay.
  • Alumni Survey - Reflections on the longer-term impact of participation on participants' careers, creative practice, leadership, networks, or personal development
  • Campus Wellness Survey - Insights into participants' well-being and experiences with campus supports, services, and environment.    

The information gathered through these surveys is used to guide program and operational improvements to enhance the participant experience. It is also used to assess the short and longer-term impacts of our programs, demonstrate accountability to participants and stakeholders, support grant applications, funder reporting requirements, and inform future investment in Banff Centre initiatives. 

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You spoke, we heard!

It is more than just a phrase; it is a commitment to continuous improvement. Your feedback drives our growth. By actively listening to your experiences and insights, we ensure our programming evolves to serve you better. Your voice is not only heard, but it shapes the decisions we make.

2024/2025 we saw:

  • Indigenous artists now receive full scholarships to all our Arts Programs
  • Revamped artist lounge: Thanks to funding from Recovery on Campus Alberta
  • New Indigenous Leadership programming: Child and Family Services

2025/2026 we offered:

  • 19 Newly renovated studios for writers and playwrights in Vinci Hall
  • Increase programming options and seats in our Indigenous Leadership and Literary Arts offerings.
  • Return of Cultural Leadership to the program offerings: Open now for recruitment
  • CLVB '33: A new performance space for programming
  • June we opened Îethka Mâkochî Ahogi Chi Pa Bi Ti: Îethka Territory House of Respect a redevelopment of the Farrally Hall building into an Indigenous Cultural Centre.

2026/2027 we are creating:

 

We are also working on: 

  • A new Strategic Plan 
  • Digital Arts Programming
  • Air-Conditioning in Lloyd Hall

How we are doing - Ranking out of 5 (2025/2026 Programming)

Additional Key Metrics

Arts Programs

Quality of learning experience - 4.4

Achievement of learning objectives - 4.2

I felt welcome and respected - 4.7

 

Leadership Programs

Quality of learning experience - 4.4

Achievement of learning objectives - 4.3

I felt welcome and respected - 4.8

Neither words nor pictures can do the Banff Centre justice. It is an incredible place—the scenery, the facilities, and the care and attention taken by the staff and faculty. If you ever have the opportunity to make the trip, I cannot recommend it highly enough. You will leave inspired, rejuvenated, and uplifted.

Hannah MacKenzie-Margulies - Alumni - Dancers Intensive 2026

Calling our Spirit's home the Indigenous woman's leadership program at the Banff Centre for The Arts was a completely unexpected but transformational program that I am so grateful to have taken part in. From the elder chats and teachings, to the deep and powerful conversations between participants, to the exercise that got me out of my comfort zone, I was deeply moved and impressed by the programming offered. Thank you! 

Francine Cunningham - Alumni - Calling Our Spirits Home: Indigenous Women in Leadership 2025

The connections made during our time together will forever reverberate in our practices. Perhaps it was the voices of the natural materials we all worked with, or the power of the mountains, or the respect and care that was given to each of our projects; every moment was magical. Our work was supported by the best facilitators and talented staff, in such good ways that it was impossible not to grow and reach new artistic heights. This residency will inform my future work for years to come!   

Diane Blunt - Alumni - Aknumustithis: Ecological Engagement Through the Seasons 2025

"The Cultural Leadership: Reflecting Forward with Wise Practices residency created a powerful space to re-imagine leadership beyond hierarchies. I’m leaving with new perspectives, meaningful connections, and friendships from far places that I know I’ll carry with me for a long time."

Ayse Barut - Alumni - Cultural Leadership: Reflecting Forward with Wise Practices

My two weeks at the Banff Centre amounted to so much more than the time and space to write, think, talk and create. I have the Banff Centre to thank for a breakthrough on my project, for 18 new and deeply meaningful friendships, and for showing me new possibilities for how to live in a world like ours at a time like this. I'll always be equal parts awestruck and incredibly grateful for my good fortune to have spent these magical weeks at the Banff Centre. What a gift for Canadian writers to have such a safe haven in the mountains. 

Michaela Cavanagh - Alumni - Literary Journalism 2025

Page Summary
Analysis of the program survey process and results
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Contact Us

Marie Dearing
Program Manager, Evaluations

Email: marie_dearing@banffcentre.ca
Phone: 403.431.0951

Office Location: Sally Borden Building, in-person Mon/Wed/Fri 9:00 AM - 5:00 PM

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