Brendan is a founding member of Broken Social Scene and a veteran indie rock performer who has been a member of various notable bands including By Divine Right, Blurtonia, Valley of the Giants, Len, and hHead.  He has also released two solo albums and been involved in many ground breaking projects including being featured in a documentary Open Your Mouth And Say... Mr. Chi Pig, released in 2010 as well as an interactive documentary series called City Sonic. He has also added Producer and founder of the record label Draper Street Records to his long list of credits. 

Raghavan has played/toured with Kurt Elling, Taylor Eigsti, Vijay Iyer, Ambrose Akinmusire, Eric Harland, Mark Turner, Aaron Parks, Greg Osby, Billy Childs, Benny Green, Geoffry Keezer, Terrell Stafford, Mike Moreno, Rodney Green, Logan Richardson, Fabian Almazan, Justin Brown, Dayna Stephens, Julian Lage, Gerald Clayton, Marcus Gilmore, Walter Smith III, among others.

Raghavan grew up in Northbrook, Illinois, just north of Chicago. At age eight he began studying Western and Indian percussion, and later switched to the double bass at seventeen. He studied bass with John Clayton at the University of Southern California and also with Robert Hurst. During his years in Los Angeles he recorded and played with many legendary West Coast musicians. In 2009 he was a semi-finalist in the Thelonious Monk International Jazz Bass Competition.

Harish Raghavan is a regular instructor at the Stanford Jazz Workshop and the Jazz at Centrum summer program in Port Townsend, Washington. He is featured on pianist Taylor Eigsti's 2010 Concord release, Daylight at Midnight.

New York based bassist, Linda Oh, has performed with the likes of Steve Wilson, Kenny Barron, Dave Douglas, Kevin Hayes and Cyrus Chestnut. She received an honorary mention at the 2009 Thelonious Monk Semi-Finals and received the 2010 Bell Award for Young Australian Jazz Artist of the year. Linda is working on a jazz quartet with string quartet concept called “Concert in the Dark” where the musicians play with specific movements throughout the audience with very minimal lighting to enhance the listening experience and create a spatial surround sound effect. She currently teaches bass at the Manhattan School of Music pre-college division.

Lucy Orta, Chair of Art & The Environment at University of the Arts London, is a Paris based installation artist whose work bridges fashion, sculpture, and architecture, to include social and environmental issues such as water pollution, waste recycling, global warming and population control. Through the use of diverse media, Lucy investigates the boundaries between the body and architecture (both structural and societal) while exploring issues of mobility, identity and communication. 

Through collaboration with artist Jorge Orta, the projects Refuge Wear (1993-1998) and Body Architecture (1996-2002) resulted in the creation of new modes of portable, lightweight, and autonomous structures for mobility, diaspora, and survival.  Her public intervention project Nexus Architecture (1994–2007), connected people from Toulouse, Johannesburg, Miami, London, to the Uyuni Salt Desert in Bolivia, through use of the body to create modular collective structures.  Lucy’s work has been the focus of major survey exhibitions at the Weiner Secession, Austria (1999); Contemporary Art Museum of the University of South Florida, for which she received the Andy Warhol Foundation for the Visual Arts Award (2001); and the Barbican Centre, London (2005).

Lucy Orta holds a BA from the School of Art and Design at Nottingham Trent University.  In recognition of her contribution to the field of visual art, she was awarded an honorary MFA from Nottingham Trent and an honorary Doctorate from the University of Brighton.  She was the inaugural Rootstein Hopkins Chair at London College of Fashion (2002–2007), and former Head of the Man & Humanity Master in Industrial Design at the Design Academy Eindhoven - a pioneering program which she co-founded with a goal to stimulate socially driven and sustainable design solutions. Lucy currently holds the position of Chair of Art and Environment at London College of Fashion, University of the Arts London.

Jorge Orta is an Argentinian born Paris based artist whose work centres on alternative modes of expression and representation resulting from extreme social and political unrest.  Jorge’s practice began during the Argentinian dictatorship period (1972-1979) working with the mediums of video art, mail art, and large-scale public performances, and eventually led him to represent Argentina with Crónica Gráfica at the Biennale de Paris (1982). Pursuing an interdisciplinary and collective art practice, he founded the research groups Huapi and Ceac to create a bridge between contemporary art and mass audiences; staging the public performances, Transcurso Vital (1978), Testigos Blancos (1982), Madera y Trapo(1983), Arte Portable (1983), and Fusion de Sangre Latinoamericana (1984). Jorge has published several Manifestos, including Arte Constructor, Arte Catalizador, and Utopias Fundadoras.

An inventor of technology, Jorge developed a ceramic glass plate projection method that he later used to create his ephemeral Light Works paintings. He went on to stage many monumental Light Works in mythical sites of cultural significance across the world, including the Mount Aso volcano, Japan; Cappadocia, Turkey; the Zocòlo, Mexico City; the Gorges du Verdon; and the Venetian palaces along the Grand Canal, representing Argentina for the Venice Biennale in 1995.  His five-week Light Paintingexpedition across the Andes culminating at Machu Picchu, and was witnessed by two-hundred thousand Peruvians (1992).

In 1991 he co-founded Studio Orta with his wife Lucy.  Their collaborative practice realizes large scale installations and performances commenting on the social and ecological factors of human and environmental sustainability. 

Jesse Wente is the Director of Film Programmes at TIFF Bell Lightbox, overseeing New Releases, series and TIFF Cinematheque programming and scheduling. His contributions to programming since the opening of TIFF Bell Lightbox in September 2010 include retrospectives on Roman Polanski, Paul Verhoeven, Ousmane Sembène, Oscar Micheaux, Studio Ghibli and Robert Altman. His first major curatorial project at TIFF Bell Lightbox was the landmark film programme First Peoples Cinema: 1500 Nations, One Tradition and its accompanying gallery exhibition, Home on Native Land, which took place in 2012. In the summer of 2013 he curated TOGA! The Reinvention of American Comedy which brought several of the key cast and crew members of Animal House together for an onstage reunion. Wente is co-organizer of Stanley Kubrick, the immensely popular exhibition that will have its Canadian premiere at TIFF Bell Lightbox in the fall of 2014. Prior to his appointment as Director of Film Programmes, Jesse Wente served as one of the Canadian features programmers for the Toronto International Film Festival and he has also programmed for the imagineNATIVE Film and Media Festival. He is well known as a film critic and broadcaster in Toronto and in Canada. Before joining TIFF, he was a weekly contributor to CBC Radio’s Metro Morning and covered film and pop culture for 20 other local CBC Radio programs. He has been a regular guest on CBC Newsworld’s News Morning and Weekend Edition, as well as Q, and TVO’s Saturday Night at the Movies.

Imre Szeman is Professor of Drama & Speech Communications and English Language & Literature at the University of Waterloo. He is also Adjunct Professor of Research and Graduate Studies at Ontario College of Art & Design University. Szeman is the recipient of the John Polanyi Prize in Literature (2000), the Petro-Canada Young Innovator Award (2003), the Scotiabank-AUCC Award for Excellence in Internationalization (2004), an Alexander von Humboldt Fellowship (2005-7), the President's Award for Excellence in Graduate Supervision at McMaster (2008), and the Killam Research Professorship, among other awards.

Szeman’s main areas of research are in the areas of energy and environmental studies, critical and cultural theory, social and political philosophy, and Canadian studies. His most recent books include: After Oil (2016); A Companion to Critical and Cultural Theory (2017); Fueling Culture: 101 Words for Energy and Environment (2017); Petrocultures: Oil, Politics, and Culture (2017); and Energy Humanities: An Anthology (co-ed, 2017). 

Greg Hollingshead has published three novels and four story collections. His collection The Roaring Girl won the Governor General’s Award for Fiction. His novel The Healer won the Rogers Writers’ Trust Fiction Prize and was shortlisted for the Giller Prize. His novel Bedlam was a Globe and Mail 100 Best Books of the Year and a New York Times Book Review Editor’s Choice. Professor Emeritus at the University of Alberta and former Chair of the Writers’ Union of Canada, Greg has received the Lieutenant Governor of Alberta Gold Medal for Excellence in the Arts and is a Member of the Order of Canada. He lives in Toronto with his wife Rosa Spricer. 

Ian Brown, the Rogers Communications Chair of the Literary Journalism for the past five summers, is an acclaimed roving feature writer for the Globe and Mail. He is equally well-known for his work on CBC radio, where he was the moderator of Talking Books for more than a decade, and hosted Sunday Morning and Later the Same Day. He also presents pre-eminent television documentary shows on TVO’s Doc Studio. With Paul Tough, he founded open letters, the first online magazine of first person journalism in letter form. He is the author of FreeWheeling--which won the National Business Book Award--and Man Overboard, and most recently edited the anthology What I Meant to Say: The Private Lives of Men. His book, The Boy in the Moon, was chosen by the New York Times as one of the ten best books of 2010. His most recent book, Sixty was shortlisted for the 2016 RBC Taylor Prize. In his spare time he paints, reads and skis in the back-country. He lives in Toronto with his wife and two children.

Barry Shffman has had a rich and varied career as a performer, recording artist, and administrator. A founding member of the St. Lawrence String Quartet, he appeared in over 2,000 concerts in venues around the globe and recorded several critically acclaimed discs during his 17 years with the ensemble. With the Quartet, he served as visiting artist at the University of Toronto from 1994-2006 and was a member of the faculty of Stanford University from 1998 to 2006.

 He currently serves as both the Associate Dean and Director of Chamber Music at the Glenn Gould School, and Dean of the Phil and Eli Taylor Performance Academy for Young Artists at the Royal Conservatory of Music in Toronto. He has also served in numerous roles at Banff Centre, including Director of Music Programs (2006-2010), Artistic Director of the Centre’s Summer Classical Music Programs (2010-2016), and  Director of the Banff International String Quartet Competition. Since 2009 he has been Executive Artistic Director of Music in the Morning in Vancouver. Most recently, he was appointed Artistic Director Designate of Rockport Music in Rockport, Massachusetts.

Mr. Shiffman is the recipient of the Nadia Boulanger Prize for Excellence in the Art of Teaching awarded by the Longy School of Cambridge, Massachusetts, and received an honorary doctorate from the University of Calgary.