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Jorge Orta is an Argentinian born Paris based artist whose work centres on alternative modes of expression and representation resulting from extreme social and political unrest. Jorge’s practice began during the Argentinian dictatorship period (1972-1979) working with the mediums of video art, mail art, and large-scale public performances, and eventually led him to represent Argentina with Crónica Gráfica at the Biennale de Paris (1982). Pursuing an interdisciplinary and collective art practice, he founded the research groups Huapi and Ceac to create a bridge between contemporary art and mass audiences; staging the public performances, Transcurso Vital (1978), Testigos Blancos (1982), Madera y Trapo(1983), Arte Portable (1983), and Fusion de Sangre Latinoamericana (1984). Jorge has published several Manifestos, including Arte Constructor, Arte Catalizador, and Utopias Fundadoras.
An inventor of technology, Jorge developed a ceramic glass plate projection method that he later used to create his ephemeral Light Works paintings. He went on to stage many monumental Light Works in mythical sites of cultural significance across the world, including the Mount Aso volcano, Japan; Cappadocia, Turkey; the Zocòlo, Mexico City; the Gorges du Verdon; and the Venetian palaces along the Grand Canal, representing Argentina for the Venice Biennale in 1995. His five-week Light Paintingexpedition across the Andes culminating at Machu Picchu, and was witnessed by two-hundred thousand Peruvians (1992).
In 1991 he co-founded Studio Orta with his wife Lucy. Their collaborative practice realizes large scale installations and performances commenting on the social and ecological factors of human and environmental sustainability.