Catharine Chen is the editor of Arsenal Pulp Press, a small publisher located in Vancouver, on the traditional, ancestral, and unceded lands of the Musqueam, Squamish, and Tsleil-Waututh Nations, that has twice won the Jim Douglas Publisher of the Year award. Now in its 54th year, Arsenal publishes literary fiction, non-fiction, and poetry; LGBTQ2S+ and BIPOC voices; social issues and gender studies; graphic novels and non-fiction; children’s and young adult lit; and books in translation. Born and raised in Vancouver, Catharine earned an MFA in Creative Writing from the University of British Columbia before moving to Toronto to pursue a career in publishing. She is currently writing a short fiction collection, and she has done freelance work for Playwrights Theatre Centre, the Vancouver Writers Fest, HarperCollins Canada, Dundurn Press, Inhabit Media and Education, and Wattpad Books. 

Amal El-Mohtar is an award-winning writer of fiction, poetry, and criticism. Her stories and poems have appeared in magazines including Tor.com, Fireside Fiction, Lightspeed, Uncanny, Strange Horizons, Apex, Stone Telling, and Mythic Delirium; anthologies including The Djinn Falls in Love and Other Stories (2017), The Starlit Wood: New Fairy Tales (2016), Kaleidoscope: Diverse YA Science Fiction and Fantasy Stories (2014), and The Thackery T. Lambshead Cabinet of Curiosities (2011); and in her own collection, The Honey Month (2010). She is co-author, with Max Gladstone, of the multiple award-winning This is How You Lose the Time War. Her articles and reviews have appeared in the New York Times, NPR Books and on Tor.com. She has been the New York Times's science fiction and fantasy columnist since February 2018, and she is represented by DongWon Song of HMLA

Ai Jiang is a Chinese-Canadian writer, Ignyte, Bram Stoker, and Nebula Award winner, and Hugo, Astounding, Locus, Aurora, and BFSA Award finalist from Changle, Fujian currently residing in Toronto, Ontario. Her work can be found in F&SF, The Dark, The Masters Review, among others. She is the recipient of Odyssey Workshop's 2022 Fresh Voices Scholarship and the author of Linghun and I AM AI. The first book of her novella duology, A Palace Near the Wind, is forthcoming 2025 with Titan Books.

Born in Nigeria, Inua Ellams is a poet, playwright & performer, graphic artist & designer and founder of: The Midnight Run (an arts-filled, night-time, urban walking experience.), The Rhythm and Poetry Party (The R.A.P Party) which celebrates poetry & hip hop, and Poetry + Film / Hack (P+F/H) which celebrates Poetry and Film. Identity, Displacement & Destiny are reoccurring themes in his work, where he tries to mix the old with the new: traditional African oral storytelling with contemporary poetics, paint with pixel, texture with vector. His books are published by Flipped Eye, Akashic, Nine Arches, Penned In The Margins, Oberon & Methuen. 

Emma is Artist in Residence at Concordia University, and a Director and Dramaturg. She is the former Artistic and Executive Director of Playwrights’ Workshop Montreal, where for fourteen years, she dramaturgically collaborated on many plays, including Mizushōbai by Julie Tamiko Manning, Thy Woman’s Weeds by Erin Shields, Jabber by Marcus Youssef, Squawk by Megan Gail Coles, Instant by Erin Shields, I am Genius, Does Anyone Here Know Me? by Lois Brown, and Behaviour by Darrah Teitel.

Emma has directed new Canadian plays across the country, including Grace and Falling Trees by Megan Gail Coles, Okinum by Emilie Monnet (co-director), Refuge by Mary Vingoe, I Don’t Even Miss You by Elena Belyea, The Baklawa Recipe by Pascale Rafie. She co-founded Talisman Theatre for whom she directed, among others, the award-winning productions That Woman by Daniel Danis, Down Dangerous Passes Road by Michel Marc Bouchard, and The Medea Effect by Suzie Bastien. She co-created Skin, a performance piece with the interdisciplinary company The Bakery.

Emma is a recipient of LMDA’s Elliott Hayes Award for Outstanding Achievement in Dramaturgy, and the Conseil Québécois du théâtre Prix Sentinelle.  She is a graduate of Concordia University’s Theatre Department, and NTS’ Directing Program. She feeds her inner punk rocker by playing in basement bands The Tibaldos and The Dépanneurds

PHOTO: Bernardo Fernandez

Premee Mohamed is a Nebula, World Fantasy, and Aurora award-winning Indo-Caribbean scientist and speculative fiction author based in Edmonton, Alberta. She has also been a finalist for the Hugo, Ignyte, Locus, British Fantasy, and Crawford awards. Currently, she is the 2024 Edmonton Public Library writer-in-residence and an Assistant Editor at the short fiction audio venue Escape Pod. She is the author of the Beneath the Rising series of novels as well as several novellas. Her short fiction has appeared in many venues and she can be found on her website. 

Hazel Millar is the co-owner and co-publisher of Book*hug Press, a Canadian independent literary publisher working at the forefront of contemporary book culture. Hazel has been working in the publishing since 2009. In addition to her work with Book*hug Press, she is the Past Chair of the Board of the Literary Press Group of Canada and sits on several publishing-industry boards and advisory committees. She lives in Toronto with her husband, Jay Millar (aka the other half of Book*hug Press), their sons, and a cool, diva calico cat named Tess.

Dr. Douglas Kearney has published eight books ranging from poetry to essays. In 2023, Optic Subwoof, a collection of his Bagley Wright lectures, won the Poetry Foundation’s Pegasus Prize for Poetry Criticism and the CLMP Firecracker Award for Creative Nonfiction. His seventh, Sho, (Wave Books) is a Griffin Poetry Prize and Minnesota Book Award winner. Kearney is a Whiting Writers and Foundation for Contemporary Arts Cy Twombly awardee with residencies/fellowships including Cave Canem, The Rauschenberg Foundation, and The McKnight Foundation. He is a Samuel Russell Chair in the Humanities in the College of Liberal Arts and Associate Professor of English at the University of Minnesota–Twin Cities.